And then one day, on the beach, she meets the strangest young man she has ever seen.The Ghost's Child is an enchanting fable about the worth of life, and the power of love.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

     "just divine ... Cherry Season is gorgeous. " Beauty and Lace Dan Faraday is too busy for love. With the long hours running the family orchard, he doesn't have time to go on dates, and if he did, he would be looking for someone who fits into his ten-year plan. Someone traditional, reliable and dependable - someone just like him.Someone the total opposite of beautiful drifter Lucy Marino. A free spirit who chases the moment, she's in town for the fruit-picking season. The only certain thing in her life is constant change and while she's tempted to see how cute Dan might be if only he smiled, she's not the type of girl to wait around.But as the cherry trees blossom, Lucy and Dan are increasingly drawn to one another. In spite of their differences, each begins to wonder if maybe they have a future after all. With the weight of Dan's family legacy on his shoulders and Lucy afraid of losing the only life she's ever known, can Dan give Lucy a reason to put down roots before the seasons change?

    When Celia Sands arrives at a remote Italian villa to star in the first performance of a deceased playwright's masterpiece, she is instantly drawn to the mysteries surrounding the play -- and to her compelling, compassionate employer.

    They are at the stockman’s grave, a landmark so old, no one can remember who is buried there. But today, the scant shadow it casts was the last hope for their middle brother, Cameron. The Bright family’s quiet existence is thrown into grief and anguish. Something had been troubling Cameron. Did he lose hope and walk to his death? Because if he didn’t, the isolation of the outback leaves few suspects…Dark, suspenseful, and deeply atmospheric, The Lost Man is the highly anticipated next book from the bestselling and award-winning Jane Harper, author of The Dry and Force of Nature.

    With the whole school turned against her, and Angie not speaking to her, Lizzie takes her own life. But someone isn’t letting her go quietly. As graffiti and photocopies of Lizzie’s diary plaster the school, Angie begins a relentless investigation into who, exactly, made Lizzie feel she didn’t deserve to keep living. And while she claims she simply wants to punish Lizzie’s tormentors, Angie's own anguish over abandoning her best friend will drive her deep into the dark, twisted side of Verity High—and she might not be able to pull herself back out.Debut author Chelsea Pitcher daringly depicts the harsh reality of modern high schools, where one bad decision can ruin a reputation, and one cruel word can ruin a life. Angie’s quest for the truth behind Lizzie’s suicide is addictive and thrilling, and her razor-sharp wit and fierce sleuthing skills makes her impossible not to root for—even when it becomes clear that both avenging Lizzie and avoiding self-destruction might not be possible.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    And like any good love song, it has two parts.In Australia, Arie Johnson waits impatiently for classical pianist Diana Clare to return from a world tour, hopeful that after seven years together she'll finally agree to marry him.On her travels, Diana composes a song for Arie. It's the perfect way to express her love, knowing they'll spend their lives together... Won't they?Then late one night, her love song is overheard, and begins its own journey across the world.In Scotland, Evie Greenlees is drifting. It's been years since she left Australia with a backpack, a one-way ticket and a dream of becoming a poet. Now she spends her days making coffee and her nights serving beer. And she's not even sure whether the guy she lives with is really her boyfriend or just a flatmate.Then one day she hears an exquisite love song. One that will connect her to a man with a broken heart...

    Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.

    Lucy is in love with Shadow, a mysterious graffiti artist.Ed thought he was in love with Lucy, until she broke his nose.Dylan loves Daisy, but throwing eggs at her probably wasn't the best way to show it.Jazz and Leo are slowly encircling each other.An intense and exhilarating 24 hours in the lives of four teenagers on the verge: of adulthood, of HSC, of finding out just who they are, and who they want to be.A lyrical new YA novel from the award-winning author of Chasing Charlie Duskin and the Gracie Faltrain series.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    It's 1969, and sixteen-year-old Lucy is about to run away with a much older man to live off the grid in rural Pennsylvania, a rash act that will have vicious repercussions for both her and her older sister, Charlotte. As Lucy's default caretaker for most of their lives, Charlotte's youth has been marked by the burden of responsibility, but never more so than when Lucy's dream of a rural paradise turns into a nightmare.Cruel Beautiful World examines the intricate, infinitesimal distance between seduction and love, loyalty and duty, and explores what happens when you're responsible for things you cannot make right.