He’s got a new career and new friends, but they can never know his real name or where he comes from. But the program can’t protect him from the relentless dreams of a young woman in danger. It’s the same dream, night after night, and Gary is helpless, unable to stop the dream’s inevitable and horrifying conclusion. The woman seems strangely familiar…is she someone from his dark past? Is she even real? All he knows for certain is that she needs his help, or she will die.

    He develops a particular fondness for La Reina de Corazones - or rather, its landlady, Michelle. David does not approve, and neither does Lydia, for she and the Black Circle have plans for Underwood that definitely do not include Michelle – plans that involve Underwood granting them the vampiric gift of eternal life. And if Underwood won't grant that gift by choice, they'll take it by force.Bonded in Blood, the second of the Underwood and Flinch Chronicles, continues events started in Resurrection. It also reveals how, in the early 18th Century, Underwood became a vampire and how he and the Flinch family became forever Bonded in Blood.Winner of the Polidori Award for Best Vampire Novel 2010 and 2011.Finalist in the 2010 Parsec Awards and Winner in 2012.

    After receiving an invitation, three friends decide to check out the theater, curious as to what all the hype's been about.Part of a series of interconnected horror novels that can be read in any order. Each book serves as a stand alone story, yet builds a greater picture behind a sinister mystery in Chicago.

     He remembered his own excitement as a child, innocent and sweet, and just wanted to give his daughters a present to remember. They certainly won't forget this dollhouse. It's cursed, and he doesn't know how to stop it, and all he wanted to do was be a good father.

    A stolen child. An ancient ritual. A legend of shadows. A terrifying birthright. Who holds the key to the chilling mystery of Stonehaven and its desolate woods — and what unspeakable creature remains trapped within its summer mansion?From New York Times bestselling author Douglas Clegg comes a riveting, edge-of-your-seat supernatural thriller of “overwhelming love and devastating terror.

    FosterYou know, the best thing about nightmares is that they're not real. It's all just in your head, and as soon as you wake up, pop! It's all gone. You're safe. It's not like they could crawl out, creeping from your mind with long, slender fingers and milky yellow eyes sunken into heads with pointed horns bursting out. That'd just be insane. Daniel Tanner's life is insane. A mysterious disease came to claim his son, seemingly pulling him into the grave with cold fingers named misery and hopelessness.Now a stranger has come calling with an even stranger tale of monsters—horrible things that take children in the middle of the night and leave their own, things that crawled out of the fairy tales our barbarous ancestors used to tell, things that they tried to warn us about. We didn't listen. Because monsters aren't real, are they? There's no reason to fear the dark, no reason at all to believe the old tales about creatures with a taste for human meat. That would be insane... wouldn't it?

    In the mist.An apprentice mortician moves his family to the small town of Sotherton to provide them with a better life. Little did he know the dark secret the town and its people harbored. The town sat on the edge of a mist-shrouded forest with a deadly secret. Something lives in the trees, in the mist and it’s jealous. Jealous of all those who have flesh.Disembodied is a preview story from the author’s upcoming collection Creatures and Crypts due out in late 2011. Creatures of the living and the dead gather in a volume of over 70,000 words to stalk their prey…humans. 20 stories set the scene for a cast ranging from the Grim Reaper, shambling zombies and restless spirits, to unimaginable monsters that only inhabit the shapeless darkness and the author’s imagination. Join them as they wreak havoc on their unsuspecting victims and celebrate with a victory dance on hollowed bones.

    Five years ago Harlan headed up the investigation of an identical murder in the same woods; a mishandled investigation that effectively destroyed his credibility as a detective. The new case immediately takes a bizarre twist when the body is identified as the same girl found hanging in the woods five years ago. The following day a local man commits suicide and the police find more dead girls hidden in his basement. The case seems open and closed. Until the killing spree begins. Harlan finds himself drawn into a dark world where murder is a form of self-expression and human life treated as one more commodity to be used and discarded. The only clue that links everything is a large oil painting of ‘Sagittarius A’ – a massive black hole at the centre of the galaxy orbited by thirteen stars daubed in blood with the words – Heart SwarmThis edition is no longer available.

    In its search for food, it finds a new hunting ground off the shores of an island resort. Stuck in a dead-end animal caretaker job for the resort, Marine Biologist Julie Forster begins to notice strange events plaguing the island. Whales are turning up dead in the local waters, and fishermen are disappearing. After setting out for a task on the water, Dr. Forster discovers an enormous shark lurking off the island coast. With a thick exoskeleton, the creature is unlike anything she has ever seen. With an insatiable appetite, the creature attacks anything that moves. As events unfold, she discovers the truth about the creature’s origin, and the imminent threat from its very existence.

    As the body count begins a reasonable explanation cannot be found. A local backwoodsman puts Jeremy onto a possibility that seems too farfetched to be plausible. The Warden quickly learns that considering the impossible is the only way to combat what has shown up on his doorstep. And the only way to prevent more loss of life, including the woman he loves.

    He’s a shy social outcast with no real friends. His luck with women has been spotty at best. A hostile work environment has made his life a living hell for months on end. For Pete, the weekend comes as a welcome respite from these things, but early Saturday morning he finds a beautiful and scantily clad dead woman on his couch. He has no idea who she is or how she got there. Is this a frame-up? Did he kill her in a blackout? Answers to these questions are elusive at first, but then the last woman he ever dated shows up on his doorstep out of the blue and things get seriously complicated from there. Blood is spilled. More bodies pile up. Pete is pushed to his limits as he is forced to do many strange and horrible things. A deadly game is being played and Pete is the ultimate pawn, with his fate coming down to a race against time.

    Darkness has been a constant companion since her parents’ untimely death, and she harbors a secret that never fails to remind her that she’s different.Ellie's protective bubble includes nothing but her coffee shop, her few friends, and her dog. The attention of a handsome young doctor, David Mitchell, pushes her out of her comfort zone, and Ellie warms to the idea that she may have found another risk worth taking.Then one of Ellie’s friends abruptly leaves town; entrusting her home to Ellie’s care. The house has its own mysterious past that draws Ellie into a new darkness. Her ex-husband resurfaces with premonitions of Ellie’s death. And suddenly Ellie’s life is being turned upside down yet again, and even David can’t help her make it right.Ellie is running out of time. Something old and evil has awakened and it wants Ellie all to itself. She must solve a century-old mystery and keep a grip on her sanity in order to survive.

    I thought it was a regular abandoned house. I thought she was a regular girl. I thought we'd play a normal game of hide and seek. Turns out I was wrong. Dead wrong

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    When his company assigns him to a new project situated in a small town in Oregon, he initially refuses the offer, until he realizes that this change may be exactly what he needs to come to terms with his problems.While the town of Woodberry is perfect at first glance and his neighbors friendly, this quickly changes when Chris starts asking about the radio tower perched on top of the highest hill in the town. He is warned not to talk about the tower and soon becomes increasingly aware that he is closely watched. To make things worse, each time the tower lights start blinking, the townsfolk go into a hypnotic trance and their behavior turns hostile.Chris’ new life quickly turns into a desperate fight for survival, as he realizes that he’s not the first victim to become trapped in the town.