It tells the story of St. Joseph's Doora-Barefield and covers the 2009 season.

    It's the first summer of lust for 14-year-old Jim Finnegan, a boy trying to become a man in 1980s Dublin. Jim's vivid and winning voice leaps off the page and into the reader's heart as he watches his parents argue, his five older sisters fight, and the local network of mothers gossip. Jim hilariously recounts his life dealing with the politics of his boisterous family, taking breakneck bike rides with his best friend, dancing to Foreigner on his boombox, and quietly coveting the local girls from afar. Over the summer, Jim wins the attention of a beautiful older girl, but he also becomes the unwilling target of a devious religious figure in the community. His life starts to unravel as he faces consequences from both his love for his girlfriend and his attempts to avoid the Parish Priest. When he and his girlfriend take a ferry for a clandestine trip to London, the dark and difficult repercussions from the trip force Jim to look for the solution to all his problems in some very unusual places. The Fields is an unforgettable story of an extraordinary character. It's a portrait of a boy who sinks into troubles as he grows into a man, and the loving but fractured family that might be his downfall -- or his salvation. Lyrical, funny, and endlessly inventive, it is a brilliant debut from a remarkable new voice.

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Playfully nicknamed "The Big Fellow," Collins began to take a key role in the uprisings, eventually becoming a revered revolutionary leader.Acclaimed writer Frank O'Connor, a man who himself fought in the Irish Civil War, traces Collin's life from the day he returned to Dublin to the day a young Irish soldier shot him dead on a country road.The Big Fellow achieves a narrative both probing and poetic as it chronicles the life of a man so charismatic that he made people "aware of his presence even when he was not visible, through that uncomfortable magnetism of the very air, a tingling of the nerves."

    The two shared the same genius, the same childhood influences, and had the same literary instinct, but in Stanislaus it was channeled into sober academic pursuit, while in James it evolved into gaiety, wild whimsy, and at times sodden despair. Covering the first twenty-two years of James Joyce's life in Dublin and Trieste, My Brother's Keeper is a window onto the drama that was his youth. Thanks to Stanislaus's superb memory and sure hand, here we find the Dublin of Dubliners: the streets, neighbors, churches, and unforgettable eccentrics. Here we see the model for Ulysses' Simon Dedalus: James' father, a dour and violent figure when in his cups. Here are the Joyces in their own home, and the minor characters that pepper A Portrait of the Artist: Eileen, Leopold Bloom's comely daughter; Mrs. Riordan, the surly teacher; Mr. Casey, the political agitator. And finally, here is Trieste, a place of exile for Stanislaus but a retreat for James. Stanislaus Joyce has fashioned both an invaluable primary source for his brother's opaque masterpieces and a loving memoir of his brother's early life.

    She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt.But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.Gorgeous and beautifully wrought, Snowflake is an affecting coming-of-age story about a young woman learning to navigate a world that constantly challenges her sense of self.

    You've known it from the beginning. This is the voice that rings in your ears. That worries you never say the right thing and you’re probably a disappointment to your parents. That you’re a far cry from pretty – and your thoughts are ugly too. It says no one will ever like you just as you are.But you know what it is to laugh with your best friend until your stomach hurts, to feel the first delicious tingles of attraction, to take exquisite pleasure in the goriness of your ingrowing toenail.There is a place for you out there. You just need to find it.TENNIS LESSONS is the unflinchingly honest story of one misfit and her uncertain journey to something like happiness. Stopping by each year along the way, she navigates disastrous dates, dead pets, crashed cars, best friends and lost loves. Susannah Dickey reminds us that we're all a bit weird. And that's just fine.

    When she moved from Paris to a beautiful coastguard cottage on the sea, she wanted peace and quiet and the space to grieve after her mother’s death. She never imagined that her mother’s eccentric best friend Lucille would insist on moving in to keep her company.With Lucille by her side, Ella finds herself laughing more than she has in years and it soon becomes clear that Lucille has her own reasons for coming to Sandy Cove: she wants Ella to help her move to her own little cottage by the sea. But then Lucille’s son Rory comes to town and her dream is under threat: he wants her in Tipperary, where she can safely grow old in their family home. Ella admires Lucille’s sense of adventure but she can’t help but wonder if Rory is right. Especially when she sees the rickety old cottage Lucille intends to buy and realises that the real reason she wants to escape could turn Rory’s life upside down.As Ella and Rory get closer, sharing a moment under the stars that feels meant to be, Ella finds herself caught between the man she is falling for and the loyalty she has to Lucille. Ella knows that she must convince Lucille to tell her family the truth, but it may force them to leave her and Sandy Cove for good…

    She was high-born, beautiful, and bright-haired. She was alone in a wood.It did not detract from the interest of the Situation, that She was mounted on a white horse, carried a hawk on her hand, and was fol lowed by a hound.

    The man and woman in these poems are husband and wife, custodians of ordinary, aging human love. They are not figures in a love poem. Time is their essential witness, and not their destroyer. A New York Times Notable Book and a Newsday Favorite Book of 2001.

    The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.

    Sinn Fein leader Gerry Adams offers his own unique, intimate account of the early years of his career, from his childhood in working-class Belfast to the more turbulent years of social activism that followed. An engaging and revealing self-portrait. photo insert.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    It is in this space, surrounded by countryside and wild creatures, that she can finally grapple with the chain of events that led her here-her shaky mental health, her difficult time in art school-and maybe, just maybe, regain her footing in art and life. As Frankie picks up photography once more, closely examining the natural world around her, she reconsiders seminal works of art and their relevance. With "prose that makes sure we look and listen," Sara Baume has written an elegant novel that is as much an exploration of wildness, the art world, mental illness, and community as it is a profoundly beautiful and powerful meditation on life.

    They both still live in the family's crumbling Irish mansion, communicating only through the terse and bitter notes they leave for each other in the hallway. But when their way of life is suddenly threatened by bankruptcy, Ella tries to save their home by opening a café in the ballroom – much to Roberta's disgust.As the café begin to thrive, the sisters are drawn into a new battle when Debbie, an American woman searching for her birth mother, starts working at the Ballroom Café. Debbie has little time left but as she sets out to discover who she really is and what happened to her mother, she is met by silence and lies at the local convent. Determined to discover the truth, she begins to uncover an adoption scandal that will rock both the community and the warring sisters.Powerful and poignant, The Secrets of Roscarbury Hall is a moving story of love lost and found.