But when the girls of Vinyl Destination enter a Battle of The Bands – to investigate and, of course, win – they learn that the shadowy corporate masters of the music industry plan to destroy the fledging world of digital music and blame it on Y2K. Now it’s time for Chris and the gang to dial up 56k (or more, pretty please) of justice so they can save the day once again!The critically-acclaimed team of writer Carly Usdin (The Avant-Guards) and Russ Manning Award-nominated artist Nina Vakueva (League of Legends: Ashe) reunite for a follow-up to Heavy Vinyl: Riot on The Radio, which was recognized as one of the 2018 YALSA Great Graphic Novels for Teens.

    A pizza shop worker goes on a series of visceral dates with her gynecologist; a slighted lover coughs up a forgotten childhood toy; an artist unknowingly becomes the subject of an intrusive admirer’s lust; a woman has a heated staring contest with the world’s oldest man. Powerful and precise, Rivas’s stories highlight the unreality within the real, simultaneously evoking humor, outrage, and awe.Contest judge Rigoberto González writes: “With this marvelous collection of short stories, Rivas places her finger on that pressure point, where adventure and dangerintersect, where fantasy and reality cross wires, and where desire ebbs and flows to the delight—or chagrin—of her female protagonists. Each story, unpredictable and startling,leaves a lasting impression. A Bright and Pleading Dagger is truly a compelling and unforgettable journey into the dark but poignant experiences of women.”

    “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.

    She’s visiting her old friend, the Earl’s heir Jimmy Yoxall—but she wants to spend a lot more time with Jimmy’s fiancée. The irrepressible Miss Fenella Carruth, with her laughing eyes and lush curves, is the most glorious woman Pat’s ever met, and it quickly becomes impossible to remember why she needs to stay at arm’s length.But while the women’s attraction grows, the tensions at Rodington Court get worse. Affairs, secrets, betrayals, and blackmail come to light. And when a body is discovered with a knife between the shoulderblades, it’s going to take Pat and Fen’s combined talents to prevent the murderer destroying all their lives.

    An eighteen-poem cycle on the death of his lover from AIDS emphasizes the power of love and its survival through pain and anger, and the tragedy and magnitude of a terrifying twist of fate and its effect on a generation.

    Work in her dad's body shop, sneak out with her friend Tara to go dancing, and watch the skies for freighter ships. It didn't even matter that Tara was a princess... until one day it very much did matter, and Pan had to say goodbye forever. Years later, when a charismatic pair of off-world gladiators show up on her doorstep, she finds that life may not be as small as she thought. On the run and off the galactic grid, Pan discovers the astonishing secrets of her neo-medieval world... and the intoxicating possibility of burning it all down.

    When a denizen from Salt Water City suffering from a mysterious flu comes into their midst, Peristrophe becomes infected and dies, prompting Kirilow to travel to Salt Water City, where the flu is now a pandemic, to find a new starfish who will help save her sisters. There, Kirilow meets Kora, a girl-woman desperate to save her family from the epidemic. Kora has everything Kirilow is looking for, except the will to abandon her own family. But before Kirilow can convince her, both are kidnapped by a group of powerful men to serve as test subjects for a new technology that can cure the mind of the body.Bold, beautiful, and wildly imaginative, The Tiger Flu is at once a female hero's saga, a cyberpunk thriller, and a convention-breaking cautionary tale--a striking metaphor for our complicated times.

    Lesbian and bi culture is ever-changing and here, journalist Daisy Jones unpicks outdated stereotypes and shows how, over the past few years, the style and shared language of queer women has slowly infiltrated the mainstream. (Think less hemp sandals, IKEA trips and nut milks and more freedom, expression, community. And Cate Blanchett.)From the dingy basement clubs of east London to the unchartered realms of TikTok, cutting in DIY mullets and christening Meryl Streep 'Daddy', Daisy explores the multifaceted nature of what it means to be lesbian or bi today, while also looking back and celebrating the past.The book shines a light on the never-ending process of coming out, what it's like to date as a queer woman, how physical nightlife spaces have evolved into online communities and the reasons why mental health issues have disproportionately impacted LGBTQ+ people.As someone immersed in the queer culture of women, Daisy brings both the personal perspective and a journalistic one to this changing landscape. Through interviews and lived experience, a cohesive image emerges: one which shows that being lesbian, bi, or anything in between, isn't necessarily always tied to gender, sexual practice or even romantic attraction.With verve, humour and razor-sharp prose, Daisy paints a vital and insightful modern day portrait of what it means to be a queer woman in 2021.

    Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood.McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

    But not for alternative girl Tabitha Denton; she hates her life. She is uninterested in boys, lonely, and sidelined by former friends at her suburban high school. When she picks up a zine at a punk concert, she finds an escape—an advertisement for a Riot Grrrl meet-up.At the meeting, Tabitha finds girls who are more like her and a place to belong. But just as Tabitha is settling in with her new friends and beginning to think she understands herself, eighteen-year-old Jackie Hardwick walks into a meeting and changes her world forever. The out-and-proud Jackie is unlike anyone Tabitha has ever known. As her feelings for Jackie grow, Tabitha begins to learn more about herself and the racial injustices of the punk scene, but to be with Jackie, she must also come to grips with her own privilege and stand up for what’s right.