Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts, both actual and literary, for writers who have most effectively memorialized the Great War as an historical experience with conspicuous imaginative and artistic meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac Rosenberg, and Wilfred Owen. In his new introduction Fussell discusses the critical responses to his work, the authors and works that inspired his own writing, and the elements which influence our understanding and memory of war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.Fussell's landmark study of World War I remains as original and gripping today as ever before: a literate, literary, and illuminating account of the Great War, the one that changed a generation, ushered in the modern era, and revolutionized how we see the world. 14 halftones.

    The astounding poetry in the Book of Job is restored to its powerful ancient meanings and rhythms. The account of creation in its Voice from the Whirlwind is beautiful and incendiary—an unforgettable challenge to the place of man in the universe. The serene fatalism that construes life as ephemeral and without purpose suffuses Ecclesiastes with a quiet beauty. The pithy maxims of Proverbs impart a worldly wisdom that is still sound and satirically shrewd.Each of these books conveys and undermines the universal wisdom that the righteous thrive and the wicked suffer in a rational moral order; together they are essential to the ancient canon that is the Hebrew Bible. In Alter’s translation they regain the energy and force of the original, enhancing their ongoing relevance to the lives of modern readers.

    As Rose learned, you don't have to live through an unhappy childhood or celebrity adulthood to write an autobiography. You just need patience, candor, and a close-to-scientific passion for truth. She begins to learn how to navigate the intricacies of Proust's novels, at the same time reflecting on the course of her own life.With striking honesty, Rose writes about marriage, friendship, childbirth, and her own mortality. As she moves from daily experience to what she's read and back again, she illuminates how the close reading of her own life reveals truths for the rest of us and how such a subtle celebration of books can help us live.

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    Concentrating on literary SF and (in the later chapters) cinema and TV, it also discusses the myriad forms this genre takes in the contemporary world, including a chapter on graphic novels, SF pop music, visual art and ufology. The author is ideally placed to write it: both an academic literary critic and also an acclaimed creative writer of science fiction, with five novels and many short stories to his credit. Written in lively, accessible prose, this study is specifically designed to bridge the worlds of academic criticism and the SF fandom.The History of Science Fiction argues that, even today, this flourishing cultural idiom is shaped by the forces that determined its rise to prominence in the 1600s: the dialogue between Protestant and Catholic worldviews, the emerging technologies of the industrial age, and the cultural anxieties and excitements of a rapidly changing world. Now available in paperback, it will be of interest to all students, researchers and fans of SF.

    Drawing on inspiring examples, from Socrates and Augustine to Malcolm X and Elena Ferrante, and from films to Hitz's own experiences as someone who walked away from elite university life in search of greater fulfillment, Lost in Thought is a passionate and timely reminder that a rich life is a life rich in thought.Today, when even the humanities are often defended only for their economic or political usefulness, Hitz says our intellectual lives are valuable not despite but because of their practical uselessness. And while anyone can have an intellectual life, she encourages academics in particular to get back in touch with the desire to learn for its own sake, and calls on universities to return to the person-to-person transmission of the habits of mind and heart that bring out the best in us.