Now, she explores an evocative new narrative while digging deeper into the themes first touched upon in her debut novel.David Judy knows what it's like to be bullied. Shy and gentle, with a soft voice and "a girl's name for a last name," he is a prime target. Thankfully, there's one girl David feels at ease with -- Valerie, the girl who's been dating his neighbor and sometimes-friend, Nick. Valerie is kind to David and pulls him into their circle of outcast friends, where he finally feels like he (sort of) belongs. So when David starts to suspect that Nick and his friend Jeremy are planning a revenge plot against their tormentors, he wrestles with whether or not to tell someone. By the time he finally works up the courage to say something...it's too late.David tries to put what he knows behind him -- to forget and move on -- but that's hard to do as senior year starts and he watches his old friend, Valerie, struggle in a deep, dark place of guilt and confusion. It's time to speak up. David may not be able to end bullying, but by standing up, he might just make a difference. And that's what matters.

    He later joins the prison's Pen Pal program with the hopes of finding someone who could help him escape the mental anguish he felt from daily prison life as well as the secrets from his past which led to his incarceration.

    This electrifying eBook novella featuring Will Trent is a prequel to Slaughter’s upcoming novel, Unseen.   Detective Will Trent is standing in a Georgia convenience store, waiting on an obstinate Icee frozen drink machine. To the surveillance cameras and bored staff of the Lil’ Dixie Gas-n-Go, however, Will appears to be someone very different—the menacing ex-con Bill Black. Going undercover as Bill, the Georgia Bureau of Investigation agent is about to infiltrate the most corrupt town in the most corrupt county in the new American South. But first: his Icee.   Everything changes in one horrific instant, as all hell breaks loose at the Lil’ Dixie. A cop is shot. A bag of cash goes flying across the floor. A young woman disappears while a killer takes off in a battered pick-up truck. Within seconds, Will is in pursuit.  Includes an exclusive preview of Karin Slaughter’s thrilling new novel of suspense, Unseen.

    Now, Jeremy’s whole world has been turned upside down—not the least of which by a brilliant, quiet blond man who tempts Jeremy to settle down for the first time ever.Recent kidnapping victim Charlie Merritt has always been better with computers than people, so when he’s drawn into the SF team’s investigation of his army colonel father’s corruption, he’s surprised to find acceptance and friendship—especially since his father never accepted who Charlie was. Even more surprising is the heated tension Charlie feels with sexy, tattooed Jeremy, Charlie’s opposite in almost every way.With tragedy and chaos all around them, temptation flashes hot, and Jeremy and Charlie can’t help but wonder why they’re trying so hard to be good...

    They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art.

    But she has no idea who sent it. Could it be from Peter Hillinger, the wealthy businessman who owns the shop next door and wants to win Allison’s heart? Or is it from Tyler Lawrence, Allison’s old boyfriend, who returns to town claiming a renewed faith and a changed life. Allison doesn’t know whom to trust. Should she follow her head or heart, or is there Someone else who can guide her toward the best path for her future?Wherever Love Takes UsAfter twenty-five years of marriage, Matt and Tessa Malone are struggling to recover financially and rebuild trust following a business failure. Then Matt inherits property in Oregon, and he wants to move the family there to make a fresh start. But Tessa can’t imagine giving up the cozy teashop she co-owns with her sister, or leaving her friends and family in Princeton. Whose dream will they follow, and how much will it cost their family? Can they resolve their differences and rebuild a love that seems lost?Tea for Two was orginally published in Kiss the Bride, and Wherever Love Takes Us was originally published in Wedded Bliss. These two novellas have been expanded, updated, and put together in one book.

    He willingly promises to take care of Fred’s sister and mother—after all, he has been quietly in love with Fred’s sister, Meg, for years.After a gruelling retreat across Spain, Jon finally returns to find England in the grip of a snowy winter. Thoughts of Meg have kept him going, but when he reaches her home, it is not Meg who meets him at the door but her cousin Rupert. Jon is devastated to learn that Rupert and Meg are to be wed in two days’ time.Despite Rupert’s efforts to keep them apart, Jon manages to talk to Meg, who does notnot want to marry her cousin. Meg suggests that she would be safe from Rupert’s threats if she married Jon instead.Without hesitation, Jon sets off through the icy conditions and deep snow to get a marriage licence before Rupert can force Meg to marry him. But d

    His work has been a huge favorite of lucky insiders like me for years, and now the secret is finally and definitely out." -Dennis Cooper, author of The Marbled Swarm

    Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska.Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.

    Ajax Penumbra seeks a book--the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. Late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially.

    He was five. Dimitri is a psychopath. And he’s still obsessed with just one person.Arlo Miller was born a victim, raised as his father’s punching bag and his mother’s scapegoat. Dimitri was his only protection, and they took him away.As children they clung to each other. As adults, they pretend neither remembers, while both harbor secret crushes. Dimitri hides his feelings behind a mask of indifference. Arlo hides his by falling for very bad men.When one of those men confronts Dimitri, this time Arlo commits a felony. Murder. But Dimitri won’t allow Arlo to take the fall. With the help of Dimitri’s mother and seven psychopaths, they now have twenty-four hours to fake an alibi, hide a body, and confess their true feelings for each other once and for all. Which is harder? Falling in love or getting away with murder?NOTE: This can be read as a stand-alone but these characters do make a cameo in Headcase (Necessary Evils, #4).

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    And then one day everything she has ever known disappears. Brek finds herself standing on a deserted train platform, covered in blood. As she tries to comprehend what is happening to her, a man from her past approaches and explains that she has been chosen to join the elite team of lawyers charged with prosecuting and defending souls at the Final Judgment. As Brek struggles to find her way back to her husband and daughter, she will discover that her first client holds the shocking secret of her fate. That seemingly disparate events during her life have conspired to bring her to a single moment in time that will determine her eternity. And that every act of kindness and cruelty sets in motion things beyond our wildest imaginations.

    The most action that Jamie sees happens when he is kidnapped by the supervillain of the week--and then waits for his boss, Captain Superior, to show up and rescue him. Again.On his most recent nabbing, Jamie gets to meet Tad, Terrorantula's new villainous apprentice. Even though they are supposed to be on opposite sides (or are they?), sparks fly almost immediately. So, when Tad offers to give Jamie much-needed self-defense classes, how could Jamie pass the opportunity to hang out with the coolest (and hottest) guy he knows?But Tad has a secret--one that threatens the budding relationship between the two teenage sidekicks, and could destroy Captain Superior forever.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.