This book also contains two short stories, "the door" and "brief love". All of the works deal with lost love or almost loves.

    He was an ardent member of the Hitler Youth. This is the story of their pareallel journey through World War II. Helen Waterford and Alfons Heck were born just a few miles from each other in the German Rhineland. But their lives took radically different courses: Helen's to the Auschwitz extermination camp; Alfons to a high rank in the Hitler Youth. While Helen was hiding in Amsterdam, Alfons was a fanatic believer in Hitler's "master race." While she was crammed in a cattle car bound for the death camp Aushchwitz, he was a teenage commander of frontline youth troops, ready to fight and die for the glory of Hitler and the Fatherland. This book tells both of their stories, side-by-side, in an overwhelming account of the nightmare that was WWII. The riveting stories of these two remarkable people must stand as a powerful lesson to us all.

    Karl, a former soldier and successful businessman, dutifully answers the call to defend his country, while contemplative academic Gerhard is coerced into informing for the Gestapo. Soon the brothers are serving in the SS, and as Hitler’s hateful agenda brings about unspeakable atrocities, they find themselves with innocent blood on their hands.Following Germany’s eventual defeat, Karl and Gerhard are haunted by their insurmountable guilt, and each seeks a way to escape from wounds that will never heal. They survived the war and its revelation of systematic horrors, but can they survive the unshakable knowledge of their own culpability?

    The wagon trains, Indian attacks, a lone survivor, and her tale of life among the Kumeyaay. Parts of this story are factual: the trail blazing Butterfield Overland Mail, the unfolding conflicts in California over the issue of slavery, and the looming Civil War. Woven into this historical fabric are the stories of Abby, a young girl raised by Indians; John Jay Butterfield, scion of the founder of the Overland Mail; Waterman Ormsby, reporter for the New York Herald; and many other compelling personages drawn from fact and fiction. Join author Marian Sepulveda as she guides you through this unique chapter in early California lore.

    This testimony, concerning Auschwitz and the atrocities which were enacted there, has been edited and extracted by Peter Weiss into a dramatic document that relies solely and completely on the facts for its effectiveness.There is no artistic license, no manipulation of facts and figures, no rearrangement of events for theatrical effect. Nameless witnesses stand and recall their appalling memories of Auschwitz, allowing us to bear witness to their painful and painstaking search for truth and, ultimately, justice. What emerges is a chastening and purging documentary of deeply moving power.Peter Weiss was born in 1916 and settled in Sweden before the outbreak of World War II. Apart from his writing, he was also well known as a painter, theatrical and operatic director, and a film maker. His magnificent play Marat/Sade, which is also available from Marion Boyars Publishers, established his reputation among English-speakling audiences as a revolutionary dramatist, and has continued to be a bestselling classic. He died in 1982.

    Jozef grows up in a happy household - so it seems. But his father Gerhard still harbours disturbing National Socialism ideals, while mother Catharina is quietly broken. She cannot feign happiness for much longer and rediscovers love elsewhere. Jozef is uncertain and alone. Who is he? Are Gerhard and Catharina his real parents? ˃˃˃ A dark mystery gradually unfolds, revealing an inescapable truth the entire nation is afraid to confront. But Jozef is determined to find out about the past and a horror is finally unmasked which continues to question our idea of what, in the last hour, makes each of us human. Scroll up and grab a pre-order copy at only 99 cents today.

     Now, two years later, deep in the Comancheria, Josh Logan rides to fulfill his dying friend’s request. As he rides through the rolling, West Texas hills, blood-thirsty Comanches could wait in the next ravine or around the next hill. Yet, he is determined to fulfill his promise. His message delivered, he must make a decision that could cost him his life. Will Josh stay and help Rory’s father save his ranch from sharp-shooters, murderers, and land-grabbers, or continue to Colorado to join his brother Callum before the snow flies? Logan’s Word, Logan Family Western Series Book One, is a fast-paced, action-packed Western in the tradition of the great Western writer, Louis L’Amour.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    . . Inside the factory, Ephraim anxiously scans the growing crowd, looking for his two sons. As anxious questions swirl around him "Where are they taking us? How long will we be gone?" he can't quell the suspicion that it would be just like his oldest son to hole up somewhere instead of lining up for the Germans, and just like his youngest to follow . . .Yasia, a farmer's daughter who has come into town to sell produce, sees two young boys slinking through the shadows of the deserted streets and decides to offer them shelter . . . As these lives become more and more intertwined Rachel Seiffert's prose rich with a rare compassion, courage, and emotional depth, an unflinching story is told: of survival, of conflicting senses of duty, of the oppressive power of fear and the possibility of courage in the face of terror.

    As the sole survivor of the assault, Kalie makes her way home, and warns her people to prepare for the invasion that she knows is coming. But the goddess-worshiping farmers of her home have no concept of battle, and dismiss Kalie's warning.When the marauders strike again, they cut a swath of destruction and death that prove too late the truth of Kalie’s words. Then Haraak, the leader of the invaders, demands a tribute of gold, grain and women in exchange for sparing her village. Yet it is in Harak's cruel show of power that Kalie sees a chance to save her people--and gain revenge for herself.Kalie leads a group of volunteers to infiltrate the horseman's society, and then destroy them from within. Once she is among them, Kalie uses her skill as a storyteller, and her knowledge of healing to penetrate the horsemen’s inner circle and to discover the secrets that could lead to their destruction.But Kalie discovers that price of revenge is high, and that a quest for vengeance can become a journey of healing and redemption.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

     Ava Fortune's got it all... magic, love, and a bakery. She just can't seem to stay out of trouble, especially now that her dad is getting married. And now Ava's father's been framed for murder… Obviously, she can't let this case rest. Ava can't let her dad down. She needs to find the real killer before he strikes again or her dad ends up behind bars forever. With her aunts and best friend there to help her, Ava can't possibly fail. Or can she? She wonders if this time the killer just might win. Can Ava save her father before it's too late, or is her magic all used up? Page Count: around 330 pages

    And only organized crime can do it. When a gambler tries to pay a bookie with food stamps, the Mafia realizes the liberal entitlement society has gone too far. With half the country on some sort of government assistance, disposable income is disappearing. And without disposable income, the Mob will soon be out of business. Enough. Three New Jersey Mafia families decide to band together to take control of the country. To do so they must get 12 flaming liberals who are destroying the country with a progressive agenda “out of the way.” A “hit list” that will lead to the ultimate target, the President. But this is the new Mob, using brains and technology instead of bullets. And they have a not-so-secret weapon: a United States Senator who happens to be a blood relative. And blood is thicker than politics.

    Jack Slater, once an orphan boy on a train trip west, is facing A Long Year in Outlaw Country. “This is the 1880s, we’re supposed to be civilized,” Slater says following an attack that killed one of his best hands. Greedy men, mean killers, outlaws all, don’t understand the concept of civilized, and it take men like Jack Slater to stand up to them, more so when his family is threatened.