His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    An adaptation of the ballad singing culture of the gaucho minority that saw its way of life threatened by social and political changes of the 19th century.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    Through the eyes of the ancient slave Ti-Noel, The Kingdom of This World records the destruction of the black regime--built on the same corruption and contempt for human life that brought down the French--in an orgy of voodoo, racial hatred, erotomania, and fantastic grandeurs of false elegance.

    Enchanted by her father’s trade, M convinces him to take her along on his routes, selling hardware supplies against the backdrop of Pinochet-era Chile. As father and daughter trek from town to town in their old Renault, M’s memories and thoughts become tied to a language of rural commerce, philosophy, the cosmos, hardware products, and ghosts. M, in her innocence, barely notices the rising tensions and precarious nature of their work until she and her father connect with an enigmatic photographer, E, whose presence threatens to upend the unusual life they’ve created.María José Ferrada expertly captures a vanishing way of life and a father-daughter relationship on the brink of irreversible change. At once nostalgic, dangerous, sharply funny, and full of delight and wonder, How to Order the Universe is a richly imaginative debut and a rare work of magic and originality.

    Alone, except for harried undertakers, she buries her mother–the only family Adelaida has ever known.Numb with grief, Adelaida returns to the apartment they shared. Outside the window that she tapes shut every night—to prevent the tear gas raining down on protesters in the streets from seeping in. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. It is the beginning of a fight for survival in a country that has disintegrated into violence and anarchy, where citizens are increasingly pitted against each other. But as fate would have it, Adelaida is given a gruesome choice that could secure her escape.Filled with riveting twists and turns, and told in a powerful, urgent voice, It Would Be Night in Caracas is a chilling reminder of how quickly the world we know can crumble.

    The garden burns with sunlight; the macaws laugh sweetly. Otilia, Ismail's wife, is ashamed of his peeping and suggests that he pay a visit to Father Albornoz. Instead, Ismail wanders the town visiting old friends, plagued by a tangle of secret memories. "Where have I existed these years? I answer myself; up on the wall, peering over." When the armies slowly arrive, the profesor's reveries are gradually taken over by a living hell. His wife disappears and he must find her. We learn that not only gentle, grassy hillsides surround San Joseacute; but landmines and coca fields. The reader is soon engulfed by the violence of Rosero's narrative that is touched not only with a deep sadness, but an extraordinary tenderness.

    Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror — One of the Old Ones, that forces the people of the town to hole up by night, fearing for their lives, only able to trace the wreckage wrought by the gigantic, unseen monster by the bright light of day.In his classic style, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception — existing between the dimensions that we know.

    In the harshness of winter, her family must join the largest exodus in human history to survive. As battle lines are drawn and East Prussia’s borders vanish beneath them, they leave their farm and all they know behind for an uncertain future.But Ilse also has Janusz, her family’s young Polish laborer, by her side. As they flee from the Soviet army, his enchanting folktales keep her mind off the cold, the hunger, and the horrors unfolding around them. He tells her of a besieged kingdom in the Baltic Sea from which spill the amber tears of a heartbroken queen.Neither of them realizes his stories will prove crucial and prophetic.Not far away, trying and failing to flee from a vengeful army, Arno and his mother hide in the ruins of a Königsberg mansion, hoping that once the war ends they can reunite their dispersed family. But their stay in the walled city proves untenable when they find themselves dodging bombs and scavenging in the rubble. Soon they’ll become pawns caught between two powerful enemies, on a journey with an unknown destination.Hope carries these children caught in the crosshairs of war on an extraordinary pilgrimage in which the gift of an amber teardrop is at once a valuable form of currency and a symbol of resilience, one that draws them together against insurmountable odds.

    Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Vald�s opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Vald�s thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.

    Robert Forester, a depressed but fundamentally decent man, liked to watch Jenny through her kitchen window, a harmless palliative, as he saw it, to his lonely life and failed marriage. As he is drawn into her life, however, the recriminations of his simple pleasure shatter the deceptive calm of this small Pennsylvania town. With striking clarity and horrible inevitability, Forester is caught up in a series of deaths in which he is the innocent bystander, presumed guilty. Highsmith has once again, as Graham Greene wrote "created a world of her own, a world claustrophobic and irrational which we enter each time with a sense of personal danger". And that sense of danger grows from the first page to the sinister and chilling conclusion.

    Comprising eleven stories, most of them never before published in English, The City of Mist offers the reader compelling characters, unique situations, and a gothic atmosphere reminiscent of his beloved Cemetery of Forgotten Books quartet.The stories are mysterious, imbued with a sense of menace, and told with the warmth, wit, and humor of Zafón's inimitable voice. A boy decides to become a writer when he discovers that his creative gifts capture the attentions of an aloof young beauty who has stolen his heart. A labyrinth maker flees Constantinople to a plague-ridden Barcelona, with plans for building a library impervious to the destruction of time. A strange gentleman tempts Cervantes to write a book like no other, each page of which could prolong the life of the woman he loves. And a brilliant Catalan architect named Antoni Gaudí reluctantly agrees to cross the ocean to New York, a voyage that will determine the fate of an unfinished masterpiece.Imaginative and beguiling, these and other stories in The City of Mist summon up the mesmerizing magic of their brilliant creator and invite us to come dream along with him.

    When he arrives, the predecessor he is meant to replace is missing and a deeply disturbed stranger is barricaded in a heavily fortified lighthouse. At first adversaries, the two find that their tenuous partnership may be the only way they survive the unspeakably horrific reptilian creatures that ravage the island at night, attacking the lighthouse in their organized effort to find warm-blooded food. Armed with a battery of ammunition and explosives, the weather official and his new ally must confront their increasingly murderous mentality, and, when the possibility of a kind of truce presents itself, decide what kind of island they will inhabit. Equal parts Stephen King, a phantasmagorical Robinson Crusoe, and Lord of the Flies, Cold Skin is literary horror that deals with the basest forms of human behavior imaginable, while exploring why we so vehemently fear the Other.

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

     The Laguna women suffer from an odd affliction: each generation is condemned to tragic love affairs and to only give birth to girls who are unable to escape the cruel fate of their mothers. One fateful hunting season in their small Castilian town, a young landowner arrives and begins a passionate affair with Clara Laguna, the latest in the family line, daughter of a one-eyed woman known as "the Laguna witch." He leaves her pregnant with yet another daughter, but the seeds of change are sown. Eventually the long-awaited son — Santiago, the great-great grandson of Clara — is born. A window of hope is opened, but is the curse truly over? Full of memorable, offbeat characters, from a bearded, mute female cook to the local do-gooding priest to the Laguna women themselves, The House of Impossible Loves is a feat of imaginative storytelling that marks the arrival of a talented new novelist.