The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    Secretly in love with Midia, the wife of a banished revolutionary, Morn finds himself facing renewed bloodshed and disaster when Midia's husband returns, provoking a duel and the return of chaos that Morn has fought so hard to prevent.The first major work and the only play of Vladimir Nabokov, author of Lolita and Pnin, The Tragedy of Mister Morn is translated and published in English here for the first time, and is a moving study of the elusiveness of happiness, the power of imagination and the eternal battle between truth and fantasy.

    It was 1st published as a hardcover in 1897 by Archibald Constable & Co. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel & invasion literature. Structurally it's an epistolary novel, told as a series of letters, diary entries, ships' logs, etc. Literary critics have examined many themes in the novel, such as the role of women in Victorian culture, conventional & conservative sexuality, immigration, colonialism, folklore & postcolonialism. Altho Stoker didn't invent the vampire, the novel's influence on the popularity of vampires has been singularly responsible for many theatrical, film & tv interpretations since its publication.FRANKENSTEIN or The Modern Prometheus is a novel about a failed artificial life experiment that's produced a monster, written by Mary Shelley. She started writing the story when she was 18. It was published when she was 21. The 1st edition was published anonymously in London in 1818. Shelley's name appears on the 2nd edition, published in France in 1823. She'd travelled the region in which the story takes place. The topics of galvanism & other similar occult ideas were themes of conversation among her companions, particularly her future husband Percy Bysshe Shelley. The storyline was taken from a dream. She was talking with three writer-colleagues, Percy Bysshe Shelley, Lord Byron & John Polidori. They decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her storyline could be, she dreamt about a scientist who created life & was horrified by what he'd made. Then Frankenstein was written. Frankenstein is infused with some elements of the Gothic novel & the Romantic movement & is also considered to be an early example of sf. Brian Aldiss has argued it should be considered the 1st true sf story, because unlike in previous stories with fantastical elements resembling those of later sf, the central character "makes a deliberate decision" & "turns to modern experiments in the laboratory" to achieve fantastic results. The story is partially based on Giovanni Aldini's electrical experiments on dead & living animals & was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in its subtitle, The Modern Prometheus. It's had a considerable influence across literature & popular culture & spawned a complete genre of horror stories & films.

    Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky’s short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife’s suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.

    The stories are arranged in the order in which they were first published so they may be read in their proper sequence. A special section at the end of this volume contains 19 audiobooks from the Great Big Treasury of Beatrix Potter with their dramatic readings! Although each story stands on its own, several are linked together by events and characters. The following stories are included in this book: —"The Tale of Peter Rabbit" —"The Tale of Squirrel Nutkin" —"The Tailor of Gloucester" —"The Tale of Benjamin Bunny" —"The Tale of Mrs. Tiggy-Winkle" —"The Tale of Mr. Jeremy Fisher" —"The Story of a Fierce Bad Rabbit" —"The Story of Miss Moppet" —"The Tale of Tom Kitten" —"The Tale of Jemima Puddle-Duck" —"The Tale of the Flopsy Bunnies" —"The Tale of Mrs. Tittlemouse" —"Appley Dapply's Nursery Rhymes" —"The Tale of Johnny Town-Mouse" —"Cecily Parseley's Nursery Rhymes" —"The Pie and the Patty-Pan" —"The Roly-Poly Pudding" —"Ginger and Pickles" —"The Tale of Mr. Tod" —"The Tale of Pigling Bland" The world of Beatrix Potter is as appealing now as when it was first created at the turn of the twentieth century.

    The towering figure of Adam Trask dominates the story--a good man whose satanic wife revealed to him the shuddering ecstasies of lustful evilKate came into Adam's life unannounced, and left amidst the ringing echo of gunfire. Behind her were a shattered man and a shattered world, and two infant boys doomed to play out, once again, the tragic roles of another Adam's offspring. Ahead of her was a frenzied life of depravity and perversion, wealth..and terror.THE WAYWARD BUS traveled the back roads through lush California countryside. Its driver was a man of the land--lusty, hot-blooded, uninhibited. On the bus were a magnificent creature cursed with a heart of gold an an irresistible allure for men, a traveling salesman out strictly for laughs, a boy with the sweet sap of manhood urgent in him, a college girl pursuing a secret, passionate quest...In one climactic day--and night--the lives of these and all the other passengers on the wayward bus were changed. And the electricity that John Steinbeck creates in their relation ships provides both power and shock.--jacket description

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    To his beautiful secretary-mistress, he was a god-like hero to be served with her mind, soul and body. To his aristocratic young wife, he was an elemental force of nature to be tamed. To his millionaire father-in-law, he was a giant whose single error could be used to destroy him.What kind of man was Bjorn Faulkner? Only you, the reader, can decide.On one level, Night of January 16th is a totally gripping drama about the rise and destruction of a brilliant and ruthless man. On a deeper level, it is a superb dramatic objectification of Ayn Rand's vision of human strength and weakness. Since its original Broadway success, it has achieved vast worldwide popularity and acclaim.

    Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become 'real' at all" writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth.Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of "the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things."