Widely regarded as a masterpiece of 19th century stories for children. Includes four black and white illustrations by Maria L. Kirk. Suitable for ages 8 and up.

    A trap is set for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.

    Its special story within a story is an irresistible invitation for readers to become part of the book itself. The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic, and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart. Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page...

    They will meet witches and armored bears, fallen angels and soul-eating specters. And in the end, the fate of both the living—and the dead—will rely on them.Phillip Pullman’s spellbinding His Dark Materials trilogy has captivated readers for over twenty years and won acclaim at every turn. It will have you questioning everything you know about your world and wondering what really lies just out of reach.

    Going from village to village with its act, ‘nobody’s boy’ has numerous adventures until his boss also falls on hard times and perishes, homeless and destitute. Remi’s life includes a number of surprising twists and turns, leading to a climax and a very happy conclusion when he is reunited with his family.

    In his lonely world, he soon learns to follow the harsh law of the North--kill or be killed. But nothing in White Fang's life can prepare him for the cruel owner who turns him into a vicious killer. Will White Fang ever know the kindness of a gentle master?

    Chebron, the son of a high Egyptian priest, flees for his life taking his sister Mysa, one of the household slaves Amuba and several companions with him. They escape through closely guarded Egyptian exits only to find themselves in unfamiliar and dangerous lands inhabited by a very different culture of people. Along the way, the roving band of refugees encounters and befriends a Hebrew girl, who exposes them to very strange ideas including the worship of "one true God."

    Baron Munchausen's astounding feats included riding cannonballs, traveling to the Moon, and pulling himself out of a bog by his own hair. Listeners delighted in hearing about these unlikely adventures, and in 1785, the stories were collected and published as Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. By the nineteenth century, the tales had undergone expansions and transformations by several notable authors and had been translated into many languages.A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.

    But why is it that his enthusiastic contribution is so seldom appreciated?Ten very funny stories about William - at war

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    Actor Mona 13 recites poetry and Shakespeare at the drop of a hat. Engineer Rush 12, mischievous, builds Meccano bridges. Miranda "Randy" 10 dances and paints pictures. Oliver, 6, calm and thoughtful, is a train engineer. Father writes. Housekeeper Cuffy mothers.

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    In a screened and secluded corner of one of the many railway-bridges which span the streets of London there could be seen a few years ago, from five o'clock every morning until half past eight, a tidily set-out coffee-stall, consisting of a trestle and board, upon which stood two large tin cans, with a small fire of charcoal burning under each so as to keep the coffee boiling during the early hours of the morning when the work-people were thronging into the city on their way to their daily toil...

    What does "spudvetch" mean? Why do Mr Kidd's eyes flicker with fluorescent blue light when Charlie says spudvetch to him? A high-powered adventure can end only with a Boom!

    That is, until she meets Austine—and discovers that Austine has the same secret! Soon the girls are best friends who do everything together—attending dance class, horseback riding, and dodging pesky Otis Spofford. But then Ellen does something terrible, and now Austine isn't speaking to her. Will Ellen be able to prove how sorry she truly is?