Read it!"—CHRISTOPHER MOOREJoin cult favorite Tony Vigorito in his award-winning underground hit chronicling the party at the end of time. A mischievous artist kicks off a game of graffiti tag on a local overpass by painting the simple phrase, “Uh-oh.” An anonymous interlocutor writes back: “When?” Someone slyly answers: “Just a couple of days.” But what happens in just a couple of days? Professor Blip Korterly is arrested, his friend Dr. Flake Fountain is drafted into a shadow-government research project to develop the ultimate biological weapon, and an accidental outbreak turns into a merry-hearted, babble-inducing apocalypse that will either destroy humankind or take it to the next step in evolution."Just a Couple of Days. From this seemingly harmless bit of highway graffiti springs Tony Vigorito's inventive debut novel, a madcap adventure of a sinister government plot and an apocalyptic vision worthy of Kurt Vonnegut... After being conscripted as the genetics expert for a secret military project, Dr. Flake Fountain, a molecular geneticist at a major university, is thrust into the (literally) underground development of a biological agent with the power to disable enemies’ symbolic capacity, leaving them unable to communicate. But Just a Couple of Days is no mere sci-fi daydream. Vigorito’s research is impressive, and the narrative pops with linguistic acrobatics reminiscent of Tom Robbins… Vigorito engages in consistently dazzling wordplay, and readers will eagerly follow the narrative as it moves beyond the conventional boundaries of storytelling… An underground cult classic." —Kirkus Reviews

    Johnson begins with a sentence seemingly calibrated to the scale of the book he set himself to review: The long-awaited monetary history of the United States by Friedman and Schwartz is in every sense of the term a monumental scholarly achievement--monumental in its sheer bulk, monumental in the definitiveness of its treatment of innumerable issues, large and small . . . monumental, above all, in the theoretical and statistical effort and ingenuity that have been brought to bear on the solution of complex and subtle economic issues.Friedman and Schwartz marshaled massive historical data and sharp analytics to support the claim that monetary policy--steady control of the money supply--matters profoundly in the management of the nation's economy, especially in navigating serious economic fluctuations. In their influential chapter 7, The Great Contraction--which Princeton published in 1965 as a separate paperback--they address the central economic event of the century, the Depression. According to Hugh Rockoff, writing in January 1965: If Great Depressions could be prevented through timely actions by the monetary authority (or by a monetary rule), as Friedman and Schwartz had contended, then the case for market economies was measurably stronger.Milton Friedman won the Nobel Prize in Economics in 1976 for work related to A Monetary History as well as to his other Princeton University Press book, A Theory of the Consumption Function (1957).

    Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer's patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible-and that times and circumstances would ever allow them to publicly admit.

    As she puts it: “The economic game is not supposed to be rigged like some shady ring toss on a carnival midway.” Yet it has been, allowing corporate crooks to bilk the public out of trillions of dollars, magically making our pensions and 401(k)s disappear and walking away with astronomical payouts and absurdly lavish perks-for-life.The media have put their fingers on pieces of the sordid puzzle, but Pigs at the Trough presents the whole ugly picture of what’s really going on for the first time—a blistering, wickedly witty portrait of exactly how and why the worst and the greediest are running American business and government into the ground.Tyco’s Dennis Kozlowski, Adelphia’s John Rigas, and the Three Horsemen of the Enron Apocalypse—Ken Lay, Jeff Skilling, and Andrew Fastow—are not just a few bad apples. They are manifestations of a megatrend in corporate leadership—the rise of a callous and avaricious mind-set that is wildly out of whack with the core values of the average American. WorldCom, Enron, Adelphia, Tyco, AOL, Xerox, Merrill Lynch, and the other scandals are only the tip of the tip of the corruption iceberg.Making the case that our public watchdogs have become little more than obedient lapdogs, unwilling to bite the corporate hand that feeds them, Arianna Huffington turns the spotlight on the tough reforms we must demand from Washington. We need, she argues, to go way beyond the lame Corporate Responsibility Act if we are to stop the voracious corporate predators from eating away at the very foundations of our democracy.Devastatingly funny and powerfully indicting, Pigs at the Trough is a rousing call to arms and a must-read for all those who are outraged by the scandalous state of corporate America.From the Hardcover edition.

    Her stories not only bring to life the urban milieu that was her bailiwick but lay bare the uncertainties and disappointments of ordinary people living ordinary lives.

    Compiled by the staff and contributors of Mojo magazine, The Mojo Collection tells the stories behind the greatest albums of all time and the artists who made them.

    The Cannes Film Festival jury voted unanimously to award the 2004 Best Picture Award to Michael Moore and Fahrenheit 9/11. Since then, it has gone on to smash all box office records for a documentary and created an international discussion about the Bush administration and the war in Iraq. The Official Fahrenheit 9/11 Reader is a powerful and informative book that includes the complete screenplay of the most provocative film of the year. The book also includes extensive sources that back up all facts in the film, as well as articles, letters, photos, and cartoons about the most influential documentary of all time.

    Written with the propulsive energy and intelligence that marked his campaigns, Memoirs of General W. T. Sherman describes striking incidents and anecdotes and collects dozens of his incisive and often outspoken wartime orders and reports. This complex self-portrait of an innovative and relentless American warrior provides vivid, firsthand accounts of the war’s crucial events—Shiloh, Vicksburg, Chattanooga, the Atlanta campaign, the marches through Georgia and the Carolinas.Born in Ohio in 1820, Sherman spent many of his prewar years moving between the old South and the new West. His recollections of shipwrecks, gold rushes, vigilance committees, and banking panics colorfully evoke the restless and often reckless spirit of a nation in transformation. A conservative terrified by the anarchy he saw in secession, Sherman resigned his position as superintendent of a Louisiana military academy in 1861 and went North to endure defeat at Bull Run and humiliation in the press for his pessimistic views of Union prospects in Kentucky. His fortunes changed at Shiloh, where he regained his confidence and won the admiration and friendship of Ulysses S. Grant. Sherman became Grant’s most trusted subordinate, and over the next 18 months learned much from his commander about the irrelevancy of orthodox strategy to the realities of civil war in America.By the fall of 1864 Sherman’s thinking focused on the Southern society that supported the armies opposing him. Shunning supply lines and frontal assaults, he struck directly at the economic and psychological underpinnings of Confederate resistance. That this strategy inflicted pain and suffering upon the South he loved was a hard truth Sherman never tried to evade. “You cannot qualify war in harsher terms than I will,” he told the citizens of Atlanta before expelling them from their homes. “War is cruelty, and you cannot refine it….” Nor does he deny the exhilaration he felt while directing his terrifyingly powerful army. Yet Sherman’s near-apocalyptic campaign through the Carolinas ended in fierce controversy when he unsuccessfully tried to grant the South more lenient peace terms than favored by most in the North.Called hero and demon, liberator and destroyer, Sherman is an indelible figure of the American past. Nowhere is he more alive than in the pages of his illuminating and uncompromising Memoirs. This volume reprints the text of the revised edition of 1886, and includes a series of detailed maps prepared at Sherman’s request and appendices containing dozens of letters written in response to the 1875 first edition.

    He focuses his study on the question: Was the war inevitable, or could it have been avoided?Kagan takes issue with Thucydides' view that the war was inevitable, that the rise of the Athenian Empire in a world with an existing rival power made a clash between the two a certainty. Asserting instead that the origin of the war "cannot, without serious distortion, be treated in isolation from the internal history of the states involved," Kagan traces the connections between domestic politics, constitutional organization, and foreign affairs. He further examines the evidence to see what decisions were made that led to war, at each point asking whether a different decision would have been possible.

    Includes 200 pages of songs, incidental music and dialogue cues.

    And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched.EXCERPTIn 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.

    News professionals are inclined to blame themselves, but the real culprit is technology and its competing demands on the public's time. The Internet is just the latest in a long series of new information technologies that have scattered the mass audience that newspapers once held. By isolating and describing the factors that made journalism work as a business in the past, Meyer provides a model that will make it work with the changing technologies of the present and future. He backs his argument with empirical evidence, supporting key points with statistical assessments of the quality and influence of the journalist's product, as well as its effects on business success.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

     In December 1953 Anthony Amedeo's world is nested in his Bronx neighborhood, his parents' Studebaker, the Paradise Theater, Yankee Stadium -- and in his imagination, where he longs for a stencil kit to decorate the windows like all the other kids on his street. Instead he gets a very different present: his uncle Malcolm's family. Malcolm is in jail for stealing -- once again -- from his last new job, and Anthony's aunt and twin cousins settle into the Amedeos' fifth-floor walk-up. Sharing a room with girls is excruciating for Anthony, despite his affinity for the twins. But the real change in Anthony's life comes one evening when he causes the unthinkable to happen, changing each family member's life forever. Evoking all the plenty and optimism of postwar America, Sacred Time spans three generations, taking us from the Bronx of the 1950s to contemporary Brooklyn. Keenly observing the dark side of family as well as its gracefulness, Hegi has outdone herself with this captivating novel about childhood's tenderness and the landscape of loneliness. Ultimately she reveals how the transforming power of a singular event can reverberate through a family for generations. With gravity and poise, Hegi turns her astute yet forgiving eye on the essential frailty and dignity of the human condition in this elegant and fast-paced novel.

    So, she dedicated herself to visiting 31 houses of worship over a period of as many weeks. A Month of Sundays is the story of her enlightening spiritual pilgrimage.In each chapter, Mars takes readers to a different scene -- whether it's a synagogue, a Baptist church, or a mosque -- and with each visit readers are able to piece together a more complete, heartfelt picture of faith, God, and the search for meaning. Along the way, a poignant memoir of the relationship between two sisters unfolds.Drifting in and out of her memories with her sister, a grief-stricken Mars weaves between past and present, moving readers along her narrative path. Her story spills out like that of an old friend sitting at the kitchen table, fanning out her photos, sharing her struggles. A generosity and lack of judgment season her tale, full of joy and loss. Early on in her memoir, Mars says of her dying sister, "I consider it an honor and a privilege to be with her, every day, as she reflects on the state of her soul." We could say the same of Julie Mars. (Summer 2005 Selection)