Pub Date: October 1994 Pages: 528 in Publisher: Warner A biography of Bette Davis. Revealing a life replete with scandal. The sex. Violence courage sacrifice and hearteak. After three years of research and more than 150 It doesn'' James Spada has written a revealing biography of one of the greatest Hollywood Legends. Spada has convinced Bette Davis's relatives and friends to speak out for the first time. and he has gained new access to court documents. long-lost inquest transcript. and personal correspondence to paint a portrait of one of the most complex and misrepresented women in Hollywood history. This book reveals Bette Davis' oddly close relationship with her mother (who bathed her until she was in her teens); her ambivalent feelings about the sex act. as revealed by a directorlover; her possible role in the ain damage of her adopted daughter; the bizarre be...

    The dramatic life of the incomparably beautiful and swashbuckling Ava Gardner--one of Hollywood's most beautiful actresses and lover of many men, from bullfighters to Frank Sinatra--by The New York Times bestselling author of ROBERT MITCHUM: Baby, I Don't Care

    Spence Tracy and Kate Hepburn were the couple everyone knew of but no one really knew anything about. What kept these two opposites together makes for an interesting read.

    In The Last Days of Marilyn Monroe, author Donald H. Wolfe, a former Hollywood screenwriter and film editor, examines the tragic starlet’s final weeks and offers startling evidence to support his provocative claim that Marilyn’s alleged suicide was, in fact, a homicide. A powerful and intimate look into the dark side of Hollywood and John F. Kennedy’s Camelot, The Last Days of Marilyn Monroe is a must-read for movie buffs, true crime aficionados, and the many still enchanted by the Monroe magic.

    He became a symbol of America itself. He epitomized the Western film, which for many people epitomized America. He identified with conservative political causes from the early 1930s to his death in 1979, making him a hero to one generation of Americans and a villain to another. But unlike fellow actor Ronald Reagan, Wayne had no interest in politics as a career. Like many stars, he altered his life story, claiming to have become an actor almost by accident when in fact he had studied drama and aspired to act for most of his youth. He married three times, all to Latina women, and conducted a lengthy affair with Marlene Dietrich, as unlikely a romantic partner as one could imagine for the Duke. Wayne projected dignity, integrity, and strength in all his films, even when his characters were flawed, and whatever character he played was always prepared to confront injustice in his own way. More than thirty years after his death, he remains the standard by which male stars are judged and an actor whose morally unambiguous films continue to attract sizeable audiences.Scott Eyman interviewed Wayne, as well as many family members, and he has drawn on previously unpublished reminiscences from friends and associates of the Duke in this biography, as well as documents from his production company that shed light on Wayne’s business affairs. He traces Wayne from his childhood to his stardom in Stagecoach and dozens of films after that. Eyman perceptively analyzes Wayne’s relationship with John Ford, the director with whom he’s most associated and who made some of Wayne’s greatest films, among them She Wore a Yellow Ribbon, The Quiet Man, and The Searchers. His evaluation of Wayne himself is shrewd: a skilled actor who was reluctant to step outside his comfort zone. Wayne was self-aware; he once said, “I’ve played the kind of man I’d like to have been.” It’s that man and the real John Wayne who are brilliantly profiled in Scott Eyman’s insightful biography of a true American legend.

    Chandler also spoke with directors, actors, and others who knew and worked with Davis, and includes brief synopses of all of her theatrical films.Here are some more examples of Bette's wit to be found within these pages: "I'm the one who didn't get the man, which is the more interesting character on the screen, but in real life sometimes I wish I could just have been the girl who got the man, and kept him. I got four husbands and several lovers, but I didn't keep any of them. I was invited to the White House, but no man stayed to share my white cottage.""My favorite actor with whom I never played, professionally or personally, was Laurence Olivier. I admired everything about him. He was a great actor, and he was my dream man. Literally and figuratively. Larry was my fantasy lover, the perfect man, or at least I thought he would be. He was not only beautiful, but intelligent."

    Their romance on and off screen made them Hollywood's most celebrated couple and together they produced some of the most electric scenes in movie history. But when Bogart died of cancer in 1957, Bacall had to find a way of living beyond the fairytale and ironic way she had evolved. In a time of post war communism, Hollywood blacklisting and revolutionary politics she moved with the legends: Hemingway, the Oliviers, Katharine Hepburn, Bobby Kennedy, an engagement to Frank Sinatra and a second turbulent marriage to Jason Robards. Now at 80, BY MYSELF AND THEN SOME brings her story up to date including her recent films and Broadway runs, fond memories of her children and many close lifelong friendships, not least the greatest love of her life, Humphrey Bogart.

    In this richly illustrated volume, renowned biographer Barry Paris offers the definitive biography of this fascinating and complex woman -- from her hardscrabble childhood in Sweden to her arrival in Hollywood at the age of nineteen, from her meteoric rise to stardom to her unintentional retirement from filmmaking at the height of her fame, from the new life she crafted for herself to her surprising, and failed, plans for a comeback. Drawing on hitherto unavailable material, including one hundred hours of tape-recorded conversations, fifty years of correspondence, and interviews with Garbo's surviving friends and family, Paris reveals the real woman behind the enigma.

    Although Lee Marvin is best known for his icy tough guy roles—such as his chilling titular villain in The ManWho Shot Liberty Valance or the paternal yet brutally realistic platoon leader in The Big Red One—very little is known of his personal life; his family background; his experiences in WWII; his relationship with his father, family, friends, wives; and his ongoing battles with alcoholism, rage, and depression, occasioned by his postwar PTSD. Now, after years of researching and compiling interviews with family members, friends, and colleagues; rare photographs; and illustrative material, Hollywood writer Dwayne Epstein provides a full understanding and appreciation of this acting titan’s place in the Hollywood pantheon in spite of his very real and human struggles.

    Finally, in this riveting new biography filled with exclusive, candid interviews with both Mineo’s closest female and male lovers and never-before-published photographs, Michael Gregg Michaud tells the full story of this remarkable young actor’s life, charting his meteoric rise to fame and turbulent career and private life.One of the hottest stars of the 1950s, Mineo grew up as the son of Sicilian immigrants in a humble Bronx flat. But by age eleven, he appeared on Broadway in Tennessee Williams’s The Rose Tattoo, and then as Prince Chulalongkorn in the original Broadway production of The King and I starring Yul Brynner and Gertrude Lawrence. This sultry-eyed, dark-haired male ingénue of sorts appeared on the cover of every major magazine, thousands of star-struck fans attended his premieres, and millions bought his records, which included several top-ten hits.His life offstage was just as exhilarating: full of sports cars, motor boats, famous friends, and some of the most beautiful young actresses in Hollywood. But it was fourteen-year-old Jill Haworth, his costar in Exodus—the film that delivered one of the greatest acting roles of his life and earned him another Academy Award nomination and a Golden Globe win—with whom he fell in love and moved to the West Coast. But by the 1960s, a series of professional missteps and an increasingly tumultuous private life reversed his fortunes. By the late sixties and early seventies, grappling with the repercussions of publicly admitting his homosexuality and struggling to reinvent himself from an aging teen idol, Mineo turned toward increasingly self-destructive behavior. Yet his creative impulses never foundered. He began directing and producing controversial off-Broadway plays that explored social and sexual taboos. He also found personal happiness in a relationship with male actor Courtney Burr. Tragically, on the cusp of turning a new page in his life, Mineo’s life was cut short in a botched robbery.            Revealing a charming, mischievous, creative, and often scandalous side of Mineo few have known before now, Sal Mineo is an intimate, moving biography of a distinctive Hollywood star.

    A provocative look at the private life of the legendary performer reveals intimate details about Garland's bisexuality, her drug and alcohol addiction, and her many abortions.

    CohanHis full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.”Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength.In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on.Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation.Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf.We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star.We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn.We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star.And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world.Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.

    Now Miss Hepburn breaks her long-kept silence about her private life in this absorbing and provocative memoir.A NEW YORK TIMES Notable Book of the YearA Book-of-the-Month-Club Main Selection

    To those who think they have heard all there is to hear about Marilyn Monroe, think again. Leaming's book tells a brand-new tale of sexual, psychological, and political intrigue of the highest order. Told for the first time in all its complexity, this is a compelling portrait of a woman at the center of a drama with immensely high stakes, a drama in which the other players are some of the most fascinating characters from the worlds of movies, theater, and politics. It is a book that shines a bright light on one of the most tumultuous, frightening, and exciting periods in American culture.Basing her research on new interviews and on thousands of primary documents--including revealing letters by Arthur Miller, Elia Kazan, John Huston, Laurence Olivier, Tennessee Williams, Darryl Zanuck, Marilyn's psychiatrist Dr. Ralph Greenson, and many others--Leaming has reconstructed the tangle of betrayal in Marilyn's life. For the first time, a master storyteller has put together all of the pieces and told Marilyn's story with the intensity and drama it so richly deserves.At the heart of this book is a sexual triangle and a riveting story that has never been told before. You will come away filled with new respect for Marilyn's incredible courage, dignity, and loyalty, and an overwhelming sense of tragedy after witnessing Marilyn, powerless to overcome her demons, move inexorably to her own final, terrible betrayal of herself.Marilyn Monroe is a book that will make you think--and will break your heart.

    Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once. Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions (and the women) flowed in, seemingly without end—and then, on July 24, 1956, ten years from the day when the two men joined forces, it all ended.After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart.In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of a fifty-year friendship, from the springtime, 1945 afternoon when the two vibrant young performers destined to conquer the world together met on Broadway and Fifty-fourth Street, to their tragic final encounter in the 1990s, when Lewis and his wife ran into Dean Martin, a broken and haunted old man.In Dean and Me, Jerry Lewis makes a convincing case for Dean Martin as one of the great — and most underrated — comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt, and still feels, for his partner, and which his partner felt for him: truly a love to last for all time.