This is an absorbing book, beautifully written.” —Wall Street Journal“Leavy has hit it out of the park…A lot more than a biography. It’s a consideration of how we create our heroes, and how this hero’s self perception distinguishes him from nearly every other great athlete in living memory… a remarkably rich portrait.” — TimeThe instant New York Times bestseller about the baseball legend and famously reclusive Dodgers’ pitcher Sandy Koufax, from award-winning former Washington Post sportswriter Jane Leavy. Sandy Koufax reveals, for the first time, what drove the three-time Cy Young award winner to the pinnacle of baseball and then—just as quickly—into self-imposed exile.

    In a book that's sure to thrill--and infuriate--countless fans, Bill James takes a hard look at the Hall, probing its history, its politics and, most of all, its decisions.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    After a wrenching period of adjustment, he feels rejuvenated by his involvement with the nation's first pro baseball team, the Cincinnati Red Stockings. But American sports isn't the only thing to undergo a major transformation--Sam himself starts to change as he faces life-threatening 19th-century challenges on and off the baseball diamond. With the support of his fellow ballplayers and the lovely Caitlin O'Neill, will he regain the sense of family he desperately needs?Darryl Brock masterfully evokes post-Civil War America--its smoky cities and transcontinental railroad, its dance halls and parlour houses, its financial booms and busts. Equally appealing to sports fans and anyone who appreciates a well-told story, If I Never Get Back is a literary home run that "grabs you from line one on page one and never lets go" (San Francisco Chronicle).

    It was the quiet beginning to the most resonant baseball achievement of all time. Starting that day, the vaunted Yankee centerfielder kept on hitting-at least one hit in game after game after game.In the summer of 1941, as Nazi forces moved relentlessly across Europe and young American men were drafted by the millions, it seemed only a matter of time before the U.S. went to war. The nation was apprehensive. Yet for two months in that tense summer, America was captivated by DiMaggio's astonishing hitting streak. In 56, Kostya Kennedy tells the remarkable story of how the streak found its way into countless lives, from the Italian kitchens of Newark to the playgrounds of Queens to the San Francisco streets of North Beach; from the Oval Office of FDR to the Upper West Side apartment where Joe's first wife, Dorothy, the movie starlet, was expecting a child. In this crisp, evocative narrative Joe DiMaggio emerges in a previously unseen light, a 26-year-old on the cusp of becoming an icon. He comes alive-a driven ballplayer, a mercurial star and a conflicted husband-as the tension and the scrutiny upon him build with each passing day.DiMaggio's achievement lives on as the greatest of sports records. Alongside the story of DiMaggio's dramatic quest, Kennedy deftly examines the peculiar nature of hitting streaks and with an incisive, modern-day perspective gets inside the number itself, as its sheer improbability heightens both the math and the magic of 56 games in a row.

    

    They are superficially a study in contrasts yet share equally haunting sexual burdens carried since youth. With common secrets, they are drawn into a remarkable friendship.

    An all-around superstar, he plays the game with a single-minded ferocity that makes his New York Mets team all but invincible. Yet Barr himself is a mystery with no past, no friends, no women, and no interests outside hitting a baseball as hard and as far as he can. Not even Ellie Jay, the jaded sportswriter who can out-think, out-drink, and out-write any man in the press box. She wants to think she admires Barr's skill on a ballfield, but suspects she might be in love with a man who isn't really there.Barr leads the Mets to one championship after another. Then chaos arrives in the person of new manager Charli Stanzi, well-known psychopath. Under Stanzi's tutelage, the team simply falls apart. Then Barr himself inexplicably starts to unravel. For the first time in his life, his formidable skills fail him, and only Ellie Jay and another can help - if he will let them. Hanging in the balance are his sanity, the World Series, and true love.

    Or the "Phantom of Fine Hall," a figure many students had seen shuffling around the corridors of the math and physics building wearing purple sneakers and writing numerology treatises on the blackboards. The Phantom was John Nash, one of the most brilliant mathematicians of his generation, who had spiraled into schizophrenia in the 1950s. His most important work had been in game theory, which by the 1980s was underpinning a large part of economics. When the Nobel Prize committee began debating a prize for game theory, Nash's name inevitably came up—only to be dismissed, since the prize clearly could not go to a madman. But in 1994 Nash, in remission from schizophrenia, shared the Nobel Prize in economics for work done some 45 years previously.Economist and journalist Sylvia Nasar has written a biography of Nash that looks at all sides of his life. She gives an intelligent, understandable exposition of his mathematical ideas and a picture of schizophrenia that is evocative but decidedly unromantic. Her story of the machinations behind Nash's Nobel is fascinating and one of very few such accounts available in print (the CIA could learn a thing or two from the Nobel committees).

    It is a book about love - the love between a dynamic man and his God, and the tender love between a man and the woman he married. It is also the gripping adventure of a poor Scottish immigrant who became chaplain of the United States Senate and one of the most revered men in America. A Man Called Peter became the number-one best-seller when it was published in 1951, and around the world lives were changed by reading of the chaplain's remarkable faith. In the foreword to this book, Peter's son writes, "Even when [Dad's] words were preached 'secondhand'. . . in the movie version of A Man Called Peter, they had an amazing effect on people."Through Peter's story and the compelling sermons and prayers included in A Man Called Peter, you will discover insight into God, man, and life on earth and hereafter. You will also be encouraged by the realization that "if God can do so much for a man called Peter, he can do as much for you.".

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    From this remote village, noted for its fervent devotion to the Red Sox, comes Ethan “E.A.” Allen, a young man with a chance to change baseball history. Homeschooled, fatherless, and living on the wrong side of the tracks, E.A. is haunted by a dark mystery in his family’s past until a drifter named Teddy arrives in his life, determined to teach E.A. everything he knows about baseball. Filled with an engaging array of rambunctious, memorable characters and brimming with faith, Waiting for Teddy Williams is an irresistible read that reminds us that dreams—no matter how far-fetched—sometimes do come true.

    . . and an East Texas honky-tonk . . . and, without a doubt, inside the heart of God. It unfolds at a Hollywood hacienda . . . an upscale New York gallery . . . a downtown dumpster . . . a Texas ranch.Gritty with betrayal, pain, and brutality, it also shines with an unexpected, life-changing love.Bonus material in this special movie edition includes:

    She discovers a sympathetic ear in her nurse Anna Howard, who finds herself drawn into the Fitzgerald’s tumultuous lives and wonders which of them is the true genius. But in taking greater emotional risks to save Zelda, Anna may end up paying a far higher price than she ever intended.In this thoroughly researched, deeply moving novel, Erika Robuck explores the boundaries of female friendship, the complexity of marital devotion, and the sources of both art and madness.