Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X.Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry.Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...

    The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .'Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time.In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach.Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community.In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own.News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.

    headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship,As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.Can Alasdair overcome his natural reserve, and can Isla open her heart to love again? ***Readers of Christensen’s earlier books, The Good Sister and Isobel’s Promise, will love reconnecting with Bel and Matt while enjoying Isla Cameron’s unique story.

    Professional clubs clamoured to sign him, and a glittering future beckoned. And yet, his early promise remained unfulfilled, and Danny is back home in the tiny village of Barshaw to manage the struggling junior team he once played for. What’s more, he’s hiding a secret about a tragic night, thirteen years earlier, that changed the course of several lives. There’s only one Danny Garvey, they once chanted … and that’s the problem.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    His job in a bank puts him next to, but not in possession of, money. As a clerk he learns the principles of Double-Entry Bookkeeping and adapts them in his own dramatic fashion to settle his personal account with society.Under the column headed 'Aggravation' for offences received from society (unpleasantness of Bank Manager; general diminution of life caused by advertising), debit Christie; under 'Recompense' for offences given back to society (general removal of items of stationery; Pork Pie Purveyors Ltd. bomb hoax), credit Christie. All accounts are to be settled in full, and they are - in the most alarming way.B.S. Johnson was one of Britain's most original writers and Christie Malry's Own Double-Entry is his funniest book.

    "The City Is a Rising Tide" unfolds against a stunning backdrop of history, culture, and landscape -- from the Three Gorges Dam on the Yangtze to the refined vistas of Central Park, from the Cultural Revolution to the surreal world of moviemaking. In New York City, Justine Laxness works as a money manager at a nonprofit, the Aquinas Foundation. Justine's love for her boss, Peter, is unrequited, despite their deep friendship and extensive history: they first met in the early 1970s, when Justine was a child living in Beijing with her Christian family. Peter, then twenty-eight and stationed in China while working for Richard Nixon, had fallen in love with Justine's nanny, Su Chen -- a Communist revolutionary under Mao -- and still feels guilt for his part in her disappearance and death.Justine's obsession with Peter spurs her to embezzle funds from Aquinas and lend the money to James Nutter, a screenwriter and old college flame who has resurfaced in Justine's life after ten years. But every action she takes will have unforeseen ramifications, creating a tidal wave of betrayal and destruction. Lyrical and suspenseful by turns, "The City Is a Rising Tide" is an enchanting work of luminous prose and uncommon imagination.

    . .Scotland 1950sWalter MacMillan is bewitched by the clever, glamorous Jean Thompson and can't believe his luck when she agrees to marry him. Neither can she, for Walter represents a strong and steady and loving man who can perhaps quiet the demons inside her. Yet their home on remote Loch Doon soon becomes a prison for Jean and neither a young family, nor Walter's care, can seem to save her.Many years later Walter is with his adult children and adored grandchildren on the shores of Loch Doon where the family has been holidaying for two generations. But the shadows of the past stretch over them and will turn all their lives upside down on one fateful weekend.

    This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state. It is the sort of lethally funny cocktail of pathos, violence, and outrageous hilarity that only Irvine Welsh can pull off.

    Should D'Artagnan keep his promise and protect the headstrong and selfish King Louis or should he do what was right for France and put Philippe on the throne? But will Philippe really be a better King than Louis? Alexander Dumas' thrilling tale of one man's struggle with the conscience take us into 17th century France and examines the lives of people in power and those at their mercy

    For Lily and Jack, that moment comes when their baby daughter, home alone with Lily, pulls a pot of boiling water off the stove and suffers terrible burns. It is an accident, but the state suspects abuse and takes temporary custody of the child.To win her back, Lily and Jack must prove to strangers that they are good parents and that their daughter belongs with them and their two sons. They must convince others even as they struggle to once again believe it themselves...even as they begin to fall away from each other just when they most need to be together.Rachel Basch's remarkable debut is an eloquent and touching story about family and individuality, guilt and blame, and how love can fail us or save us, often to our great surprise. It is a book to be cherished, a rich novel that will linger in every reader's mind and heart.

    During a season of unprecedented success on the football field, he becomes increasingly obsessed with the threat of nuclear war. Both frightened and fascinated by the prospect, he listens to his team-mates discussing match tactics in much the same terms as military generals might contemplate global conflict. Offering a timely and topical look at human beings' obsession with conflict and confrontation, "End Zone" is a clever, playful and, above all, funny novel, which confirms DeLillo's status as one of the great American writers of the twentieth and twenty-first centuries, and reaffirms the unerring incisive accuracy of his portrayal of the modern world.

    

    In the short story collection Beautiful Blemish, Sampsell dives deep into the human psyche to reveal the layers of secret desire, loneliness and hope buried in our hearts. The stories in Beautiful Blemish display an American voice that mixes humor, experimentation, and unflinching pathos to full effect.

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel