I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    She knows that he, Abe, and Trip consider her to be one of the guys, and she likes it that way. She likes being the friend who keeps them all together. Likes offering a girl's perspective on their love lives. Likes being the behind-the-scenes wordsmith who writes all the lyrics for the boys' band. Char has a house full of stepsisters and a past full of backstabbing (female) ex-best friends, so for her, being friends with boys is refreshingly drama-free...until it isn't any more.When a new boy enters the scene and makes Char feel like, well, a total girl...and two of her other friends have a falling out that may or may not be related to one of them deciding he possibly wants to be more than friends with Char...being friends with all these boys suddenly becomes a lot more complicated.

    No one knows, and Mia wants to keep it that way. But when trouble at school finally forces Mia to reveal her secret, she must learn to accept herself and embrace her ability, called synesthesia, a mingling of the senses.

    The iconic books on the list have been pulled from the library and aren’t allowed anywhere on the school’s premises. Students caught with the contraband will be sternly punished.Many of these stories have changed Clara’s life, so she’s not going to sit back and watch while her draconian principal abuses his power. She’s going to strike back.So Clara starts an underground library in her locker, doing a shady trade in titles like Speak and The Chocolate War. But when one of the books she loves most is connected to a tragedy she never saw coming, Clara’s forced to face her role in it.Will she be able to make peace with her conflicting feelings, or is fighting for this noble cause too tough for her to bear?

    I’ll tell her, okay? Just let me think about the best way to do it.""Okay.""Promise me? Promise you won’t say anything?""Don’t worry.” I laughed. “It’s our secret, right?"According to Anna’s best friend, Frankie, twenty days in Zanzibar Bay is the perfect opportunity to have a summer fling, and if they meet one boy every day, there’s a pretty good chance Anna will find her first summer romance. Anna lightheartedly agrees to the game, but there’s something she hasn’t told Frankie–she’s already had her romance, and it was with Frankie’s older brother, Matt, just before his tragic death one year ago.TWENTY BOY SUMMER explores what it truly means to love someone, what it means to grieve, and ultimately, how to make the most of every beautiful moment life has to offer.

    Everything about this new kid is a mystery: Where does Lani come from? How old is Lani? And most disturbing of all, is Lani a boy or a girl?Claire McKenzie isn't up to tormenting Lani with the rest of the high school elite. Instead, she befriends the intriguing outcast. But within days of Lani's arrival, tragedy strikes and Claire must deal with shattered friendships and personal demons--and the possibility that angels may exist on earth.

    But lately she’s bored by the lessons at her dance school, and her friends and father are more bah humbug than Hallmark movie marathon. So when her favorite babysitting clients ask her to accompany them on a ski trip over winter break, she packs her bags for the slopes. It helps that they’re offering double her rate—she’ll need the money for Beacon, an elite ballet academy that’s granted her an audition.  Noelle is ready to “Deck the Halls” and have fa la la la fun, until Wyatt, the older half-brother of her babysitting charges, decides to surprise his family for the holiday. He’s one of the best dancers at Beacon, and makes Noelle’s head spin faster than pirouettes. Unfortunately, she also manages to step on his toes—spoiling his surprise and complicating his secret plans. After a few missteps, Noelle and Wyatt begin to thaw toward each other and bond over the big decisions looming in each of their lives. With enough Christmas magic, Noelle might just start the New Year with lots of babysitting cash in her pocket and a chance with the pas de deux partner of her dreams.

    I'm writing it in this letter, the whole truth of why it happened.Min Green and Ed Slaterton are breaking up, so Min is writing Ed a letter and giving him a box. Inside the box is why they broke up. Two bottle caps, a movie ticket, a folded note, a box of matches, a protractor, books, a toy truck, a pair of ugly earrings, a comb from a motel room, and every other item collected over the course of a giddy, intimate, heartbreaking relationship. Item after item is illustrated and accounted for, and then the box, like a girlfriend, will be dumped.

    There are just a few things standing in her way: * She's landed a job at Magic Castle Playland . . . as a giant dancing hot dog. * Her crush, the dreamy Diving Pirate Nick, already has a girlfriend, who is literally the Princess of the park. But Lou's never liked anyone, guy or otherwise, this much before, and now she wants a chance at her own happily ever after. * Her best friend, Seeley, the carousel operator, who's always been up for anything, suddenly isn't when it comes to Lou's quest to set her up with the perfect girl or Lou's scheme to get close to Nick. * And it turns out that this will be their last summer at Magic Castle Playland--ever--unless she can find a way to stop it from closing.Jennifer Dugan's sparkling debut coming-of-age queer romance stars a princess, a pirate, a hot dog, and a carousel operator who find love--and themselves--in unexpected people and unforgettable places.

    But I’m not dead yet. I still need to keep things interesting. Sylvie, too. I mean, we’re kids, hospice-hostages or not. We freak out visitors; I get my uncle to sneak me out for one insane Halloween night. Stuff like that. And Sylvie wants to make things even more interesting. That girl’s got big plans.Only Sylvie’s father is so nuclear-blasted by what’s happened to his little girl, he glows orange, I swear. That’s one scary man, and he’s not real fond of me. So we got a major family feud going on, right here in hospice. DO NOT CROSS line running down the middle of the hall, me on one side, her on the other. It’s crazy.In the middle of all of this, really, there’s just me and Sylvie, a guy and a girl. And we want to live, in our way, by our own rules, in whatever time we’ve got. We will pack in some living before we go, trust me.

    But they never made it--Willow lost control of the car, and both of her parents were killed.Now seventeen, Willow is living with her older brother, who can barely speak to her. She has left behind her old home, friends, and school. But Willow has found a way to survive, to numb the new reality of her life: She is secretly cutting herself.And then she meets Guy, a boy as sensitive and complicated as she is. When Guy discovers Willow's secret, he pulls her out of the solitary world she's created for herself, and into a difficult, intense, and potentially life-changing relationship.Julia Hoban has created an unflinching story about cutting, grieving, and starting anew. But above all, she has written an unforgettable tale of first love.

    When four fans jokingly invite him on a cross-country road trip, they are shocked that he actually takes them up on it. Chased by paparazzi and hounded by reporters, this unlikely crew takes off on a journey of a lifetime--but along the way they discover that the star they love has deep secrets he's been keeping. What they come to learn about the life of the mysterious person they thought they knew will teach them about the power of empathy and the unbreakable bond of true friendship.

    He had a 4.0 GPA, friends he could trust, and a girl he loved. Now he spends his days smoked out, not so much living as simply existing.But his herbal endeavors—and personal demons—have lead to a severe lack of motivation. Steve's flunking out, but if he writes a one-hundred-page paper, he can graduate.Steve realizes he must write what he knows. And through telling the story of how he got to where he is, he discovers exactly where he wants to be. . . .

    Even the most consistent use of condoms won’t prevent pregnancy when your boyfriend secretly pokes holes in them to keep you from going out-of-state for college. Veronica needs an abortion, but the closest place she can legally get one is over nine hundred miles away—and Veronica doesn’t have a car. Too ashamed to ask her friends or family for help, Veronica turns to the one person she believes won’t judge her: Bailey Butler, Jefferson High’s own little black cloud of anger and snark—and Veronica’s ex-best friend. Once on the road, Veronica quickly remembers nothing with Bailey is ever simple and that means two days of stolen cars, shotguns, crazed ex-boyfriends, truck stop strippers with pro-life agendas, and a limo driver named Bob. But the pain and betrayal of their broken friendship can’t be outrun. When their fighting leads to a brutal moment of truth, Bailey abandons Veronica. Now Veronica must risk everything in order to repair the hurt she’s caused

    Here are teens who could easily trade barbs and double entendres with the characters that fill John Green's novels."Funny, smart, and including everything from flash mobs to blanket forts to a poodle who just might be the reincarnation of Jay Gatsby, The Beginning of Everything is a refreshing contemporary twist on the classic coming-of-age novel—a heart-wrenching story about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.