Paris 1943: Lana Antanova is on her way to see her husband with the thrilling news that she is pregnant. But when she arrives at the convent where he teaches music, she’s horrified to see Gestapo officers execute him for hiding a Jewish girl in the piano. A few months later, grieving both her husband and her lost pregnancy, Lana is shocked when she’s approached to join the resistance on the French Riviera. As the daughter of a Russian countess, Lana has the perfect background to infiltrate the émigré community of Russian aristocrats who socialize with German officers, including the man who killed her husband. Lana’s cover story makes her the mistress of Guy Pascal, a wealthy Swiss industrialist and fellow resistance member, in whose villa in Cap Ferrat she lives. Together, they gather information on upcoming raids and help members of the Jewish community escape. Consumed by her work, she doesn’t expect to become attached to a young Jewish girl or wonder about the secrets held by the man whose house she shares. And as the Nazis’ deadly efforts intensify, her intention to protect those around her may put them all at risk instead. With Anita Abriel’s “heartfelt and memorable” (Pam Jenoff, New York Times bestselling author) storytelling, Lana’s War is a sweeping and suspenseful tale of survival and second chances during some of the darkest days of history.

    A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.

    He had seen men die in front of him and walked with Jewish prisoners straight off the cattle-trucks from Bergen- Belsen. He had nearly drowned, narrowly avoided being savaged by Alsatian guard dogs, been beaten by a pathological member of the SS and had his hand broken by a guard whilst attempting to feed a Russian prisoner.The family kept going through three and a half years of imprisonment, reinforced by their strong sense of survival and their loving support for each other, before a dramatic and violent liberation by Allied forces ended their ordeal. Yet when they were eventually returned to Guernsey, it was to find that their tranquil home had been stricken and scarred by Nazi occupation.Told through Steven Matthews’ own memories, as well as writing from his mother’s diaries and previously unpublished photographs, The Day the Nazis Came is an utterly unique memoir. Depicting the world of Nazi prison camps through the eyes of a child – a world in which the real dangers often seemed trivial and every day was a new adventure – it tells not just of the prisoners’ plight, but provides an important and poignant reminder that not every German soldier was cruel and hateful. Above all, it pays tribute to the preciousness of childhood, and shows that human kindness may flower in the unlikeliest of places.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    But Alicia never forgets the painting and what it represents, and after the war, she resolves to find the artist and recover what is hers.

    The Jewish girl seeks shelter from the Germans on the farm of the village outcast. Aleksei is mute and solitary, but as the brutal winter advances, he reluctantly takes her in and a delicate relationship develops.As her feelings towards Aleksei change, the war intrudes and Yael is forced to join a Jewish partisan group fighting in the woods.Torn apart and fighting for her life, The Song of the Stork is Yael's story of love, hope and survival. It is the story of one woman finding a voice as the voices around her are extinguished.What Reviewers and Readers Say:'An elegantly crafted, beautifully written novel about love, survival and hope against all the odds- The Song of the Stork is a reading experience to savour.' William Ryan'At once tightly written and suspenseful, Collishaw's historical novel is a darkly compassionate fable of human endurance in absolute extremity' Stevie Davies'The subtle melody of The Song of the Stork caught my soul with its first notes and didn't leave me until the very last ones. Stephen Collishaw takes your hand and leads you into a world of tragic beauty, inspiring strength and delicate kindness in the midst of horror and through this journey he reminds you of the sound of hope.' Aiste Diržiute'A harrowing novel about a Jewish girl abandoned in World War 2 and forced to fend for herself in a landscape crawling with sexual ambiguity and brutal violence. It’s a dark jewel that holds up for examination the proximity of terror and savagery to innocence and love. Yet The Song of The Stork is as much about the future as the past. Stephan Collishaw warns us how the times we live in might end up: with an oafish peasantry drunk on Brexit chasing children through the woods, just because their parents voted Remain.' Guy Kennaway' …a masterly work of condensed fiction that synthesises the art of a great writer with the knowledge of a keen researcher who has become immersed in the first-hand sources of the period… A beautiful book that will go down as one of the classics of the literature of the anti-Nazi partisans in the forests around Vilna during the Holocaust.' David Katz'The prose is sparse and understated and it reminded me at times of The Secret Diary of Anne Frank, which hints at the barbaric events going on in the world without ever displaying them in all their technicolour horror... The writing is hauntingly beautiful and poetic.' Madhouse Family Reviews'It is a refreshing read that is full of so much love and hope... I really loved this book, and is one that I have already been recommending.' The Reading Lodge'There are so many beautiful moments in the story, acts of kindness and small mercies that show human nature at its best... he gets under the skin of his characters and brings them fully to life on the page.' One More Page blog'The Song of the Stork is a beautifully written and poignant novel about a young girl in Poland during the Second World War… a moving read about an awful period in history, which is in fact troublingly relevant in the current political climate.' A View from the Balcony blog'Collishaw has done a fine job of balancing historical reality with the license of fiction, the grim facts of the holocaust with the poignancy of love, and through all it, he manages to offer a sense of optimism.' Words and Leaves blog

    Standing in the shadow of the Holocaust, this episode of European history is often overlooked. Wesley Adamczyk's gripping memoir, When God Looked the Other Way, now gives voice to the hundreds of thousands of victims of Soviet barbarism.Adamczyk was a young Polish boy when he was deported with his mother and siblings from their comfortable home in Luck to Soviet Siberia in May of 1940. His father, a Polish Army officer, was taken prisoner by the Red Army and eventually became one of the victims of the Katyn massacre, in which tens of thousands of Polish officers were slain at the hands of the Soviet secret police. The family's separation and deportation in 1940 marked the beginning of a ten-year odyssey in which the family endured fierce living conditions, meager food rations, chronic displacement, and rampant disease, first in the Soviet Union and then in Iran, where Adamczyk's mother succumbed to exhaustion after mounting a harrowing escape from the Soviets. Wandering from country to country and living in refugee camps and the homes of strangers, Adamczyk struggled to survive and maintain his dignity amid the horrors of war.When God Looked the Other Way is a memoir of a boyhood lived in unspeakable circumstances, a book that not only illuminates one of the darkest periods of European history but also traces the loss of innocence and the fight against despair that took root in one young boy. It is also a book that offers a stark picture of the unforgiving nature of Communism and its champions. Unflinching and poignant, When God Looked the Other Way will stand as a testament to the trials of a family during wartime and an intimate chronicle of episodes yet to receive their historical due. “Adamczyk recounts the story of his own wartime childhood with exemplary precision and immense emotional sensitivity, presenting the ordeal of one family with the clarity and insight of a skilled novelist. . . . I have read many descriptions of the Siberian odyssey and of other forgotten wartime episodes. But none of them is more informative, more moving, or more beautifully written than When God Looked the Other Way.”—From the Foreword by Norman Davies, author of Europe: A History and Rising ’44: The Battle for Warsaw “A finely wrought memoir of loss and survival.”—Publishers Weekly “Adamczyk’s unpretentious prose is well-suited to capture that truly awful reality.” —Andrew Wachtel, Chicago Tribune Books “Mr. Adamczyk writes heartfelt, straightforward prose. . . . This book sheds light on more than one forgotten episode of history.”—Gordon Haber, New York Sun “One of the most remarkable World War II sagas I have ever read. It is history with a human face.”—Andrew Beichman, Washington Times

    He and Captain Billy Moss hatched a daring plan to abduct the general, while ensuring that no reprisals were taken against the Cretan population.Dressed as German military police, they stopped and took control of Kreipe's car, drove through twenty-two German checkpoints, then succeeded in hiding from the German army before finally being picked up on a beach in the south of the island and transported to safety in Egypt on 14 May.Abducting a General is Leigh Fermor's own account of the kidnap, published for the first time. Written in his inimitable prose, and introduced by acclaimed SOE historian Professor Roderick Bailey, it is a glorious first-hand account of one of the great adventures of the Second World War.Also included in this book are Leigh Fermor's intelligence reports, sent from caves deep within Crete yet still retaining his remarkable prose skills, which bring the immediacy of SOE operations vividly alive, as well as the peril which the SOE and Resistance were operating under; and a guide to the journey that Kreipe was taken on from the abandonment of his car to the embarkation site so that the modern visitor can relive this extraordinary event.

    Some highlights include Caleb Carr on Poland in 1939, the only campaign that Hitler won; Stephen E. Ambrose on a pivotal battle to take the Rhine; John Keegan on the siege of Berlin; Victor Davis Hanson on the charismatic and controversial Gen. Curtis LeMay; William Manchester on Churchill's failure to influence the French; and Antony Beevor on the battle for Stalingrad. The pieces have appeared in print only once before in the respected MHQ: The Military Journal of Military History.

    Ulrich von Hassell, former ambassador to Italy and a key member of the German Resistance, is executed for his part in an assassination plot against Hitler. In response to the attack, Himmler, leader of the SS, orders the arrest of all the families of the plotters.In a remote castle in Italy, von Hassell's beloved daughter, Fey, is discovered just when she thought she had escaped the Nazi net. She is arrested and her two sons, aged three and two are seized by the SS. Fey has no idea of her children's fate as she is dragged away on a terrifying journey to the darkest corners of a Europe savaged by war.Moving from a palazzo in the heart of the Italian countryside to the horrors of Buchenwald, Catherine Bailey tells an extraordinary story of resistance at the heart of the Second World War. The Lost Boys is an illuminating and devastating account of great personal sacrifice, of loss and, above all, of defiance.