Powers's comic masterpiece is Father Urban, a man of the cloth who is also a man of the world. Charming, with an expansive vision of the spiritual life and a high tolerance for moral ambiguity, Urban enjoys a national reputation as a speaker on the religious circuit and has big plans for the future. But then the provincial head of his dowdy religious order banishes him to a retreat house in the Minnesota hinterlands. Father Urban soon bounces back, carrying God's word with undaunted enthusiasm through the golf courses, fishing lodges, and backyard barbecues of his new turf. Yet even as he triumphs his tribulations mount, and in the end his greatest success proves a setback from which he cannot recover.First published in 1962, Morte D'Urban has been praised by writers as various as Gore Vidal, William Gass, Mary Gordon, and Philip Roth. This beautifully observed, often hilarious tale of a most unlikely Knight of Faith is among the finest achievements of an author whose singular vision assures him a permanent place in American literature.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    She has a noble and exacting mind, a good waist, and a busted thesis project. She also has a yen for Nelson Denoon, a charismatic intellectual who is rumored to have founded a secretive and unorthodox utopian society in a remote corner of the Kalahari—one in which he is virtually the only man. What ensues is both a quest and an exuberant comedy of manners, a book that explores the deepest canyons of eros even as it asks large questions about the good society, the geopolitics of poverty, and the baffling mystery of what men and women really want.

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    At sixty-four Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction.

    In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”

    Joe Allston is a cantankerous, retired literary agent who is, in his own words, "just killing time until time gets around to killing me". His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, has not been his choice. He has passed through life as a spectator, before retreating to the woods of California in the 1970s with only his wife, Ruth, by his side. When an unexpected postcard from a long-lost friend arrives, Allston returns to the journals of a trip he has taken years before, a journey to his mother's birthplace where he once sought a link with his past. Uncovering this history floods Allston with memories, both grotesque and poignant, and finally vindicates him of his past and lays bare that Joe Allston has never been quite spectator enough.

    A dazzling fourth novel by the author of The Recognitions, Carpenter’s Gothic, and JR uses his considerable powers of observation and satirical sensibilities to take on the American legal system.

    Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

    In this haunting novel, distinctions are eroded between oppressor and oppressed, perpetrator and victim, narcissism and anonymity. Kosinski portrays men and women both aroused and desensitized by an environment that disdains the individual and seeks control over the imagination in his unforgettable and immensely provocative work.

    The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.

    On the 50th anniversary of its publication in November 1949, for which Algren was honored with the first National Book Award (which he received from none other than Eleanor Roosevelt at a ceremony in March 1950), Seven Stories is proud to release the first critical edition of an Algren work.A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems.The literary critic Malcolm Cowley called The Man with the Golden Arm Algren's defense of the individual, while Carl Sandburg wrote of its strange midnight dignity. A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.Special contributions by Russell Banks, Bettina Drew, James R. Giles, Carlo Rotella, William Savage, Lee Stringer, Studs Terkel, Kurt Vonnegut, and others.

    His older sister Karin returns reluctantly to their hometown to nurse Mark back from a traumatic head injury. But when he emerges from a protracted coma, Mark believes that this woman – who looks, acts, and sounds just like his sister – is really an identical impostor. Shattered by her brother’s refusal to recognize her, Karin contacts the cognitive neurologist Gerald Weber, famous for his case histories describing the infinitely bizarre worlds of brain disorder. Weber recognizes Mark as a rare case of Capgras Syndrome, a doubling delusion, and eagerly investigates. What he discovers in Mark slowly undermines even his own sense of being. Meanwhile, Mark, armed only with a note left by an anonymous witness, attempts to learn what happened the night of his inexplicable accident. The truth of that evening will change the lives of all three beyond recognition. Set against the Platte River’s massive spring migrations – one of the greatest spectacles in nature – The Echo Maker is a gripping mystery that explores the improvised human self and the even more precarious brain that splits us from and joins us to the rest of creation.

    The man accused of shooting a black girl, a storekeeper named Paris Trout, has no great feeling of guilt, nor fear that the system will fail to work his way. Trout becomes an embarrassment to the polite white society that prefers to hold itself high above such primitive prejudice. But the trial does not allow any hiding from the stark reality of social and racial tensions. Dexter, a former newspaper columnist, is also the author of "Deadwood" and "God's Pocket". Paris Trout won the 1988 National Book Award.

    With Ethan no longer a member of Long Island’s aristocratic class, his wife is restless, and his teenage children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards.Set in Steinbeck’s contemporary 1960 America, the novel explores the tenuous line between private and public honesty that today ranks it alongside his most acclaimed works of penetrating insight into the American condition. This edition features an introduction and notes by Steinbeck scholar Susan Shillinglaw.