Among them are Ghost, who sees what others do not. Ann, longing for love, and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself.Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds - Molochai, Twig, and the seductive Zillah (whose eyes are as green as limes) are on their own lost journey; slaking their ancient thirst for blood, looking for supple young flesh.They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself...

    Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether.Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon’s home state of Kentucky, the only other partner she has ever truly known—her troubled, charismatic childhood best friend, Teddy—reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

    She’s rich, beautiful, intelligent, and successful. None of this matters to her mom. Les-Bi-An. That’s all her mom sees.Even though Lizzie insists her mom’s antagonism does not bother her, Lizzie distances herself from her entire family. When her brother, Peter, calls her out of the blue to announce he’s getting married, Lizzie’s entire life changes drastically. Peter’s fiancée wants to bring the lesbian outcast back into the family. Will this desire cause Lizzie to lose everything dear to her?Sarah, Lizzie’s girlfriend, is ecstatic about this change in Lizzie’s personal life. Sarah, the hopeless romantic, wants it all, including settling down with the fiercely independent Lizzie.Can Lizzie be tamed? And can she survive her family and all of their secrets?

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops. The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works. "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch… It leave behind it a flavor, pungent and unsettling" —The New York Times Book Review

    I couldn't put this book down!” --Michelle Tea, author of Mermaid in Chelsea Creek

    No faces. No voices. No way to leave.Since Celeste has never really worried about being alone, the generous paycheck she’ll receive for her participation in the solitary psychological experiment seems like easy money.When she finds an injured hiker in the woods bordering her living compound, her strictly governed world is thrown into disarray. But even as she struggles with the morality of breaking the rules of the experiment, Celeste can’t deny her growing attraction to the kind and enigmatic Olivia Soldano. Still, how much can you really trust a stranger? And how much can you trust yourself when you know all the faces you’ve seen and voices you’ve heard for the past three years have only been your imagination?But what’s real? Celeste’s reality may lie somewhere between the absolute truth and a carefully constructed deception.Genre: RomanceEditor: Cath WalkerCover Designer: Judith Fellows

    She can't commit herself to a man when in her heart she knows it is relationships with women that she really wants to explore. Café owner Steph McKenzie inherited Anna's Place from her grandmother, but her ex-girlfriend’s betrayal has left her struggling both financially and emotionally. First Larissa stole her heart. Then she stole her money. Is Steph’s luck beginning to turn when a visiting stranger says she’s a business coach specializing in re-energizing flailing businesses and offers her help? The timing couldn’t be worse for either of them, but the attraction is undeniable. When ghosts from their pasts return to intrude on their fragile, budding relationship, hidden secrets may destroy any chance of a future together. Will Kara and Steph have the courage to stop running from love, and run toward it together?

    Enter Grey Wells, the owner and captain of the Veritas, and the most complicated person Lauren has ever met. Cold and distant one minute and then cautiously friendly the next, Lauren is compelled to get to know her better. What happens when she does, however, is enough to change both of their lives forever.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

    With a particular focus on obsession and the abnormal, We So Seldom Look On Love explores life at its quirky extremes, pushing past limits of convention into lives that are fantastic and heartbreakingly real. Whether writing about the dilemma of a two-headed man who attempts to expunge his own pain, the shock of a woman who discovers she has married a transsexual, the erotic delusions of a woman who repeatedly exposes her body to an unknown voyeur, or the bizarre predilections of a female necrophile (a story made into the acclaimed motion picture, "Kissed"), Gowdy convinces us with incisive detail, only to disarm us with black humor.

    It remains as fresh as when it was first published.

    But when she receives a call from the coroner, asking her to identify her lover's body, her bright dreams all turn to black. As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need.With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence.

    Their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. After Sophie is bitten on the hand while trying to feed a stray, perhaps rabies-infected cat, a series of small and ominous disasters begin to plague the Bentwoods' lives, revealing the fault lines and fractures in a marriage—and a society—wrenching itself apart.First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with "Billy Budd, The Great Gatsby, Miss Lonelyhearts, and Seize the Day."

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven