Following an incident with an escaped tiger, Jaffy goes to work for Mr. Charles Jamrach, the famed importer of exotic animals, alongside Tim, a good but sometimes spitefully competitive boy. Thus begins a long, close friendship fraught with ambiguity and rivalry. Mr. Jamrach recruits the two boys to capture a fabled dragon during the course of a three-year whaling expedi­tion. Onboard, Jaffy and Tim enjoy the rough brotherhood of sailors and the brutal art of whale hunting. They even succeed in catching the reptilian beast. But when the ship’s whaling venture falls short of expecta­tions, the crew begins to regard the dragon—seething with feral power in its cage—as bad luck, a feeling that is cruelly reinforced when a violent storm sinks the ship. Drifting across an increasingly hallucinatory ocean, the sur­vivors, including Jaffy and Tim, are forced to confront their own place in the animal kingdom. Masterfully told, wildly atmospheric, and thundering with tension, Jamrach’s Mena­gerie is a truly haunting novel about friendship, sacrifice, and survival.

    Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden) yet 'it makes compulsive reading' in its description of an ordinary family struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Elizabeth Gaskell.

    K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    For three weeks, he had been afraid of going to sleep . . .'Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . .'A remarkable feat of imaginative and descriptive writing' The Times'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times'Truly Astonishing' Daily Telegraph

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    This Penguin Modern Classics edition includes an introduction by Ed Glinert, author of The London Compendium.It is 1938 and the prospect of war hangs over every London inhabitant. But the city simply doesn't stop. Everywhere people continue to work, drink, fall in love, fight and struggle to get on in life. At the lodging-house at No.10 Dulcimer Street, Kennington, the buttoned-up clerk Mr Josser returns home with the clock he has received as a retirement gift. The other residents include the faded actress Connie; tinned food-loving Mr Puddy; widowed landlady Mrs Vizzard (whose head is turned by her new lodger, a self-styled 'Professor of Spiritualism'); and flashy young mechanic Percy Boon, whose foray into stolen cars descends into something much, much worse...Norman Collins (1907-1982) was a British writer, and later a radio and television executive, who was responsible for creating Woman's Hour on BBC Radio 4, and became one of the major figures behind the establishment of the Independent Television (ITV) network in the UK. In all Norman Collins wrote 16 novels and two plays, including London Belongs to Me (1945), The Governor's Lady (1968) and The Husband's Story (1978).If you enjoyed London Belongs to Me, you might like Sam Selvon's The Lonely Londoners, also available in Penguin Modern Classics.'One of the great city novels: a sprawling celebration of the comedy, the savagery, the eccentricity and the quiet heroism at the heart of ordinary London life'Sarah Waters, author of The Night Watch

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of our century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, The White Hotel is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    This is the story of a trip backward in time in which a nostalgia for the quaint turns into a hideous nightmare.

    Finding the town all but deserted, she is party to the machinations of her socially mobile hosts in their attempts to gather a respectable crowd, and Austen assembles a classic cast of characters of varying degrees of absurdity of sense.The last of Austen’s fiction works, written in the year before her death, when she was gravely ill, Sanditon affords a glimpse of the ultimate creative powers and preoccupations of one of the greatest figures in English literature.

    Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.