Grass


Keum Suk Gendry-Kim - 2017
    Keum Suk Gendry-Kim emphasizes Lee’s strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee’s memories.The cartoonist Gendry-Kim’s interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee’s wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.

DC Universe: The Stories of Alan Moore


Alan MooreBill Willingham - 2003
    Collected in this volume—which no comics fan should be without—are all of Moore's Superman and Batman stories, including Action Comics #583, Batman Annual #11, Batman The Killing Joke, DC Comics Presents #85, Detective Comics #549-550, Green Lantern #188, The Omega Men #26-27, Secret Origins #10, Superman #423, Tales of the Green Lantern Corps Annual #2 & 3, Supermaqn Annual #11 and Vigilante #17-18.

The Twilight Man: Rod Serling and the Birth of Television


Koren Shadmi - 2019
    Before he became the revered master of science fiction, Rod Serling was a just a writer who had to fight to make his voice heard. He vehemently challenged the networks and viewership alike to expand their minds and standards―rejecting notions of censorship, racism and war. But it wasn’t until he began to write about real world enemies in the guise of aliens and monsters that people lent their ears. In doing so, he pushed the television industry to the edge of glory, and himself to the edge of sanity. Rod operated in a dimension beyond that of contemporary society, making him both a revolutionary and an outsider.

Superman on the Couch: What Superheroes Really Tell Us about Ourselves and Our Society


Danny Fingeroth - 2004
    Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.