Not a good sign for Andrew Kindler, who just came from back east to get away from his past–as an arsonist. In fact, almost from the moment he sets foot in his cousin’s Santa Monica beach house, the heat starts swirling around him. First there’s the cop who thinks Andrew might know something about a murder suspect. Then there’s the suspect’s beautiful sister, who is willing to pay Andrew $5,000 for the same information.But Andrew really uninformed. And with a sensational murder case burning a hole in the gut of the LAPD–as well as the star-studded L.A. fitness industry–ignorance is dangerous. Now Andrew must solve a murder he knows nothing about, find a killer he’s never met, and unravel a family’s explosive secret. His reward for success? To live another day: one step ahead of his burning past... “An exceptionally well-crafted and well-told tale of arson, police work, misplaced zeal, bad relationships, good relationships, family bonds and, oh yes, exercise videos. Quirky, compelling, intelligent, and funny ... If you like Elmore Leonard, do yourself a favor and pick up BURN.”–Lincoln Journal Star “A cult writer for the masses–hip, smart and so mordantly funny that the casual reader might be laughing too hard to realize just how thoughtful Doolittle’s work is. Get on the bandwagon now.”–Laura Lippman, author of By a Spider’s Thread “Sean Doolittle combines wit, good humor, and a generosity of spirit rare in mystery fiction to create novels that are both engrossing and strangely uplifting. He deserves to take his place among the best in the genre.”–John Connolly, author of The White Road“An estimable addition not only to the publisher’s list but also to crime fiction ... Doolittle delivers a briskly plotted, hard-boiled mystery that has its roots in the Elmore Leonard school of dark comedy.”–South Florida Sun-Sentinel·Gold medal winner for mystery in ForeWord Magazine’s Book of the Year Award·A Best Crime Fiction of 2003 pick from January Magazine

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    But is Bedelia too good to be true? A mysterious new neighbor turns out to be a detective on the trail of a “kitten with claws of steel”—a picture-perfect wife with a string of dead husbands in her wake.Caspary builds this tale to a peak of psychological suspense as her characters are trapped together by a blizzard. The true Bedelia, the woman who chose murder over a life on the street, reveals how she turns male fantasies of superiority into a deadly con.Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; The Blackbirder; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; In a Lonely Place; Laura; Mother Finds a Body; Now, Voyager; Skyscraper; Stranger on Lesbos; Women's Barracks.

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    A Firebird transports a crew of glitter kids away from the city. Forget the trunk full of cash and illegal firearms. Forget the disco heist and sea of felonies left in their wake. They are five friends happily rolling down thunder road with no horizon in sight. They are YOUNG AMERICANS.

    Nevermind that he was the last one to see her alive. But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective. In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    But the beating turns to murder, and the murder into lust and desperation between Lydia and an underworld clean-up man. Meanwhile, overgrown frat boy car thieves take up cop killing as a side hobby. When these paths cross, a horror show of violence unfolds as they all slide into a hell of their own design, surrounded by the neon and noise of the casino strip on the Mississippi Gulf Coast. Violent, vivid, life at hyper-speed. This debut novel from the editor of Plots with Guns is a noir nightmare that asks how much is too much in a relationship, and what is the cost of leaving? Ken Bruen calls it the darkest song I've ever read.

    But what if, instead of having been founded 50 books ago, Hard Case Crime had been founded 50 years ago, by a rascal out to make a quick buck off the popularity of pulp fiction? Such a fellow might make a few enemies – especially after publishing a supposed non-fiction account of a heist at a Mob-run nightclub, actually penned by an 18-year-old showgirl. With both the cops and the crooks after them, our heroes are about to learn that reading and writing pulp novels is a lot more fun than living them...

    While Chicago cabbie Eddie Miles drives the city streets at midnight, two killers--one targeting prostitutes, the other cab drivers--are out plying their trade.

    The death of legendary private eye George Rowell looked like an accident; but searching for the truth behind it will put down-and-out East Village detective Payton Sherwood on the corpse-littered trail of a runaway investment scam artist, a drug-addicted reality TV star, and the bewitching beauty whose appearance set it all in motion...

    Bailey investigates the woman in an attempt to stop the extortion, and as the story unfolds, there are many twists and turns. Following The Double Take, Huggins turned his attention to creating memorable TV shows such as “Maverick,” “The Fugitive,” “City of Angels,” and “The Rockford Files.” Huggins passed away in 2002 at age 87.

    His prospects at the job are pretty miserable and, what’s more humiliating, his wife’s prospects at her job are pretty good. Richie knows he’s a good salesman, but he just can’t seem to land an account. And he’s starting to drink again. And worry about whether Paula’s seeing that old high school flame, or maybe someone new. It’s a little early, at thirty-four, for a mid-life crisis, but that’s pretty much what it feels like. And there’re those unwelcome memories of the neighborhood bully, Michael Rudnick and what he did to Richie when he was thirteen. Richie Segal’s feeling, well, abused.Just when Richie’s about as low as he can get, he runs into Rudnick on the street and knows exactly what he needs to do. And suddenly things seem to be going much better. That is until they get much, much worse. In the classic tradition of Jim Thompson and James M. Cain, Hard Feelings is novel that lets us into the mind of an ordinary guy capable of things that even he couldn’t have imagined.