Roddy Doyle has earned a devoted following for his wry wit, his uncanny ear, and his ability to fully capture the hearts of his characters. Bullfighting, his second collection of stories, offers a series of bittersweet takes on men and middle-age, revealing a panorama of Ireland today. Moving from classrooms to local pubs to bullrings, these tales feature an array of men taking stock and reliving past glories, each concerned with loss in different ways--of their place in the world, of their power, their virility, health, and love. "Recuperation" follows a man as he sets off on his daily prescribed walk around his neighborhood, the sights triggering recollections of his family and his younger days. In "Animals," George recalls caring for his children's many pets and his heartfelt effort to spare them grief when they died or disappeared. The title story, "Bullfighting," captures the mixture of bravado and helplessness of four friends who go off to Spain on holiday. Sharply observed, funny, and moving, these thirteen stories present a new vision of contemporary Ireland, of its woes and triumphs, and middle- aged men trying to break out of the routines of their lives.

    McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.

    The events of the next few days will lead both of them to reassess the shape of their lives.

    When they are thrown together in a Dublin brothel in a horrific twist of fate, a peculiar and important bond is formed . . .This is a novel about a flourishing but hidden world, thinly concealed beneath a veneer of normality. It’s about the failings of polite society, the cruelty that can exist in apparently homely surroundings, the bluster of youth and the often appalling weakness of adults.Harvesting is heartbreaking and funny, gritty, raw and breathtakingly beautiful, where redemption is found in friendship and unexpected acts of kindness.Harvesting was inspired by Harding’s involvement with a campaign against sex trafficking run by the Children’s Rights Alliance. Although it is a fictionalised account, the text has been read and approved of by representatives for NGOs in both Moldova and Dublin.

    This book, which won raves at its first publication, shows all the hallmarks of the writer who became the award-winning film director so well known today.

    His stories have since appeared in The New Yorker and in the Granta Book of the Irish Short Story. His debut novel, City Of Bohane, was published by Jonathan Cape in April 2011. Could easily have been titled These Are Little Masterpieces'. Barry gathers all the bewildered exasperation that Irish playwrights from Tom Murphy to Marina Carr and Enda Walsh have identified, and brings it, most brilliantly, to his dark, blackly hilarious and horrifically realistic narratives.'-Eileen Battersby, The Irish Times

    On board are hundreds of refugees, some optimistic, many more desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith, his wife and children, and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. As urgently contemporary as it is historical, this exciting and compassionate novel builds with the pace of a thriller to a stunning conclusion.

    Popular Irish comedian Brendan O'Carroll chronicles the comic misadventures of this large and lively family with raw humor and great affection. Forced to be mother, father, and referee to her battling clan, the ever-resourceful Agnes Browne occasionally finds a spare moment to trade gossip and quips with her best pal Marion Monks (alias "The Kaiser") and even finds herself pursued by the amorous Frenchman who runs the local pizza parlor. Like the novels of Roddy Doyle, The Mammy features pitch-perfect dialogue, lightning wit, and a host of colorful characters. Earthy and exuberant, the novel brilliantly captures the brash energy and cheerful irreverence of working-class Irish life.

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street

    One Irish family – One hundred turbulent years: 1916 to 2016 Betty O’Fogarty is proud and clever. Spurred on by her belief in her husband Seamus’s talent as a violin-maker and her desire to escape rural life, they elope to Dublin. She expects life there to fulfil all her dreams. To her horror, she discovers that they can only afford to live in the notorious poverty-stricken tenements. Seamus becomes obsessed with republican politics, neglecting his lucrative craft. And, as Dublin is plunged into chaos and turmoil at Easter 1916, Betty gives birth to her first child to the sound of gunfire and shelling. But Betty vows that she will survive war and want, and move her little family out of the tenements.Nothing will stand in her way. One hundred years later, secrets churn their way to the surface and Betty’s grandchildren and great-grandchildren uncover both Betty’s ruthlessness and her unique brand of heroism.

    From “Guests of the Nation” to “The Mad Lomasneys” to “First Confession” to “My Oedipus Complex,” these tales of Ireland have touched generations of readers the world over and placed O'Connor alongside W. B. Yeats and James Joyce as the greatest of Irish authors.Analyzing a Robert Browning poem, O'Connor once wrote: “Since a whole lifetime must be crowded into a few minutes, those minutes must be carefully chosen indeed and lit by an unearthly glow.” Each of the sixty-seven stories gathered here achieves the same incredible feat of the imagination, laying bare entire lives and histories within the space of a few pages. Dublin schoolteacher Ned Keating waves good-bye to a charming girl and to any thoughts of returning to his village home in the lyrical and melancholy “Uprooted.” A boy on an important mission is waylaid by a green-eyed temptress and seeks forgiveness in his mother’s loving arms in “The Man of the House,” a tale that draws on O'Connor’s own difficult childhood. A series of awkward encounters and humorous misunderstandings perfectly encapsulates the complicated legacy of Irish immigration in “Ghosts,” the bittersweet account of an American family’s pilgrimage to the land of their forefathers.As a writer, critic, and teacher, O'Connor elevated the short story to astonishing new heights. This career-spanning anthology, epic in scope yet brimming with the small moments and intimate details that earned him a reputation as Ireland’s Chekhov, is a testament to Frank O’Connor's magnificent storytelling and a true pleasure to read from first page to last.

    From a Belfast student ordering illegal drugs online to end an unwanted pregnancy to a young mother's brush with mortality; from a Christmas Eve walking the city centre streets when everything seems possible, to a night flight from Canada which could change a life irrevocably, these are stories of love, loss and exile, of new beginnings and lives lived away from 'home'.Taking in, too, the lives of other women who could be guiding lights - from Monica Lewinsky to Caroline Norton to Sinéad O'Connor - Intimacies offers keenly felt and subtly revealing insights into the heartbreak and hope of modern life.

    Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals. But this is no humdrum crime novel. Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them. It's a high-wire act for a novelist but one that commands attention and provokes the dropping of jaws.

    Now, on the eve of his departure, he is not happy to be leaving Ballybeg.With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

    She has been in Paris comforting her dying mother, who ran away from Anastasia's late father, her grandmother's only son. It is a story of Dublin and the unreachable side of the Irish temperament.