Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history’s ugliest wars, he returned home—physically whole but emotionally wasted, his youthful idealism forever gone.A Rumor of War is far more than one soldier’s story. Upon its publication in 1977, it shattered America’s indifference to the fate of the men sent to fight in the jungles of Vietnam. In the years since then, it has become not only a basic text on the Vietnam War but also a renowned classic in the literature of wars throughout history and, as the author writes, of "the things men do in war and the things war does to them.""Heartbreaking, terrifying, and enraging. It belongs to the literature of men at war."--Los Angeles Times Book Review

    Since the First Crusade, there has always been a George Mills, who--despite his best efforts--is unable to improve his position in life or that of his descendants. Instead, all the George Millses are forced to accept their lot as true blue-collar workers, serving important personages in a series of odd jobs ranging from horse talker in a salt mine to working as a furniture mover in contemporary St. Louis. But the latest in the long line of George Millses may also be the last, as he obsesses about his family's history and determines that he will be the one to break this doomed cycle of servitude.

    On his return from Paris to his home city of Würtenburg, Ulrich Hargenau, whose father was executed for his involvement in the 1944 plot against Hitler, is compelled to ask himself, "How German am l?"––as he compares his own recent attempt to save his life, and his wife Paula's, by testifying against fellow members of a terrorist group, with his father's selfless heroism. Through Ulrich––privileged, upper class––we confront the incongruities of the new democratic Germany, in particular the flourishing community of Brumholdstein, named after the country's greatest thinker, Brumhold, and built on the former site of a concentration camp. Paula's participation in the destruction of a police station; the State's cynical response to crush the terrorists; two attempts on Ulrich's life; the discovery in Brumholdstein of a mass grave of death camp inmates––all these, with subtle irony, are presented as pieces of a puzzle spelling out the turmoil of a society's endeavor to avoid the implications of its menacing heritage.

    But the people who came to be called “survivors” could not avoid their memories. Sol Nazerman, protagonist of Edward Lewis Wallant’s The Pawnbroker, is one such sufferer.At 45, Nazerman, who survived Bergen-Belsen although his wife and children did not, runs a Harlem pawnshop. But the operation is only a front for a gangster who pays Nazerman a comfortable salary for his services. Nazerman’s dreams are haunted by visions of his past tortures. (Dramatizations of these scenes in Sidney Lumet’s 1964 film version are famous for being the first time the extermination camps were depicted in a Hollywood movie.)Remarkable for its attempts to dramatize the aftereffects of the Holocaust, The Pawnbroker is likewise valuable as an exploration of the fraught relationships between Jews and other American minority groups. That this novel, a National Book Award finalist, manages to be both funny and weighty, makes it all the more tragic that its talented author died, at age 36, the year after its publication. The book sold more than 500,000 copies soon after it was published.

    Fiction

    The three novels--Young Lonigan, The Young Manhood of Studs Lonigan, and Judgment Day--offer a vivid sense of the textures of real life: of the institutions of Catholicism, the poolroom and the dance marathon, romance and marriage, gangsterism and ethnic rivalry, and the slang of the street corner. Cited as an inspiration by writers as diverse as Kurt Vonnegut and Frank McCourt, Studs Lonigan stands as a masterpiece of social realism in the ranks of John Steinbeck's The Grapes of Wrath and Theodore Dreiser's An American Tragedy.

    . . . A breathtakingly original work.--San Francisco ChronicleTwenty-eight-year-old Quan has been fighting for the Communist cause in North Vietnam for a decade. Filled with idealism and hope when he first left his village, he now spends his days and nights dodging stray bullets and bombs, foraging scraps of food to feed himself and his men. Quan seeks comfort in childhood memories as he tries to sort out his conflicting feelings of patriotism and disillusionment. Then, given the chance to return to his home, Quan undertakes a physical and mental journey that brings him face to face with figures from his past--his angry father, his childhood sweetheart, his boyhood friends now maimed or dead--and ultimately to the shattering reality that his innocence has been irretrievably lost in the wake of the war. In a voice both lyrical and stark, Duong Thu Huong, one of Vietnam's most beloved writers, powerfully conveys the conflict that spiritually destroyed her generation."If it is a crime to take an unflinching look at the reality of war and life under a totalitarian regime, and to do it with great art and mastery, then Duong Thu Huong, is gloriously guilty."--The New York Times Book Review

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.

    Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.Shot through with a lyrical intensity and stunning detail that recall Doctorow and Deadwood both, A Moment in the Sun takes the whole era in its sights—from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women—Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them—this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

    The first major work of contemporary fiction ever to use living historical figures as characters, the novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies Julius and Ethel Rosenberg. Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death. And not a person present escapes implication in Cold War America's ruthless "public burning."

    The young Marine who falls madly in love with a beautiful Tonkinese girl. Nurse Nellie and her French planter, Emile De Becque. The soldiers, sailors, and nurses playing at war and waiting for love in a tropic paradise.

    This fictional re-creation of the battle of Shiloh in April 1862 fulfills the standard set by his monumental history, conveying both the bloody choreography of two armies and the movements of the combatants' hearts and minds.

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    Boyle has spun an even more dazzling tale that will delight both his longtime devotees and a legion of new fans. Boyle’s tenth novel, The Inner Circle has it all: fabulous characters, a rollicking plot, and more sex than pioneering researcher Dr. Alfred Kinsey ever dreamed of documenting . . . well, almost. A love story, The Inner Circle is narrated by John Milk, a virginal young man who in 1940 accepts a job as an assistant to Dr. Alfred Kinsey, an extraordinarily charming professor of zoology at Indiana University who has just discovered his life’s true calling: sex. As a member of Kinsey’s “inner circle” of researchers, Milk (and his beautiful new wife) is called on to participate in sexual experiments that become increasingly uninhibited—and problematic for his marriage. For in his later years Kinsey (who behind closed doors is a sexual enthusiast of the first order) ever more recklessly pushed the boundaries both personally and professionally. While Boyle doesn’t resist making the most of this delicious material, The Inner Circle is at heart a very moving and very loving look at sex, marriage, and jealousy that will have readers everywhere reassessing their own relationships—because, in the end, “love is all there is.”