Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke’s steadfast claim that the boys had been together at the time of the crime. But now more than one person knows they didn’t tell the truth back then, and Luke is dead.Amid the worst drought in a century, Falk and the local detective question what really happened to Luke. As Falk reluctantly investigates to see if there’s more to Luke’s death than there seems to be, long-buried mysteries resurface, as do the lies that have haunted them. And Falk will find that small towns have always hidden big secrets.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Even though Quentin gave Chloe twenty million dollars to leave quietly, she longs for love and hopes that a move to Washington DC will expand her options to a new elite crowd. When Chloe meets ex-NFL star, Dustin McArthur, she thinks she's finally met the man of her dreams. He's sinfully handsome, lives in an exclusive neighborhood in Georgetown and knows how to show Chloe a great time, all while being the perfect gentleman. Chloe is sure she's struck the jackpot with Dustin, and hesitates to tell him about her past gold digger ways. But while Dustin seems like the whole package, there are a few chinks in his knight's armor. A wild past has left him with four children by four women, his finances are in disarray, and the A-list life he leads is merely smoke and mirrors provided by his NFL friends and Chi Kappa Psi Fraternity brothers. When Chloe and Dustin's secrets are revealed, will there be enough love to cover their multitude of sins? Or will Chloe's replacement fall short of the original? This is a novella.

    Alone, that is, until the devilishly handsome surgeon, Aaron Bailey comes into her life. Like her, he is a widower, a heart-broken man in need of a good woman's love and attention.When something seems too good to be true, it usually is. Joyce quickly finds herself trapped in an abusive marriage with someone that is more monster than man.Yet nothing about their marriage is as it first appears. Both of them harbour secrets - but the question is, will either of them live to tell? Joyce will do anything at any cost to protect her daughter, and Aaron will stop at nothing to protect Joyce in the only way he knows how...

    Here is their story in all its richness and complexity. Tim Pat Coogan traveled around the world where green is indeed worn to talk to the people who weaved the tale of "a dream born in a herdsman's shed and the secret scriptures of the poor." Along with American presidents, best-selling authors and Riverdancers, Ireland gave the world a caring tradition borne by missionaries and teachers who spread a message of hope and the panorama of their life abroad comes alive in this magisterial work.

    The great heritage of western civilization - from the Greek and Roman classics to Jewish and Christian works - would have been utterly lost were it not for the holy men and women of unconquered Ireland. In this delightful and illuminating look into a crucial but little-known "hinge" of history, Thomas Cahill takes us to the "island of saints and scholars, " the Ireland of St. Patrick and the Book of Kells. Here, far from the barbarian despoliation of the continent, monks and scribes laboriously, lovingly, even playfully preserved the west's written treasures. With the return of stability in Europe, these Irish scholars were instrumental in spreading learning. Thus the Irish not only were conservators of civilization, but became shapers of the medieval mind, putting their unique stamp on western culture.

    It exposes the reality of the dark, claustrophobic world of the Provisionals: the iron grip they hold over their communities; their ruthless and cynical disregard for human life; the single-minded professionalism of some IRA volunteers — and the rank incompetence of others. Raymond Gilmour learned the brutal facts of life in Northern Ireland at an early age. Beatings, murders and knee-cappings were common currency on the dead-end Derry estate where he grew up, and despite the omnipresence of British. soldiers no one was in any doubt about who really held the balance of power. Many young Catholics, with few options and fewer jobs open to them, joined the terrorists as volunteers. So, at the age of sixteen, did Ray Gilmour — but his recruitment had a vital and deadly difference: his brief to infiltrate the IRA, sabotage their activities, and report back to his Special Branch contact. So began nearly a decade of life in no-man's-land, an impossibly dangerous double life where every day brought with it a new and potentially terminal threat. Gilmour relates in gripping style the hazards of playing along with the shootings and bombings while secretly trying to subvert them; the constant fear of exposure, torture and execution by his IRA `comrades' — and the tension of wondering when he might out-live his usefulness and be sacrificed by the shadowy men from MI5. Incredibly, Gilmour not only avoided exposure and sacrifice, he also became one of the RUC's most valued agents, foiling countless terrorist attacks and helping the police seize huge quantities of arms and explosives. As one RUC source admitted: 'He kept Derry clean for us.' Gilmour's career as an agent came to an abrupt and spectacular end when he uncovered one of the IRAs most prized arms caches, forcing him and his family — who until then had known nothing of his double life. — to go on the run before the IRA's notorious Internal Affairs men caught up with them. But even escape has its penalties: Gilmour has not seen his wife and children for over twelve years, and he now lives in permanent exile, flitting from safe house to safe house under a sentence of death unrevoked by peace-tAs amnesties. Dead Ground is Gilmour's story: a narrative of heart-stopping tension and unrelenting human drama which makes a mockery of fictionalised accounts of terrorism in Northern Ireland.

    William Stuart, a compassionate platoon leader from the 7th ANGLICO (Air and Naval Gunfire Liaison Company) survived his unit's last battle but continued to mourn his losses. Douglas Moser, master of the .50 caliber machine gun, was one of those missing in action. Moser, a "gentle giant" of a man, had been Stuart's closest companion. In Valley of the Shadows, Stuart learns that the Red Cross has delivered a letter to Moser's mother informing her that he is a prisoner of war in Laos. "Tell Mr. Stuart," the letter closes. Stuart has his mission. Moser languishes in the POW camp, tormented daily by Nan, the disfigured, soul-dead camp commandant. Meanwhile, Stuart's mission takes him to the mountains of Moser's boyhood home in Georgia and on to the Foreign Legion archives in France as he searches for clues to the exact location of the camp. Along the way, Stuart recruits an old friend from their days together in Da Nang. Fellow navy officer Philip Hooper will bring along his elite team of SEALS (Sea, Air, Land) to form Moser's rescue party. Bureaucratic inertia in Washington and the rising anti-war movement conspire to stall the rescue interminably. Failure of a major operation to liberate the "Hanoi Hilton" adds to the forces arrayed against Moser's rescue. Finally, it is only through the direct intervention of the president that Stuart's mission is a go. But doubts remain: Has Stuart really found the "Valley of the Shadow" mentioned in Moser's letter? Is Moser still alive? And, most importantly, can Stuart, Hooper, and the SEALS really pull it off? Valley of the Shadow is dramatic, vivid, authentic - and surprising. "Old-fashioned heroism in a saga of Vietnam . . ." - Newsday

    What could be more perfect for an author/illustrator who has continually stripped away the mystique of architectural structures that have long fascinated modern man? With typical zest and wry sense of humor punctuating his drawings, David Macaulay traces the step-by-step planning and construction of both castle and town.

    She struggles to provide for the kids, working a dead-end job while going to school. Stuck in a meaningless relationship, which only involved midnight creeps into her bed, she ends things with Darius in hopes for something better in life. Just when Cassandra isn't looking for anything or anyone, that's when Marco comes along; he's handsome, a great father to his son, and a business owner. Marco's had his share of women and often juggled relationships, but upon meeting Cassandra, his desire is kindled and he has to fight against wanting anything more than just a casual thing. With each day, they both fight the obvious; they want each other. A night of forbidden passion leads them into bed together; they soon wind up going back and forth, as Cassandra begins to date Damian to distract her from the one she really wants--Marco. The attraction is strong and the chemistry is explosive--will their efforts to ignore their hearts' desire trump love, or will they finally give in to what is obviously meant to be?

    These wealthy men had founded the first banks in the United States and built its first railroads, factories, and steamships. Now, they were to cap their achievements by making their young country equally superior in size, and in the process, producing the greatest, swiftest, and most beautiful craft the world had ever seen - the clipper ship. This book not only traces the origins and achievements of the clipper but enlivens the dry bones of historic fact with the flesh and blood of clipper captains and crews. A great era comes to life with their courageous, tenacious stories.

    Among the victims of this tragedy were Thomas Keneally's own forebearers, and they were his inspiration to tell the story of the Irish who struggled and ultimately triumphed in Australia and North America. Relying on rare primary sources--including personal letters, court transcripts, ship manifests, and military documents--Keneally offers new and important insights into the impact of the Irish in exile. The result is a vivid saga of heroes and villains, from Great Famine protesters to American Civil War generals to great orators and politicians.

    After meeting an I rishwoman in London and moving to Dublin, Bill Barich—a “blow-in,” or stranger, in Irish parlance—found himself looking for a traditional I rish pub to be his local. There are nearly twelve thousand pubs in Ireland, so he appeared to have plenty of choices. He wanted a pub like the one in John Ford’s classic movie, The Quiet Man, offering talk and drink with no distractions, but such pubs are now scare as publicans increasingly rely on flat-screen televisions, rock music, even Texas Hold ’Em to attract a dwindling clientele. For Barich, this signaled that something deeper was at play—an erosion of the essence of Ireland, perhaps without the Irish even being aware. A Pint of Plain is Barich’s witty, deeply observant portrait of an Ireland vanishing before our eyes. Drawing on the wit and wisdom of Flann O’Brien (the title comes from one of his poems), James Joyce, Brendan Behan, and J. M. Synge, Barich explores how I rish culture has become a commodity for exports for such firms as the I rish Pub Company, which has built some five hundred “authentic” Irish pubs in forty-five countries, where “authenticity is in the eye of the beholder.” The tale of Arthur Guinness and the famous brewery he founded in the mid-eighteenth century reveals the astonishing fact that more stout is sold in Nigeria than in Ireland itself. While 85 percent of the I rish still stop by a pub at least once a month, strict drunk-driving laws have helped to kill business in rural areas. Even traditional I rish music, whose rich roots “connect the past to the present and close a circle,” is much less prominent in pub life. I ronically, while I rish pubs in the countryside are closing at the alarming rate of one per day, plastic I PC-type pubs are being born in foreign countries at the exact same rate. From the famed watering holes of Dublin to tiny village pubs, Barich introduces a colorful array of characters, and, ever pursuing craic, the ineffable Irish word for a good time, engages in an unvarnished yet affectionate discussion about what it means to be Irish today.

    Tirelessly trekking across miles of the Thames’ muddy shores, where others only see the detritus of city life, Maiklem unearths evidence of England’s captivating, if sometimes murky, history—with some objects dating back to 43 AD, when London was but an outpost of the Roman Empire. From medieval mail worn by warriors on English battlefields to nineteenth-century glass marbles mass-produced for the nation’s first soda bottles, Maiklem deduces the historical significance of these artifacts with the quirky enthusiasm and sharp-sightedness of a twenty-first century Sherlock Holmes.Seamlessly interweaving reflections from her own life with meditations on the art of wandering, Maiklem ultimately delivers—for Anglophiles and history lovers alike—a memorable treatise on the objects we leave in our wake, and the stories they can reveal if only we take a moment to look.

    It is also more open to balanced examination now--at the end of its long war in the north of Ireland--than it was even a few years ago.Richard English's brilliant book offers a detailed history of the IRA, providing invaluable historical depth to our understanding of the modern-day Provisionals, the more militant wing formed in 1969 dedicated to the removal of the British Government from Northern Ireland and the reunification of Ireland.English examines the dramatic events of the Easter Rising in 1916 and the bitter guerrilla war of 1919-21, the partitioning of Ireland in the 1920s, and the Irish Civil War of 1922-23. Here, too, are the IRA campaigns in Northern Ireland and Britain from the 1930s through the 1960s. He shows how the Provisionals were born out of the turbulence generated by the 1960s civil rights movement, and examines the escalating violence that introduced British troops to the streets of Northern Ireland.He also examines the split in the IRA that produced the Provisionals, the introduction of internment in 1971, and the tragedy of Bloody Sunday in 1972. He then discusses the struggle over political status, culminating in the Hunger Strikes of the early 1980s and describes the Provisionals' emergence as a more committed political force throughout that decade, a politicization that made possible the peace process that has developed over the last decade.English offers a dazzling synthesis of the motives, actions and consequences of the IRA. Neither romanticizing the IRA nor condemning them outright, this is a balanced, definitive treatment of one of the world's leading revolutionary movements.