Aged sixty, he had just mourned the death of his father, only to be handed a diagnosis of mouth and throat cancer.This momentous time in his life, and being at the most famous junction in music history, led Radcliffe to think about the pivotal tracks in music and how the musicians who wrote and performed them - from Woodie Guthrie to Gloria Gaynor, Kurt Cobain to Bob Marley - had reached the crossroads that led to such epoch-changing music.In this warm, intimate account of music and its power to transform our lives, Radcliffe takes a personal journey through these touchstone tracks, looking at the story behind the records and his own experiences as he goes in search of these moments.

    But after adopting a baby girl and her teenage brother from China, he finds that being a father comes with its own set of challenges—problems that his work as an antiterrorism agent did nothing to prepare him for. Or so he thought. When a Scout campout with his son takes a terrifying turn, Matt realizes his past and present have just collided, with devastating consequences. Deep in the rugged mountains of Utah, a band of mercenaries lies in wait. The target: Matt Knight. Their orders come from a dangerous enemy from the former agent’s past, one who is bent on destroying everything Matt holds dear. While struggling to protect his son and the other Scouts, Matt is horrified to learn the full extent of the plan: his wife and baby have been taken too. Now the agent-turned-family man must draw on his years of combat training in an explosive battle to save those he loves—or die trying.

    Profiles the life and career of one of the leaders of contemporary rock and roll music, noting the character of his stage performances and the inspirations for his songs.

    With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.

    In his mind what started as a joke is slowly becoming his �glorious and underrated mantra�. Ayden Kosacov is alive, and that is about all you can say. In the throws of a mundane and jejune life Ayden is slowly coming to the realization that if all his world is a stage than he wouldn�t care if he did or did not miss the final scenes. Through an almost �accidental� suicide attempt and the recovery that soon follows, Ayden learns that there is more to living than just being alive. Finding his way through diverse experiences and people he comes to terms with God, his family, and finally himself. The Orphaned Anything�s style of writing is in the likes of Dennis Johnson (Jesus� Son) and Dave Eggers (A Heartbreaking Work Of Staggering Genius) and yet designed to give life lessons, encouragement, and hope like books by Paulo Coelho (The Alchemist) and Donald Miller (Blue Like Jazz).

    They mixed the tracks and recorded overdubs in New York. They took a step back and assessed the material. It was a wild scene. They had fully fleshed-out songs and whispers and rumors of half-formed ones. They had songs that followed a hard-to-gauge internal logic. They had punk tunes and country tunes and sad tunes and funny ones. They had fuzzy pop and angular new wave. They had raunchy guitar solos and stoner blues. They had pristine jangle and pedal steel. The final track list ran to eighteen songs and filled three sides of vinyl.Released in 1995, on the heels of two instant classics, Wowee Zowee confounded Pavement's audience. Yet the record has grown in stature and many diehard fans now consider it Pavement's best. Weaving personal history and reporting-including extensive new interviews with the band-Bryan Charles goes searching for the story behind the record and finds a piece of art as elusive, anarchic and transportive now as it was then.

    Peterson ATTENTION: You can now buy the paper back version of this book at the current reduced price of $6.99 and get the kindle version at a discounted price of $0.99 instead of $2.99 using our Kindle Matchbook program cheers! Jordan B. Peterson's "12 Rules for Life" is quite the thought-provoking read. The Canadian clinical psychologist puts forth his ideas about personality, being, existence; the interconnectedness of order and chaos, two forces evident in all of life; the gender roles assignment discourse; the source of the world's greatest evils, and many other controversial topics. It is refreshing, and sometimes confusing, how he weaves biblical accounts and characters into the telling of his stories. But what might raise the hairs of most are his views on political correctness regarding postmodernism, white-privilege, cultural appropriation and everything in between. One thing is clear about Peterson. He is a man unapologetic of his views, which are largely unpopular, closely conservative, and politically incorrect.This book contains a comprehensive, well detailed summary and key takeaways of the original book by Jordan B. Peterson. It summarizes the book in detail, to help people effectively understand, articulate and imbibe the original work by Peterson. This book is not meant to replace the original book but to serve as a companion to itContained is anExecutive Summary of the original book Key Points of each chapter and Brief chapter-by-chapter summariesTo get this book, Scroll Up Now and Click on the "Buy now with 1-Click" Button to Download your Copy Right Away!Disclaimer: This is a summary, review of the book 12 Rules For Life and not the original book.

    An old friend needs Jack to find her son, who was last seen at the Redwing Saloon. The manager is a wanted man with a hefty bounty on his head, but no one is brave enough to try and collect it. Except Jack.But there's more going on than meets the eye, and if Jack can't sort out the good guys from the bad guys, he's going to end up going home in a pine box.This 15,800 word novelette is loaded with traditional western action and can be read in one sitting.

    

    

    Fans and non-fans alike will be shocked by the stories of murder, suicide, addiction, counterfeiting, riots, bondage, terminal illness, the Yakuza, and drinking pee. Told from the perspective of each of the band's members, this book looks back at more than thirty years of comedy, tragedy, and completely inexplicable success.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    . . Lisa Dale shuts her eyes and counts to one hundred during a game of hide-and-seek. When she opens them, her four-year-old daughter Ella is gone. Disappeared without a trace. The police, the media and Lisa's family all think they know who snatched Ella. But what if the person who took her isn't a stranger? What if they are convinced they are doing the right thing? And what if Lisa's little girl is in danger of disappearing forever?