Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love. Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death in the Eternal City.

    There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread. The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.

    “Over there!” he cries to his brother, Carlo, sunning beside him. “Over there!”So begins the adventure that will tear a hole in Pietro’s life. For while he and his brother struggle to save two drowning swimmers, a tragedy is unfolding down the road at his summer cottage. Instead of coming home to a hero’s welcome, Pietro is greeted by the flashing lights of an ambulance, the wide-eyed stare of his young daughter, Claudia, and the terrible news that his fiancée, Lara, is dead.Life must go on. Or does it? Pietro, a true iconoclast, has to find his own way. When he drops Claudia off for the first day of school, he decides to wait outside for her all day, and then every day. To protect her. To protect himself. To wait for the heavy fist of grief to strike. But as the days and weeks go by, the small parking lot in front of the school becomes his refuge from the world as well as the place where family and colleagues come to relieve their own suffering—among them, the woman he rescued from the waves. And Pietro plunges deeper into the depths of his life before seeing the simple truth before his eyes.Sandro Veronesi makes art of every detail, creating a mosaic of humor, hope,profound insight, and emotional resonance. Quiet Chaos is an unprecedented portrayal of a life set adrift by death.

    Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events. Robert has his life changed forever by the misunderstandings that arise from her condition. Terry spends his wakeful nights fueling his obsession with movies. And an increasingly unstable doctor, Gregory, sees sleep as a life-shortening disease which he must eradicate.But after ten years of fretful slumber and dreams gone bad, the four reunite in their college town to confront their disorders. In a Gothic cliffside manor being used as a clinic for sleep disorders, they discover that neither love, nor lunacy, nor obsession ever rests.

    Roux, the narrator, is in pursuit of a mysterious friend named Xavier. His search, which develops into a quest, takes him from town to town across the subcontinent.

    In this period the Italian Communist Party is very strong, but the Second World War and fascism are still vividly remembered. Boscaccio has a communist mayor named Peppone. He wants to realise the communist ideals, and the Roman Catholic priest Don Camillo is desperately trying to prevent this. But despite their different views these men can count on each other in the fight against social injustice and abuses.

    Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

    Her life has been characterized by honor and fierce passion, and above all by an abiding search for perfect love that has spanned much of the twentieth century. Ever in the background of this remarkable woman's story is the stunning Sardinian landscape, the deep blues of the Mediterranean, the rugged mountains of the Sardinian back-country dotted with charming villages lost in time.With warmth, great humor, and deep insight Milena Agus writes about the customs and the beauty of her native Sardinia, about love, family, immigration, war, and peace. From the Land of the Moon is the moving English debut of one of Italy s most important new literary talents.

    While there, Levi reflected on the harsh landscape and its inhabitants, peasants who lived the same lives their ancestors had, constantly fearing black magic and the near presence of death. In so doing, Levi offered a starkly beautiful and moving account of a place and a people living outside the boundaries of progress and time.

    Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy.In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood.

    To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead. The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.

    is on the verge of just about everything and consumed by a restless, unanswered longing that rebels against jumping through the hoops of school. Staring down the tunnel to a mundane adulthood, he is appalled by the banality and overwhelming predictability of it all: teachers, parents, and above all his classmates - the seething masses of dutiful zombies and sistren of the Evervirgin Sorority. A bicycle bandit with a DeNiro smile, Alex sports a homemade buzzcut, ditches school to drink and trade stories with his posse of delinquents and rogues, and chases away the blues by assailing his eardrums with the Clash. He shares a brief friendship with the privileged, semi-degenerate Martino, who seems to have mastered the devil-may-care stance Alex covets - until he's busted for drugs. And then comes the sudden entrance of Aidi, who seems to instantly understand, complement, and challenge him. A hundred letters and conversations later, she is magnificent, amazing, irreplaceable ... and leaving for a year in America at the end of the summer.

    This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele’s mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives.Natalia Ginzburg’s most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

    'Wolf' was his nickname. As hapless as Little Red Riding Hood, I had ended up in his belly. A legion of hunters was out looking for him, and to get him in their grips they would gladly slay me as well."Germany, 1943: Twenty-six-year-old Rosa Sauer's parents are gone, and her husband Gregor is far away, fighting on the front lines of WWII. Impoverished and alone, she makes the fateful decision to leave war-torn Berlin to live with her in-laws in the countryside, thinking she'll find refuge there. But one morning, the SS come to tell her she has been conscripted to be one of Hitler's tasters: three times a day, she and nine other women go to his secret headquarters, the Wolf's Lair, to eat his meals before he does. Forced to eat what might kill them, the tasters begin to divide into The Fanatics, those loyal to Hitler, and the women like Rosa who insist they aren't Nazis, even as they risk their lives every day for Hitler's.As secrets and resentments grow, this unlikely sisterhood reaches its own dramatic climax. What's more, one of Rosa's SS guards has become dangerously familiar, and the war is worsening outside. As the months pass, it becomes increasingly clear that Rosa and everyone she knows are on the wrong side of history.

    Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi