In Laughing with Lucy, Davis and her long-time writing partner, Bob Carroll Jr., recount her rise in television and her many years working on the set and behind the scenes with Lucille Ball and Desi Arnaz. Lighthearted and witty, this book offers a trip back in time to the tumultuous early days of television.

    From its dawn in the 1660s to its twilight in the 1960s, Cliveden was an emblem of elite misbehaviour and intrigue. Conceived by the Duke of Buckingham as a retreat for his scandalous affair with Anna-Maria, Countess of Shrewsbury, the house later served as the backdrop for the Profumo Affair, which would bring down a government and change the course of British history.In the three hundred years between the Countess and Christine Keeler, the house was occupied by a dynasty of remarkable women: Elizabeth Villiers, an intellectual who brokered the rise and fall of governments; Augusta of Saxe-Gotha, a minor German royal who almost became queen of England; Harriet Duchess of Sutherland, the glittering society hostess turned political campaigner; and Nancy Astor, the consummate controversialist who became the first woman to take a seat in parliament. Under the direction of these women, Cliveden provided a stage for political plots and artistic premieres, hosted grieving monarchs and republican radicals, was idealised as a family home, and maligned as a threat to national security.The Mistresses of Cliveden is by turns a historical epic, a political thriller, a family drama, and an intimate history of the relationships between people and place. Above all, it is a story about sex and power, and the ways in which exceptional women have evaded, exploited, and confronted the expectations of their times.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

     From a cultured childhood in Provence, each sister was propelled into a world marked by shifting alliances, intrigue, and subterfuge. Marguerite, the eldest, whose resolution and spirit would be tested by the cold splendor of the Palais du Roi in Paris; Eleanor, whose soaring political aspirations would provoke her kingdom to civil war; Sanchia, the neglected wife of the richest man in England who bought himself the crown of Germany; and Beatrice, whose desire for sovereignty was so acute that she risked her life to earn her place at the royal table.

    Buckingham Palace is effectively an independent kingdom with its own rules and customs, now explained by Brian Hoey. Hundreds of anecdotes reveal the conditions in which the staff live and work and also their relationship with the Royals they serve.How does one get a job as personal footman to the Queen? Why does Prince Charles still have to send a note to her Page of the Backstairs requesting a meeting with his mother? How much do members of the household earn? Why does the Queen hate men in three-piece suits? Why are the Queen’s bedsheets six inches longer than Prince Philip’s? Why do her maids have to vacuum walking backwards? Why doesn’t the Queen allow square ice-cubes to be put in her drinks?

    Who was Katherine, the beautiful young aristocrat who became a bait to catch a king? Was she simply nave and innocent, a victim of her grasping family's scheming? Or was she brazen and abandoned, recklessly indulging in dissolute games with lovers in contempt of her royal position? Joanna Denny's enthralling new book once again plunges the reader into the heart of the ruthless intrigues of the Tudor court - and gives a sympathetic and poignant portrait of a girl tragically trapped and betrayed by her own family.

    Her childhood was loving and secure, his turbulent: the Duke's grandfather was assassinated, his father arrested, his family exiled, his parents separated by the time he was ten. For almost sixty years theirs have been among the most famous faces in the world—yet the personalities behind the image remain elusive, and the nature of their marriage is an enigma.Gyles Brandreth has met all the principal players in the story. He quotes no anonymous sources; he has known the Duke of Edinburgh for twenty-five years and has interviewed him. This is a unique and revealing portrait of a remarkable partnership.

    He’s had a pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt (they torched his home, the Savoy Palace). Helen Carr will paint a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts … and, if you follow Shakespeare, gave the most beautiful oration on England (‘this sceptred isle… this blessed plot’). An engrossing drama of political machinations, violence, romance and tragedy played out at the cusp of a new era.

    Wife, mother and head of state, who is the real Elizabeth? What do the headlines hide? How close to reality are the television interpretations? Once a minor royal, she is now one of the most recognisable women in the world. Admired by many, she has reigned through a period of unprecedented change, steering the monarchy through the end of an empire, public scandals and private losses. This in-depth history uses archives, recreations and eyewitness testimony to bring to life the story of this most remarkable woman.

    Acclaimed biographer Richard Hough examines Victoria's letters and diaries to skillfully bring to life the most famous marriage of the era.

    The English Civil War would set family against family, friend against friend, and its casualties were immense—a greater proportion of the population than in World War I. England had become a failed state.At the head of the disintegrating kingdom was the figure of the king: Charles I. In this vivid portrait—newly informed by previously unseen manuscripts, including royal correspondence between the king and his queen, some of it written in code—Leanda de Lisle depicts a man who was not cruel enough for his cruel times. He would not persecute his opponents in the bloody style of his Tudor antecedents, or throw his servants to the wolves to save his own skin in the time-honored royal style. He was tutored by his father in the rights and obligations of kings, but had none of his father's political subtlety and experience in survival. In a court of remarkable women he was happily married—but to a French Catholic princess, which caused consternation to his protestant subjects. Principled and high minded, he would pay a terrible price for the personal honor he so valued, and for having enemies more ruthless than he was. Nothing, however, would reflect on his character as much as the scene at his terrible death, speaking on the scaffold as a “martyr of the people.”In his own destruction Charles did not sow the seeds of the monarchy's destruction but its rebirth. England's revolution lasted eleven unhappy years and the Crown was then restored, to national rejoicing. Today England enjoys rule by parliament and monarch while the Church of England has the bishops Charles was determined to preserve. More radical religious experimenters took their faith to the New World and the seeds of a republic, leaving England to mend its wounds and restore its fortunes and future as the world's preeminent constitutional monarchy.

    Filled with vivid personalities, gossipy anecdotes, grand houses, and a wealth of period details--plus photographs, illustrations, quotes, and the finer points of Victorian and Edwardian etiquette--To Marry An English Lord is social history at its liveliest and most accessible.

    Though one of the most flamboyant free spirits of the late eighteenth century, Mary led a life that was marked by reversals of fortune. After being abandoned by her father, Mary was married, at age fifteen, to Thomas Robinson, whose dissipation landed the couple and their baby in debtors’ prison. On her release, Mary rose to become one of the London theater’s most alluring actresses, famously playing Perdita in The Winter’s Tale for a rapt audience that included the Prince of Wales, who fell madly in love with her. Never one to pass up an opportunity, she later used his ardent love letters for blackmail. After being struck down by paralysis, apparently following a miscarriage, she remade herself yet again, this time as a popular writer who was also admired by the leading intellectuals of the day.Filled with triumph and despair and grand accomplishments, the amazing life of “Perdita” is marvelously captured in this stunning biography.

    It decodes a life based on deception, providing an intimate and riveting portrayal of Houdini, the man and the legend.

    When Charles Dickens died in 1870, The Times of London successfully campaigned for his burial in Westminster Abbey, the final resting place of England's kings and heroes. Thousands flocked to mourn the best recognized and loved man of nineteenth-century England. His books had made them laugh, shown them the squalor and greed of English life, and also the power of personal virtue and the strength of ordinary people. In his last years Dickens drew adoring crowds to his public appearances, had met presidents and princes, and had amassed a fortune.Like a hero from his novels, Dickens trod a hard path to greatness. Born into a modest middle-class family, his young life was overturned when his profligate father was sent to debtors' prison and Dickens was forced into harsh and humiliating factory work. Yet through these early setbacks he developed his remarkable eye for all that was absurd, tragic, and redemptive in London life. He set out to succeed, and with extraordinary speed and energy made himself into the greatest English novelist of the century.Years later Dickens's daughter wrote to the author George Bernard Shaw, "If you could make the public understand that my father was not a joyous, jocose gentleman walking about the world with a plum pudding and a bowl of punch, you would greatly oblige me." Seen as the public champion of household harmony, Dickens tore his own life apart, betraying, deceiving, and breaking with friends and family while he pursued an obsessive love affair.Charles Dickens: A Life gives full measure to Dickens's heroic stature-his huge virtues both as a writer and as a human being- while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great-his indomitable energy, boldness, imagination, and showmanship-finally destroyed him. The man who emerges is one of extraordinary contradictions, whose vices and virtues were intertwined as surely as his life and his art.