With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past--even hiding the truth from her racist husband.Clare finds herself drawn to Irene's sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself--and her deception--into every part of Irene's stable existence. First published in 1929, Larsen's brilliant examination of the various ways in which we all seek to "pass," is as timely as ever.

    She's got two mothers, "one deaf-blind and the other four baby steps from flat crazy." She's got two men: a husband who's easing out the back door; and a best friend, who's laying siege to her heart in her front yard. And she has two families: the Fretts, who stole her and raised her right; and the Crabtrees, who won't forget how they were done wrong. Now, in Between, Georgia, a feud that began the night Nonny was born is escalating and threatening to expose family secrets.Ironically, it might be just what the town needs... if only Nonny weren't stuck in between.

    As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident--a tragedy that destroys not only a life but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.

    Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women-of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.

    He's a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that's neither here no there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And its all Eugene's fault.

    Mrs. Hawkins, the majestic narrator, takes us well in hand and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem that would ensue. Now decades older, thin, successful, and delighted with life in Italy--quite a far cry from Kensington--Mrs. Hawkins looks back to all those dark doings and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half...I offer this advice without fee; it is included in the price of this book."

    The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.

    During the twilight of a Sunday afternoon in March, New York book editor Phillip Carver receives an urgent phone call from each of his older, unmarried sisters. They plead with Phillip to help avert their widower father's impending remarriage to a younger woman. Hesitant to get embroiled in a family drama, he reluctantly agrees to go back south, only to discover the true motivation behind his sisters' concern. While there, Phillip is forced to confront his domineering siblings, a controlling patriarch, and flood of memories from his troubled past. Peter Taylor is one of the masters of Southern literature, whose work stands in the company of Eudora Welty, James Agee, and Walker Percy. In A Summons to Memphis, he has composed a richly evocative story of revenge, resolution, and redemption and given us a classic work of American literature.

    Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    The soldier-boy in the picture never changed. In a way that made him dependable. But he seemed so innocent. "Astronauts have been to the moon," she blurted out to the picture. "You missed Watergate. I was in the second grade."She stared at the picture, squinting her eyes, as if she expected it to come to life. But Dwayne had died with his secrets. Emmett was walking around with his. Anyone who survived Vietnam seemed to regard it as something personal and embarrassing. Granddad had said they were embarrassed that they were still alive. "I guess you're not embarrassed," she said to the picture.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    In Anthem, Rand examines a frightening future in which individuals have no name, no independence, and no values. Equality 7-2521 lives in the dark ages of the future where all decisions are made by committee, all people live in collectives, and all traces of individualism have been wiped out. Despite such a restrictive environment, the spark of individual thought and freedom still burns in him--a passion which he has been taught to call sinful. In a purely egalitarian world, Equality 7-2521 dares to stand apart from the herd--to think and choose for himself, to discover electricity, and to love the woman of his choice. Now he has been marked for death for committing the ultimate sin. In a world where the great "we" reign supreme, he has rediscovered the lost and holy word--"I."

    I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise, I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

    Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.