One will become our world. And Connie herself may strike the decisive blow...

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    Forget the old-fashioned sulphurous pit you may have read about. Over the millennia, Hell has evolved into a bustling metropolis with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo.Cassie thought she knew all about Hell. But when her twin sister, Lissa, committed suicide, Cassie found that she was able to travel to the real thing—the city itself. Now, even though she's still alive, Cassie is heading straight to Hell to find Lissa. And the sights she sees as she walks among the damned will never be in any tourist guidebook.

    . . What then, my God, shall I do?" The Purple Cloud is widely hailed as a masterpiece of science fiction and one of the best "last man" novels ever written. A deadly purple vapor passes over the world and annihilates all living creatures except one man, Adam Jeffson. He embarks on an epic journey across a silent and devastated planet, an apocalyptic Robinson Crusoe putting together the semblance of a normal life from the flotsam and jetsam of his former existence. As he descends into madness over the years, he becomes increasingly aware that his survival was no accident and that his destiny—and the fate of the human race—are part of a profound, cosmological plan.

    Joseph Malik, editor of a radical magazine, had snooped into rumors about an ancient secret society that was still alive and kicking. Now his offices have been bombed, he's missing, and the case has landed in the lap of a tough, cynical, streetwise New York detective. Saul Goodman knows he's stumbled onto something big - but even he can't guess how far into the pinnacles of power this conspiracy of evil has penetrated.Filled with sex and violence - in and out of time and space - the three books of The Illuminatus! Trilogy are only partly works of the imagination. They tackle all the cover-ups of our time — from who really shot the Kennedys to why there's a pyramid on a one-dollar bill — and suggest a mind-blowing truth.

    In fact, he can even write. And the story he has to tell is a truly disturbing—yet strangely heartwarming—one.Convinced he'll bring about a peaceful coexistence between zombies and humans if he can demonstrate his unique condition to Howard Stein, the man responsible for the zombie virus, Barnes sets off on a grueling cross-country journey to meet his maker. Along the way he recruits a small army of "super" zombies that will stop at nothing to reach their goal. There's Guts, the dreadlocked boy who can run like the wind; Joan, the matronly nurse adept at reattaching decaying appendages; Annie, the young girl with a fierce quick-draw; and Ros, who can actually speak. United they embark on an epic quest to attain what all men, women—and, apparently, zombies—yearn for: equality.Brains is a blood-soaked, darkly humorous story that will have readers rooting for Barnes and his zombie posse to the very end.

    But, after all, the fact that Mayor Jim Kunkel had first fired Stinger missiles into the Botanical Garden reflecting pool, massacring innocent picnickers, did require some kind of response. In this lovely seaside community, Turtle Pond Park is stocked with claymore mines and most houses are fronted by moats swimming with water moccasins or pits filled with wooden spikes.Amid all this bedlam, Pete Robinson, former third-grade teacher and amateur medievalist with a 1:32 scale model Inquisition-era interrogation chamber in his basement, has an epiphany: he should run for mayor. Here in Donald Antrim's first novel, are the elements that have made him one of the most critically acclaimed writers of our day: the unerringly astute and skewed observations, the precise and brilliant language, and the uncanny ability to create wildly funny narrative out of the margins of our culture.

    And like most criminals, he has one chance at freedom — to participate in The Darwin Games, a televised survival show which pits two players from each city against one another in The Barrens, the uninhabited areas outside the City Walls.He’ll also have to face another enemy — the zombies which still roam The Barrens.As he fights for his freedom against impossible odds, his daughter, Anastasia, stumbles into people who have information about her father — information which will change her life forever.But it will also put her in the crosshairs of her father’s enemies.

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    When Charles meets Leda, a woman who claims to have escaped from hell, he begins to suspect that the black planet is not at all what it appears to be. After Leda disappears, Charles sets out to find her with help from his stripper ex-girlfriend, the deadhead Jeanine. Along the way he will uncover the truth of the origins of the black planet, and discover the source of the mysterious voice that calls to Leda from the ocean waves.

    LeGuin's The Dispossessed, Arslan is a book that others are now measured against. "It's about fathers and sons, about power, about a genuinely ruthless (but not unfeeling) mind in pursuit of a practical solution to the world's problems." So M. J. Engh describes Arslan. This is a novel of power and depth that is unforgettable.

    But they do watch over us. They watch our lives unfold, analyzing us for repeating patterns and redundancies. When they find them, the angels simplify those patterns, they remove the redundancies, and the problem that is you gets solved.Carey doesn’t much like that idea. As a punk living in New York City, 1977, Carey is sick and tired of watching the strange kids with the unnoticeable faces abduct his friends. He doesn’t care about the rumors of tarmonsters in the sewers, or unkillable psychopaths invading the punk scene—all he wants is drink cheap beer and dispense asskickings.Kaitlyn isn’t sure what she’s doing with her life. She came to Hollywood in 2013 to be a stunt woman, but last night a former teen heartthrob tried to eat her, her best friend has just gone missing, and there’s an angel outside her apartment.Whatever she plans on doing with her life, it should probably happen in the few remaining minutes she has left of it.There are angels. There are demons. They are the same thing. It’s up to Carey and Kaitlyn to stop them. The survival of the human race is in their hands.We are, all of us, well and truly screwed.

    The waters rose, submerging New York City. But the residents adapted and it remained the bustling, vibrant metropolis it had always been. Though changed forever.Every street became a canal. Every skyscraper an island.Through the eyes of the varied inhabitants of one building, Kim Stanley Robinson shows us how one of our great cities will change with the rising tides.And how we too will change.

    Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

    He's not the only one to suffer this fate--in fact, he's surrounded by an outrageous cast of characters, including Humphrey Bogart, William Shakespeare, and almost all of the popes and most of the U.S. presidents. The question may be not who is in Hell but who isn't. McCord is living with Anne Boleyn in the afterlife but their happiness is, of course, constantly derailed by her obsession with Henry VIII (and the removal of her head at rather inopportune moments). One day McCord meets Dante's Beatrice, who believes there is a way out of Hell, and the next morning, during an exclusive on-camera interview with Satan, McCord realizes that Satan's omniscience, which he has always credited for the perfection of Hell's torments, may be a mirage--and Butler is off on a madcap romp about good, evil, free will, and the possibility of escape. Butler's depiction of Hell is original, intelligent, and fiercely comic, a book Dante might have celebrated.