Full color.

    Don’t Feed the Monster! ************************** One day Billy Monster to his great surprise, Found out he’d won the most fabulous prize An awesome new home to live in and share With his very own kid to pester and scare!

    Long out of print, this new edition of Never Tease a Weasel with art by the great New Yorker cartoonist George Booth will surely please a weasel, and everyone else who reads it!

    and Mrs. Brown first met Paddington, a most endearing bear from Darkest Peru on a railway platform in London. A sign hanging around his neck said, "Please look after this bear. Thank you" So that is just what they did.From the very first night when he attempted his first bath and ended up nearly flooding the house, Paddington was seldom far from imminent disaster. Jonathan and Judy were delighted with this havoc and even Mr. and Mrs. Brown had to admit that life seemed to be more filled with adventure when there was a bear in the house.

    In the crisp mountain air Wagamese felt a peace he’d seldom known before. Abused and abandoned as a kid, he’d grown up feeling there was nowhere he belonged. For years, only alcohol and moves from town to town seemed to ease the pain.In One Native Life , Wagamese looks back down the road he has travelled in reclaiming his identity and talks about the things he has learned as a human being, a man and an Ojibway in his fifty-two years. Whether he’s writing about playing baseball, running away with the circus, attending a sacred bundle ceremony or meeting Pierre Trudeau, he tells these stories in a healing spirit. Through them, Wagamese celebrates the learning journey his life has been.Free of rhetoric and anger despite the horrors he has faced, Wagamese’s prose resonates with a peace that has come from acceptance. Acceptance is an Aboriginal principle, and he has come to see that we are all neighbours here. One Native Life is his tribute to the people, the places and the events that have allowed him to stand in the sunshine and celebrate being alive.

    Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids—more than anyone will be able to imagine—he tried.

    Chu is a little panda with a big sneeze.When Chu sneezes, bad things happen.In dusty library, diner pepper, circus tent, Will Chu sneeze today?

    Grandpa was a magician who knows the most amazing tricks; he can pull a rabbit from a hat and make a coin disappear. But what Charlie loves most are his wonderful adventure stories, and they all begin with something his grandfather has saved in his Magic Story Chest. An hourglass is a reminder of how he defended the treasure in King Tut's tomb from raiders. A long white scarf inspires the story about Grandpa's dogfight with the notorious Red Baron, the great First World War fighter pilot. A coconut shell heralds the story about his encounter with a nasty Tyrannosaurus Rex. Charlie's parents, though, aren't too sure they like Grandpa's stories and warn Charlie that they're just "tall tales." What is Charlie to believe? How can his grandpa convince him that all you need to do is believe and a dream can be turned into something real?

    No more than eeny, meeny, miney, mo and who we were supposed to catch by the toe.Wish Mooney’s earliest memory in life is finding a corpse in the Waterford River. Jarring stuff for a four-year-old, yet far from the most shocking or bizarre he would witness growing up in west end St. John’s next door to the Waterford Hospital. Or, as it was unabashedly labelled before the advent of political correctness: the Mental.An unfortunate moniker, but one legitimately derived from the original name of the place—the Hospital for Mental and Nervous Diseases—when it opened in 1854. Not until 1972 would it be renamed after the river that runs by it. But in Mooney’s world, which revolved mostly in and around the asylum’s drab, depressing confines in the mid-1970s, it was colloquially the Mental, just as its largely despondent inhabitants were the mental patients.Thus was the oft-surreal environment that unavoidably enveloped Wish and the rest of the Irish Catholic Mooney clan, including the quietly acknowledged other realities of the place—the sad, the tragic, the maniacal. Little did Wish ever consider that any or all of that would come full circle later in life when, as the court reporter for the Daily News, he would be thrust into the middle of his own life story, replete with shocking conclusion.

    But it's 1967, and bigger things keep getting in the way. Digger is finding out who he is, what he believes, and what's worth fighting for.

    So when the three friends go canoeing together one sunny day, it doesn't take long for them to start quarreling with one another. First, they can't decide who should get to steer the canoe. Later, they debate how best to get across a beaver dam that blocks their way. But when they can't agree on the proper course for maneuvering through the white-water rapids they suddenly find themselves in, the consequences become truly perilous. It takes a long, uncomfortable night spent stranded on a rock to remind the bear, the moose and the beaver what they often forget: everything turns out better when they work together as a team. As with his other popular books in the Life in the Wild series, featuring these three lovable animal characters, author-illustrator Nicholas Oldland has created a funny romp of a picture book adventure for young children that will be a favorite choice in the classroom. Oldland's distinctive, simple and playful artwork tells much of the tale on its own, with lots of visual humor in the characters' facial expressions and the numerous asides throughout. At its core, this is a fun, contemporary fable that champions the importance of teamwork, cooperation and communication while also promoting the joys to be found in nature, specifically the wilder parts of the outdoors. This book could serve as an introduction to discussions on animals and their environments in the early grades as well.

    These eleven stories continue the adventures of Silas Ermineskin and his sidekick Frank Fencepost, as Kinsella returns to the Cree Indian reserve in Hobbema, Alberta, where his cast of zany characters, last seen in The Fencepost Chronicles and The Miss Hobbema Pageant, is at its wry best.Here Frank Fencepost, true to form as a fast-talking con artist, outwits the Alberta Supreme Court in a hilarious cattle-insemination case in "Bull." In the title story he becomes an evangelizing Robin Hood, turning the government-sponsored K-U-G-H radio show into a scheme to use listeners' donations to fund listeners' wishes (and incidentally line his pockets), and in "Miracle on Manitoba Street" he visits a Montana reserve where he carves a picture of the Virgin Mary on a derelict Frigidaire and convinces the local medicine woman it's a miracle—one worthy of an admission charge.Not all the stories are humorous: "Dream Catcher" grapples with sexual violence when Silas's twelve-year-old sister is assaulted and Mad Etta, the community's four-hundred-pound medicine woman, provides a nightmare "cure" for the would-be rapist; "Ice Man" depicts gender discrimination, as Jason Twelve Trees fights to participate in a cooking competition despite his father's wish for him to become a mechanic; and "The Rain Birds" shows the consequences of the government's computer-driven corporate farms riding roughshod over the human and natural environment in western Canada.

    Make sure the caterers don't serve devil's food cake to the Christian Women's Alliance- check. Tell my mother that having a séance to get rid of any unwanted spirits in the kitchen during dinnertime is not okay- check. Send a friendly reminder to all staff that the pens are colour coded for everyone's enjoyment, and therefore it is not a good idea to put them all in one jar in order to spice things up as was anonymously suggested- check. But, when an acclaimed hotel critic dies at the Inn, just before she's about to publish a scathing review that would ruin the business, Kate's life and checklists are thrown into disarray. And it doesn't help matters that the detective assigned to the case is messy, unorganized, and too charming for his own good. Now Kate has to prove her innocence and save her Inn, or else the only thing that she'll be organizing is the prison's next bake sale.

    It turns out the moose has a dream bigger then just being a moose—he wants to be an astronaut and go to the moon.His forest friends step in to help him, and action ensues. Lots of action. Like a lacrosse-playing grandma, a gigantic slingshot into space, and a flying, superhero chipmunk.In this hilarious romp, Richard T. Morris and bestselling illustrator Tom Lichtenheld remind us to dream big and, when we do, to aim for the moon.

    Nadia Sammurtok lovingly invites the reader into the amautik―the pouch in the back of a mother’s parka used to carry a child―to experience everything through the eyes of the baby nestled inside, from the cloudlike softness of the pouch to the glistening sound of Anaana’s laughter.Sweet and soothing, this book offers a unique perspective that will charm readers of all ages.