Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. From his small-town beginnings to the top of the game, Henry finds out how hard it is to please his coach, his girl, and the sports page—and himself, too—all at once. Written in Henry’s own words, this exuberant, funny novel follows his eccentric course from bush league to the World Series. Although Mark Harris loves and writes tellingly about the pleasures of baseball, his primary subject has always been the human condition and the shifts of mortal men and women as they try to understand and survive what life has dealt them. This new Bison Books edition celebrates the fiftieth anniversary of the publication of The Southpaw. In his introduction to this edition, Mark Harris discusses the genesis of the novel in his own life experience. Also available in Bison Books editions are The Southpaw, It Looked Like For Ever, and A Ticket for a Seamstitch, the other three volumes in the Henry Wiggen series.

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.

    The first book from the Washington Post's great baseball writer.

    Kerrane is a professor of English at the University of Delaware.

    Only one of them killed a man. This is the story of Ray Chapman of the Cleveland Indians, a popular player struck in the head and killed in August 1920 by a pitch thrown by Carl Mays of the New York Yankees. Was it, as most baseball observers thought at the time, a tragic but unavoidable accident? Mike Sowell's book investigates the incident and probes deep into the backgrounds of the players involved and the events that led to one of baseball's darkest moments.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    Here are the spectacular exploits of the Indians and Giants, and of a young player named Willie Mays, who made the most-talked-about catch in baseball history.

    "Roth is better than he's ever been before.... The prose is electric." (The Atlantic)Gil Gamesh is the only pitcher who ever tried to kill the umpire, and John Baal, The Babe Ruth of the Big House, never hit a home run sober. But you've never heard of them -- or of the Ruppert Mundys, the only homeless big-league ball team in American history -- because of the communist plot and the capitalist scandal that expunged the entire Patriot League from baseball memory.

    He then went on to win all three games of baseball's first World Series. Fifty-nine in '84 tells the dramatic story not only of that amazing feat of grit but also of big-league baseball two decades after the Civil War—a brutal, bloody sport played barehanded, the profession of uneducated, hard-drinking men who thought little of cheating outrageously or maiming an opponent to win. It is the tale, too, of the woman Radbourn loved, Carrie Stanhope, the alluring proprietress of a boarding-house with shady overtones, a married lady who was said to have personally known every man in the National League. Wonderfully entertaining, Fifty-nine in '84 is an indelible portrait of a legendary player and a fascinating, little-known era of the national pastime.

    By investigating previously unknown sources, the book uncovers the real story of how baseball evolved from a gentleman's amateur sport of well-bred play followed by well-laden banquet tables into a professional sport where big leagues operate under their own laws. Offering countless anecdotes and a wealth of new information, the authors explode many cherished myths, including the one which claims that Abner Doubleday invented baseball in 1839. They describe the influence of baseball on American business, manners, morals, social institutions, and even show business, as well as depicting the types of men who became the first professional ball players, club owners, and managers, including Spalding, McGraw, Comiskey, and Connie Mack.Note: On August 2, 2010, Oxford University Press made public that it would credit Dorothy Seymour Mills as co-author of the three baseball histories previously authored solely by her late husband, Harold Seymour. The Seymours collaborated on Baseball: The Early Years (1960), Baseball: The Golden Age (1971) and Baseball: The People's Game (1991).

    The love between team and borough was equally storied, an iron bond of loyalty forged through years of adversity and sometimes legendary ineptitude. Coming off their first World Series triumph ever in 1955, against the hated Yankees, the Dodgers would defend their crown against the Milwaukee Braves and the Cincinnati Reds in a six-month neck-and-neck contest until the last day of the playoffs, one of the most thrilling pennant races in history.But as The Last Good Season so richly relates, all was not well under the surface. The Dodgers were an aging team at the tail end of its greatness, and Brooklyn was a place caught up in rapid and profound urban change. From a cradle of white ethnicity, it was being transformed into a racial patchwork, including Puerto Ricans and blacks from the South who flocked to Ebbets Field to watch the Dodgers’ black stars. The institutions that defined the borough – the Brooklyn Eagle, the Brooklyn Navy Yard – had vanished, and only the Dodgers remained. And when their shrewd, dollar-squeezing owner, Walter O’Malley, began casting his eyes elsewhere in the absence of any viable plan to replace the aging Ebbets Field and any support from the all-powerful urban czar Robert Moses, the days of the Dodgers in Brooklyn were clearly numbered.Michael Shapiro, a Brooklyn native, has interviewed many of the surviving participants and observers of the 1956 season, and undertaken immense archival research to bring its public and hidden drama to life. Like David Halberstam’s The Summer of ’49, The Last Good Season combines an exciting baseball story, a genuine sense of nostalgia, and hard-nosed reporting and social thinking to reveal, in a new light, a time and place we only thought we understood.From the Hardcover edition.

    David Maraniss now brings the great baseball player brilliantly back to life in "Clemente: The Passion and Grace of Baseball's Last Hero," a book destined to become a modern classic. Much like his acclaimed biography of Vince Lombardi, "When Pride Still Mattered," Maraniss uses his narrative sweep and meticulous detail to capture the myth and a real man. Anyone who saw Clemente, as he played with a beautiful fury, will never forget him. He was a work of art in a game too often defined by statistics. During his career with the Pittsburgh Pirates, he won four batting titles and led his team to championships in 1960 and 1971, getting a hit in all fourteen World Series games in which he played. His career ended with three-thousand hits, the magical three-thousandth coming in his final at-bat, and he and the immortal Lou Gehrig are the only players to have the five-year waiting period waived so they could be enshrined in the Hall of Fame immediately after their deaths.

    Robinson has become a national icon, his name a virtual synonym for pathbreaker. Indeed, much has transpired between this young African-American's first bold strides around the baseball diamonds of a segregated America and General Manager Bob Watson's pride in assembling 1996 World Champion New York Yankees. Recognizing this monumental event in America's continuing struggle for integration, Jules Tygiel has expanded his highly acclaimed Baseball's Great Experiment. In a new afterword, he addresses the mythology surrounding Robinson's achievements, his overall effect on baseball and other sports, and the enduring legacy Robinson has left for African Americans and American society. In this gripping account of one of the most important steps in the history of American desegregation, Tygiel tells the story of Jackie Robinson's crossing of baseball's color line. Examining the social and historical context of Robinson's introduction into white organized baseball, both on and off the field, Tygiel also tells the often neglected stories of other African-American players--such as Satchel Paige, Roy Campanella, Willie Mays, and Hank Aaron--who helped transform our national pastime into an integrated game. Drawing on dozens of interviews with players and front office executives, contemporary newspaper accounts, and personal papers, Tygiel provides the most telling and insightful account of Jackie Robinson's influence on American baseball and society.

    To preserve their future, the young man makes a wager with Death, pitting a local sandlot team against the greatest players who ever lived. Things Invisible to See is a story of the power of love and faith to overcome pain and loss. It is a miraculous novel of enduring power.

     We meet the people who most influenced Goodwin’s early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers’ leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood.