As one claustrophobic day follows another, he wonders why no one has found him yet, whether his wife has given him up for dead, and how he'll get by in this society that looks so familiar, yet is so strange. In a vision of hell unlike any previously imagined, Budai must learn to survive in a world where words and meaning are unconnected. A suspenseful and haunting Hungarian classic. Translated by George Szirtes.Ferenc Karinthy was born in Budapest in 1921. He obtained a PhD in linguistics and went on to be a translator and editor, as well as an award-winning novelist, playwright, journalist and water polo champion. He is the author of over a dozen novels. Metropole is the first to be translated into English.

    

    With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." - The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." - The Christian Science Monitor.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    In one of the most original books of poetry to appear in the last decade, Jackself spins a kind of 'fictionalized autobiography' through nursery rhymes, riddles and cautionary tales, and through the many 'Jacks' of our folktale, legend, phrase and fable - everyman Jacks and no one Jacks, Jackdaw, Jack-O-Lantern, Jack Sprat, Cheapjack and Jack Frost. At once playful and terrifying, lyric and narratively compelling, Jackself is an unforgettable exploration of an innocence and childhood lost in the darker corners of Reiver country and of English folklore, and once more shows Polley as one of the most remarkable imaginations at work in poetry today.

    Winner of the Sandor Marai prize, and in the tradition of 'A Curious Incident' and 'Boy in the Striped Pyjamas', 'The White King' is the story about a young boy in a totalitarian state in a quest for his disappeared father."

    H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century.Other volumes in this series: Betjemen, Eliot, Plath, Hughes and Yeats.

    This lenticular journal cover sets in motion images of slithering, shuffling zombies from the bestselling graphic novel The Zombie Survival Guide: Recorded Attacks. Filled with lined pages, this all-purpose journal is perfect for jotting down notes, making to-do lists, plotting your own survival strategy, and is just the creepy thing for zombie fans everywhere.

    Soon it was gone, only to be succeeded by another. And another. Strange, Karinthy thought, it had been years since Budapest had streetcars. Only then did he realize he was suffering from an auditory hallucination of extraordinary intensity. What in fact Karinthy was suffering from was a brain tumor, not cancerous but hardly benign, though it was only much later—after spells of giddiness, fainting fits, friends remarking that his handwriting had altered, and books going blank before his eyes—that he consulted a doctor and embarked on a series of examinations that would lead to brain surgery. Karinthy’s description of his descent into illness and his observations of his symptoms, thoughts, and feelings, as well as of his friends’ and doctors’ varied responses to his predicament, are exact and engrossing and entirely free of self-pity. A Journey Round My Skull is not only an extraordinary piece of medical testimony, but a powerful work of literature—one that dances brilliantly on the edge of extinction.

    He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider.The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    In the wake of our nation's tragedy, poetry has taken on a new relevance in people's lives. As Dinitia Smith noted in The New York Times, "In the weeks since the terrorist attacks, people have been consoling themselves-and one another-with poetry in an almost unprecedented way."Poems to Live By features sixty of the finest poems by an international group of distinguished writers, including W. H. Auden, Czeslaw Milosz, Bertolt Brecht, Yehuda Amichai, Mary Oliver, Miguel de Unamuno, Gwendolyn Brooks, Billy Collins, Yusef Komunyakaa, and Sharon Olds. Agreeing with Kenneth Burke that literature is equipment for living, Murray has arranged the anthology in six sections that address our most urgent concerns: death and remembrance, fear and suffering, affirmations and rejoicings, warnings and instructions, war and rumors of war, meditations and conversations.Beginning with Faiz Ahmed Faiz's somber remembrance ('This is the way that autumn came to the trees: / it stripped them down to the skin') and concluding with D. H. Lawrence's simple and deep-felt "Pax," Poems to Live By addresses our need for wisdom in dark times, whether those times are personal or the ones we live through together.

    With an introduction by Walter Lowenfels.

    Luminous, resonant and profound, these poems trace the dying days of summer, ‘the hour of rust’, when memory is haunted by loss and decay. But in the silence that follows, as the soul is cast adrift, there is also reconciliation with the transience of all things; the knowledge that there is a place, ‘changeable, that will not betray’.

    His best-known work tells the tale of Rubashov, a Bolshevik 1917 revolutionary who is cast out, imprisoned and tried for treason by the Soviet government he'd helped create.Darkness at Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he relives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, it asks questions about ends and means that have relevance not only for the past but for the perilous present. It is —- as the Times Literary Supplement has declared —- "A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama."