But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a land where magic meets reality, and the result is a fictional world whose scope has fascinated generations.This edition presents all seven books—unabridged—in one impressive volume. The books are presented here in chronlogical order, each chapter graced with an illustration by the original artist, Pauline Baynes. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to readers of all ages, even fifty years after they were first published.

    and waitingAt twelve, Maggie had been thrown out of more boarding schools than she cared to remember. "Impossible to handle," they said—nasty, mean, disobedient, rebellious, thieving—anything they could say to explain why she must be removed from the school.Maggie was thin and pale, with shabby clothes and stringy hair, when she arrived at her new home. "It was a mistake to bring her here," said Maggie's great-aunts, whose huge stone house looked like another boarding school—or a prison. But they took her in anyway. After all, aside from Uncle Morris, they were Maggie's only living relatives.But from behind the closet door in the great and gloomy house, Maggie hears the faint whisperings, the beckoning voices. And in the forbidding house of her ancestors, Maggie finds magic ... the kind that lets her, for the first time, love and be loved.

    Meticulously researched and illustrated with many detailed drawings, this novel offers an exceptionally vivid and personal portrait of Native American life and customs.

    Promising religious freedom and fertile land, Polly's father, Reverend Rodgers, moves their Baptist community from England to the Minnesota prairie. After a treacherous journey across the sea and across this country, Polly finds that it is no paradise at all. Written with incredible heart and compassion, insight and sensitivity, Marion Dane Bauer has created one of the most sophisticated and courageous characters Dear America has seen.

    There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts.The Pushcart War was first published more than fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of One Hundred Books That Shaped the Twentieth Century, and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    She's the heroine, and her story is exciting -- but that's the trouble. Her story is always exciting in the same way. Sylvie longs to get away and explore the world outside the confines of her book. When she breaks the cardinal rule of all storybook characters and looks up at the Reader, Sylvie begins a journey that not even she could have anticipated. And what she accomplishes goes beyond any great good thing she could have imagined...

    Since second grade, they've shared secrets, good and bad. Now in seventh grade, Alison moves into the neighborhood. Stephanie hopes all three of them can be best friends, because Stephanie really likes Alison. But it looks as if it's going to be a case of two's company and three's a crowd. Can the girls' friendship be saved?

    Before they know it, the two find themselves at the center of an international art scandal, where no one — neighbors, parents, teachers — is spared from suspicion. As Petra and Calder are drawn clue by clue into a mysterious labyrinth, they must draw on their powers of intuition, their problem-solving skills, and their knowledge of Vermeer. Can they decipher a crime that has left even the FBI baffled?

    At least Once.Once I escaped from an orphanage to find Mum and Dad.Once I saved a girl called Zelda from a burning house.Once I made a Nazi with a toothache laugh.My name is Felix. This is my story.Once is the first in a series of children's novels about Felix, a Jewish orphan caught in the middle of the Holocaust, from Australian author Morris Gleitzman - author of Bumface and Boy Overboard. The next books in the series Then, Now and After are also available from Puffin.

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    When diphtheria strikes the village and the children of Clifton start dying, Jessie's mother sends her on a dangerous mission to bring back help. But beyond the walls of Clifton, Jessie discovers a world even more alien and threatening than she could have imagined, and soon she finds her own life in jeopardy. Can she get help before the children of Clifton, and Jessie herself, run out of time?

    Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. Author and editor Mary Mapes Dodge (1831-1905) was born in New York City. She served as editor of the children's magazine St. Nicholas, to which she attracted such writers as Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Frances Hodgson Burnett, and Rudyard Kipling. She also authored the short-fiction collection Irvington Stories (1864).

    But when you are a boy, the whole world can be your home. Men build houses and ships and sail off to discover strange new lands. But women must stay indoors, sewing stitches so fine that no one will ever see them. Our work is only visible if we do it badly. Aunt Elinor says I must be ladylike, like Sabine. But I will never be like Sabine in a thousand years...