Growing up in the Atlantic City mob has left its mark on Anthony Russo. He wants to go legit, but sometimes the lawful world can prove to be just as dirty. And someone elses murder may be the only way to prevent his own.

    Two delinquents and a girl encounter real trouble when professionals take over their planned robbery.The novel was adapted by Jean-Luc Godard for his film Bande à part (Band of Outsiders, 1964).

    Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger -- and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.

    But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People's Revolutionary Army, who've decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life...The final, previously unpublished novel from the legendary Donald Westlake!

    If one of them can shoot like me... the odds are a damn sight better."In the course of his line of business, the man who calls himself Roy Martin has robbed a bank in Phoenix, killed three men, and caught a bullet in his arm. Safety--and one half of $178,000--awaits him on the other side of the country. All that separates "Martin" from his destination are two thousand treacherous miles and three lethal temptations: to trust the wrong friend, to love the right woman, and to start believing that a man like himself can ever be safe.The Name of the Game is Death combines a narrative as taut as a hangman's rope with chillingly authentic insights into the psychology of casual murder.

    The moment Frank Limosin sees gorgeous eighteen-year-old Suki Flood sitting on the rear deck of the red Trans Am in the hot empty desert, he feels trouble in the air. The Trans Am has a flat tire. They're over ten miles from the nearest highway. And Suki, dressed in short shorts and a tiny halter top, doesn't know how to change a tire. Against Suki's will, Frank gives her a lesson in tire changing, then he thinks that's it, he'll never see her again. How wrong can one man be? Because Suki turns out to be fifty times more trouble than Frank ever dreamed possible. He saved her once. Now he has to save her again and again and again . . .

    You've been alive about thirty years, been all over the world, know your way around the toughest, biggest cities. You're no pushover. You've had lead dug out of your shoulders, fractured a leg here, and broken an arm there. You're tough, see? No lily-of-the-valley. A real hard guy. And yet with all that, you can be dumb. Real dumb. Like when you shoot off your mouth just because you have a gun in your pocket." --Ed Noon, Private EyeEnter Ed Noon on the world scene. The tallest burlesque queen in the universe hires Noon to find her even taller lover, who has vanished under strange circumstances. He turns up stabbed and dead on the steps of the Museum of Natural History, and sets Noon on a twisted murderous missing diamond-encrusted trail that ultimately leads to the Statue of Liberty. Noon meets Lt. Mike Monks of NY’s Homicide Dept who will become not only a Captain, but also Noon’s greatest ally and friend over the next four decades.

    It's lean and smart and very good. I say, check it out.” Joe Lansdale Career criminal Longview Moody, on the run from killers, assumes his dead, twin brother's identity as the new Chief of Police of a Texas town that's being terrorized by a Mexican drug cartel. To pull off the deadly deception, Longview desperately works to become the kind of cop and man that his brother was. But when the two lives he’s living converge, he’s forced to embrace the violence within him to get justice...and vengeance. PRAISE FOR ‘DEAD MAN’S BADGE' “Robert Dunn unloads both barrels – DEAD MAN'S BADGE is a fast, furious shootout from beginning to end. This tale of corrupt cops, cartel killers, and one bad guy just trying to make good, lingers like gun smoke. Bloody, dark, and pistol-whip smart, it's Border noir at its best.” J. Todd Scott, author of THE FAR EMPTY “Fans of Clint Eastwood’s spaghetti westerns will find a lot to like.” Publishers Weekly "In Dunn's capable hands, readers will jump onboard for the ride. Dunn is a gifted writer and he opens DEAD MAN'S BADGE with one of the most gripping scenes I've ever read. Fans of grit will love this fast-paced book." Mystery Scene Magazine "Riveting thriller about coming back from the dead, revenge and redemption. The pages fly by even faster than the bodies pile up. DEAD MAN'S BADGE establishes Robert E. Dunn as a formidable new name in hard-boiled fiction." R.G Belsky, author of the Clare Carlson and Gil Malloy mystery series "DEAD MAN'S BADGE sizzles with suspense! Dunn promises action on page one of this thriller and delivers the goods nonstop to the very end." Margaret Mizushima, award-winning author of HUNTING HOUR. "Brutal, vivid, and unforgettable...a modern-day western morality tale in crime-novel wrapping with a blood-red bow. This one will haunt you." -Lee Goldberg, #1 New York Times bestselling author of TRUE FICTION "DEAD MAN’S BADGE is crazy good, a great story, non-stop action, and a brilliantly-crafted hero. Dunn hit it out of the park with this one". -Harry Hunsicker, former executive vice president of the Mystery Writers of America and the author of THE DEVIL’S COUNTRY

    It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    It begins with a beautiful woman dead, murdered—Vassilia Caroline Baird, known to all simply as V. That’s where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, SO MANY DOORS is Hall’s masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.

    Lt. Joe Scanlon manhunts the tawdry dives and deadly alleys of the slum jungle...his cover, a gorgeous lady cop who plays sex bait...his target, a one-shot assassin who's killing off the killers.

    For one thing, one of his dealers, Max ("the Money Man") Waxman, has just ripped him off. For another, his partner, Carmine Falcone, is in jail and threatening to cooperate with the government unless Masters gets him out fast.Then there are the Feds who have been trying to nail Masters for years. Two Treasury agents, John Vukovich and Richard Chance, are breathing down his neck. Chance is a reckless hotshot who doesn't believe in playing by the rules; he'll get evidence anyway he can. If he catches Masters and makes it stick, he's a hero. But if Chance is caught he's finished - unless he's willing to sacrifice Vukovich to save himself.

    He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”

    Action-packed stories featuring hit men, underworld bosses, rogue cops, private dicks, and shady ladies are assembled here, written by such renegade authors as Raymond Chandler, Dashiell Hammett, Ed McBain, Jim Thompson, James Ellroy, Robert Bellum, and Ed Gorman.