A heart - a human heart - slithering down outside the window of a train travelling between London Bridge and Blackfriars. Someone must have thrown it out from a carriage in front. Kumiko is determined to find out who - and why. But Skelton was sitting next to Kumiko on the train and he saw it too, so he also wants to get to the bottom of the mystery. Or he says he does, but really he just wants Kumiko back, because she's walked out on him, just like that, and left him heartbroken. Each for their own reasons, Kumiko and Skelton set out - separately - on a bizarre trail of discovery. Darting between dingy student pubs, the roofs of Borough Market and the corridors and car-parks of Guy's Hospital, they become embroiled in the seedy world of young medical students, until eventually the gossip and the stories lead them both to the hospital's infamous dissection lecturer - known behind his back as 'King Death'...

    The first avocado pears are appearing at the greengrocer's, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to he true?

    They ask him if he's okay. But he doesn't know. He doesn't know the answer to any of their questions - not even his name. Isabel takes him to the hospital she works at, but when the tests show there's nothing physically wrong, she realises she can't walk away. She promised River that they would help this man, but with no way to identify him, Isabel worries about what secrets his memory loss might be hiding. Can they trust him? ? Virginia Macgregor, 2018 (p) Oakhill, 2019

    However the money goes to someone he doesn't know - a man who lives in hospital and is the brother Charlie never knew he had. The two meet and so starts a surprising new life for both of them. A deeply emotional story and also a major film starring Tom Cruise and Dustin Hoffman.

    The apprehensive scribe's quest is to capture on paper the fiercest of all literary beasts -- Moby Dick -- in the form of a workable screenplay so the great director can begin filming.But from the moment he sets foot on Irish soil, the author embarks on an unexpected odyssey. Meet congenial IRA terrorists, tippling men of the cloth impish playwrights, and the boyos at Heeber Finn's pub. In a land where myth is reality, poetry is plentiful, and life's misfortunes are always cause for celebration, Green Shadows, White Whale is the grandest tour of Ireland you'll ever experience -- with the irrepressible Ray Bradbury as your enthusiastic guide.

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

    When they are thrown together in a Dublin brothel in a horrific twist of fate, a peculiar and important bond is formed . . .This is a novel about a flourishing but hidden world, thinly concealed beneath a veneer of normality. It’s about the failings of polite society, the cruelty that can exist in apparently homely surroundings, the bluster of youth and the often appalling weakness of adults.Harvesting is heartbreaking and funny, gritty, raw and breathtakingly beautiful, where redemption is found in friendship and unexpected acts of kindness.Harvesting was inspired by Harding’s involvement with a campaign against sex trafficking run by the Children’s Rights Alliance. Although it is a fictionalised account, the text has been read and approved of by representatives for NGOs in both Moldova and Dublin.

    This book follows him through the process of setting up a new TV programme, punctuated with conversations with his agent.

    His life, his family, his nation and the world stand on the brink of the abyss.Join Bodie and Brock Thoene in the unfolding serialization of their new, contemporary political-thriller ICON, downloadable SOON to a computer near you!

    His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

    Could the answer to his problems lie in the chestnut orchard at the bottom of the garden?Only Ellie can help Daniel unlock the delicious secret that will bring them the fresh starts they need. And as autumn approaches, romance will blossom amid the glowing embers of the chestnut fire...*Contains an exclusive extract from Jo's brand-new novel, THE OLIVE BRANCH, out February 2015*

    He's counting on the greatest team of con men in the world. If they pull it off, they can take in over $150 million. But there's just one problem--Danny's shady former wife. Based on Steven Soderbergh's update of the classic film, starring George Clooney, Julia Roberts, Brad Pitt, and Matt Damon, scheduled as a 2001 holiday release.

    Mann, the highly-acclaimed author of Wisecracker: The Life and Times of William Haines, now takes us on a wild roller-coaster ride through the 20th century, led by a sassy, chain-smoking 107-year-old actress named Florence Lawrence. Masterfully blending fact with fiction, Mann has reimagined this very real historical figure. From her vaudeville childhood as "Baby Flo, The Child Wonder Whistler" to the snowy Bronx backlot where she shot her first motion picture, the lovely Florence Lawrence commanded -- and demanded -- attention. By 1910, she was the legendary, enigmatic Biograph Girl -- the world's very first movie star.Sixty years later, the fiercely competitive Sheehan twins discover a feisty, mysterious old lady named Flo Bridgewood...a woman who turns out to be none other than the renowned Biograph Girl -- who supposedly died decades before. When the Sheehan brothers find her, she's relaunched into a new and unorthodox stardom. But Flo soon discovers that the times -- and nature of celebrity -- have changed dramatically from the beginning of the century to the end.

     She tries to remember her mother's voice and the pitch and treble of it passes through her; the rhythm of it so clear that for a moment they are...connected by frail strings. So begins The Land of Women, and we are swept into Fiona O'Faolain's last summer in Ireland, the season of her burgeoning sexuality. It is a time, too, when mother and daughter step toward friendship among the voluminous gowns they make for local brides. Yet that giddy summer also delivers betrayal. Fiona's journey from the shame that ended her girlhood takes her to Santa Fe and to Carlos Aragon, a restorer of antiquities, whose ancestry is mysteriously linked to hers. As he explores their pasts with the precision of an artisan, Fiona must face her excruciating memory. In The Land of Women the past lives in the present, and physical and emotional geography touch.

    Whip Tyler of all people! Hasn't their family lost enough at Whip's hands?Hasn't Paul Patterson caused enough damage in Whip's life? But if he won't take the job, Paul will get someone else - a developer who will rape the land and throw Kat's hopes to the wind. It would be easier if Whip didn't care. Or if that long-ago promise didn't stand between him and Kat.