Then, just when he's convinced his life has passed him by, Sonny, by a stroke of fate, is given a second chance at living. Can he get it right?  Will he be able to evade the grinding loneliness that stalks him? Will he find a way to overcome the unbearable regret that haunts him? Will he ever risk loving again, to find someone with no good-byes in her heart? And, most of all, will he become the man he always could have been?

    It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever.Written over the course of thirty years by a highly decorated Vietnam veteran, Matterhorn is a visceral and spellbinding novel about what it is like to be a young man at war. It is an unforgettable novel that transforms the tragedy of Vietnam into a powerful and universal story of courage, camaraderie, and sacrifice: a parable not only of the war in Vietnam but of all war, and a testament to the redemptive power of literature.A graduate of Yale University and a Rhodes Scholar at Oxford University, Karl Marlantes served as a Marine in Vietnam, where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals. This is his first novel. He lives in rural Washington State.

    From the forty-below nights of a brutal Minnesota winter to a sweltering summer which brings a surprise tornado, she battles predators, bad luck, and the uncertainty of a future that may not look anything like the one she always imagined. This book is a meditation on life and longing.

    Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives, and blows them to pieces.Emily Books is a publishing project and ebook subscription service whose focus is on transgressive writers of the past, present and future, with an emphasis on the writing of women, trans and queer people, writing that blurs genre distinctions and is funny, challenging, and provocative.Jade Sharma is a writer living in New York. She has an MFA from the New School.

    Eight years ago he dropped out of a seminal Seattle grunge band to try his hand at a more grown-up calling. Now he's thirty-six ("almost forty!"), a deputy prosecutor (a suit), still hanging out at the same clubs he played ten years ago (the ones that haven't shut down), and still dating the same kind of girls (except now they tell him how much their older sisters loved his band).Pete decides it's time to get married—he just doesn't know to whom. Possibilities include Beth, his first love, who has disappeared; Winter, his on-and-off stripper girl-friend, who has been living the grunge life too long; and Esme´, a Sub Pop A&R executive who has some life decisions of her own to make. When a date-rape case lands on his desk—the accused is a local rocker Pete's age, the accuser an eighteen-year-old from the scene—Pete finds his past and present facing him from both sides of the aisle, and he finally has to decide where he stands.Pete Tyler is a cooler version of Everyguy, and Never Mind Nirvana is a hilarious and unexpectedly moving story of a man with one foot stuck in adolescence and the other planted in adulthood. Richly textured with references to classic rock and the music of Seattle's legendary alternative rock scene, it is also a fascinating, bittersweet riff on a particularly American zeitgeist.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    She barely thought twice about making the decision, but it soon began to consume her every thought. And not just her thoughts, but those of every neighbour, police officer and social security worker in a 15-mile radius. But this is her child. Surely she knows best?After she’d made the move to a small town in Scotland, the rolling hills and blustery beaches seemed to be the perfect backdrop for her and her four-year-old daughter, Emily, to start again. It wasn’t always easy just the two of them, but Liz was sure that she could manage this time. And now this?Sometimes, one mistake is all it takes to unravel everything. Cat Step is a lyrically sparse tale about judgement, intergenerational relationships, community, class and the expectations that we place on mothers. With sharp prose Alison Irvine has crafted a compassionate narrative that compels you to listen on.

    Essentially, this novel is about Sri Lanka and its people. This story is narrated by Sam, an illiterate houseboy born in a village too remote for maps. He travels to the nearby city to work in a river house as a domestic servant. Sam finds momentary happiness in a life muddied by difficult days and painful moments. It is about the tears he shed and the days he wished he could forget, of the people he loved and the others he loved to hate. Reaching across Sri Lanka, this is a story of a country gasping for fresh air in the midst of an unending civil war and the chronic trauma it creates in its people, afflicting every life in every race, leaving none untouched. When it was published, Sam's Story was awarded the prestigious Gratiaen Award in 2001 for the best literary work in English in Sri Lanka. This award is given by the Gratiaen Trust, set up on the initiative of best-selling writer Michael Ondaatje who received the Booker Prize for The English Patient which was later made into an award-winning film.

    A mammoth balloon is inflated over the city with much talk by the natives after the artifact; Indians storm the city in spite of the excellent hand-sanded table (birch veneer on black wrought iron legs); two emphatic creatures named Edward and Pia exist in instant replays and talk in stereo static: a tiny President (forty-eight inches tall at the shoulder) may or may not cause intermittent and mass unconsciousness; and Kellerman, "gigantic with gin, runs through the park at noon with his naked father slung under one arm." Meaning may emerge, blur forth, but in this glittering clatterbang of existence no overview is possible ("The moon hates us").With elegance and wicked glee, the author has produced hitherto buried delights in the "Isle of Vernacular." Each fragment has its visual and verbal surprise. Baffling, brilliant, and very special, this is Bertie Wooster's "Guernica."

    He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.

    Happy in her marriage, she tries to look the other way when her genial husband, Alec, takes to the bottle. When Elspeth, Margaret's sister, comes to live with them, the young woman is immediately captivated by the beauty and vitality of the farm, and by the affection she receives from those around her. But as summer turns into fall, and the friendship between Alec and Elspeth deepens, Margaret finds her spirit tested by a series of events that seem as cruel and inevitable as the endless prairie winters.Long out of print, Remembering Laughter (1937) marked Wallace Stegner's brilliant literary debut.

    Set in the rugged region of the Midwest that gives the novel its title, The Driftless Area is the story of Pierre Hunter, a young bartender with unfailing optimism, a fondness for coin tricks, and an uncanny capacity for finding trouble. When he falls in love, with the mysterious and isolated Stella Rosmarin, Pierre becomes the central player in a revenge drama he must unravel and bring to its shocking conclusion. Along the way he will liberate 77 thousand dollars from a murderous thief, summon the resources that have eluded him all his life, and come to question the very meaning of chance and mortality. For nothing is as it seems in The Driftless Area. Identities shift, violent secrets lie in wait, the future can cause the past, and love becomes a mission that can take you beyond this world.In its tender, cool irony, The Driftless Area recalls the best of neonoir, and its cast of bonafide small-town eccentrics adrift in the American Midwest make for a clever and deeply pleasurable read from one of our most beloved authors.