Now, he's out of prison and back to work... as a homicide detective. But while he tries to make the transition from convict to cop again, he can't stop thinking about how he wound up in jail in the first place - because he thinks it was no accident. He has no idea how deep it goes. In this new vigilante series from debut author Tom Meitner, watch Charlie solve murders while he unlocks the gripping mystery of who set him up... and why. This pilot episode is a free murder mystery and suspense story that introduces you to the main players and lays the groundwork for the conspiracy that follows Charlie in his new, "normal" life.

    In a moment of weakness, the bartender—a lone wolf named Caesar Stiles with a chip on his shoulder and a Sicilian family curse hanging over him—agrees. What follows is a stylish literary mystery set in Brooklyn on the dawn of gentrification.While Caesar is initially trying to earn an honest living at the neighborhood watering hole, his world quickly unravels. In addition to being haunted by his past, including a brother who is intent on settling an old family score, Caesar is being hunted down by a mysterious nemesis known as The Orange Man. Adding to this combustible mix, Caesar is a white man living in a deep-rooted African American community with decidedly mixed feelings about his presence. In the course of his search for the French girl's missing brother, Caesar tumbles headlong into the shadowy depths of his newly adopted neighborhood, where he ultimately uncovers some of its most sinister secrets.Taking place over the course of a single week, Outerborough Blues is a tightly paced and gritty urban noir saturated with the rough and tumble atmosphere of early 1990s Brooklyn.Andrew Cotto has written for numerous publications, including The New York Times, Men's Journal, Salon.com, Teachers & Writers magazine and The Good Men Project. He has an MFA in creative writing from The New School. He lives in Brooklyn, New York.

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    The Sussmans live in a posh building on the Upper East Side. When Joey DePino loses his job and is threatened by his bookies and loan shark, he involves the Sussmans in a sick, desperate plan to pay off his gambling debts. But ad exec David Sussman has his own problems trying to stop his suddenly psychopathic mistress from ruining him, and he won't go down without a fight. As the lives of the DePinos and the Sussmans become increasingly intertwined, Joey and David plunge their families into an amoral world where anything is possible and nothing is personal. Part crime novel, part unflinching satire of compulsive gambling, eating disorders, and cold-blooded evil, Nothing Personal firmly establishes Jason Starr as one of the most exciting young noir novelists around.

    After the burial – on a whiskey-soaked night on the town – Jack’s brother disappears. When his brother is found comatose on the edge of death, Devlin resolves to avenge the wrong – no matter what it takes, no matter where the trail leads, even if he has to descend into the lawless underworld of New York City after-hours clubs where violence reigns, sex and drugs rule the night, and corruption kills. AND JUSTICE FOR ONE tells a dark, violent story set in 1980’s New York during a time when lawlessness and corruption pulsed intently under the city’s civilized veneer. Those times and places are gone now, but today’s readers can experience them in this intense, thoroughly-researched novel. This is the second edition of the acclaimed debut novel in the Jack Devlin “One” series, re-edited by the author, John Clarkson. The New York Times said AND JUSTICE FOR ONE "Packs a savage punch". Kirkus Reviews called it, "Dark, sexy, tough, and fast." Amazon reviewers called it: “The best action novel I have ever read!”, “Well-written, hot, furious, fun.”, “A helluva a good read, loaded with action.”If you missed AND JUSTICE FOR ONE the first time around, don’t miss it this time!Author's Note This novel was first published in 1992. I don't remember exactly when I began writing it. I do remember the two events that inspired the story. The first event occurred in 1976 when I visited an after-hours club in downtown Manhattan. The second event came in 1979. A six-year-old boy named Etan Patz disappeared on a spring morning in New York's SoHo district, igniting the worst fears of parents around the country. It happened during a two-block walk to his school bus stop. Somewhere in the back of my mind those two events brewed for years. What if someone you loved vanished? What would you do to find them? And what if it turned out that the mysterious, hidden world of after-hours clubs had something to do with the disappearance? At some point in the late eighties, those two events became the inspiration for my first novel. I hardly remember writing it. My sense is that it came out in a sudden rush. And selling it to a publisher happened quite fast. I landed an agent, George Wieser, very quickly. And it seems like George sold it to Crown with in a few weeks. Thank you, George! I do remember spending a very long time editing the book under the guidance of Peter St. John Ginna. He was patient with me. He made it a much better book. I still appreciate his efforts. In the original author's note, I also thanked my wife Ellen for her patience. A good deal of the research for And Justice for One started at four in the morning. All these years later Ellen is still patient with me, but more importantly,she still loves me, and I her. The others I thanked in the first edition were "the people who made it possible for me to enter the world of after-hours clubs, particularly a friend named Tommy Burns. When I asked how I should acknowledge him in the first edition, he said use T.B., 'Bartender to the Stars.'" Tommy rarely took anything very seriously. Obviously, all the after-hours clubs described in this book no longer exist. But all of them except for one which is a composite of three clubs, existed very much as described. It was a wild time in NYC. A time before cell phones and the internet and Uber. A time long gone. So, what prompted me to re-publish And Justice for One? Since its publication in 1992, I have persisted in writing crime thrillers, despite about a ten-year break after the first five. All five of those novels are out of print, but readers often ask me how they can get them. This is an attempt to make that easier. It has also provided me with the opportunity to polish the book. Nothing substantive, but lots of nips and tucks. This new edition is still what I consider a raw, rather impetuous novel from an unformed writer just starting out. Maybe that's the best kind. Hope you enjoy it.

     She must have been important because the mysterious client spared no expense to get her there to investigate the disappearance, making the gig too good to resist. Had Lindy known the victim’s identity, and her own financial reality were not so grim, she would have turned him down in an instant. Instead, she travels to a remote island with a man she’d rather avoid, and where the residents keep their secrets close. One of them knows the truth, and she must find it before it finds her.

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    In his national bestseller "The Blood Countess," Andrei Codrescu brought to life the bloodthirsty royal Elizabeth Bathory, who embodied nearly all the contradictions of the seventeenth century. Now he depicts the astonishing life of the legendary Casanova, as the old adventurer relives his life while writing his memoirs in a provincial Bohemian castle at the end of the eighteenth century. Far from being defeated by age, Casanova delights in the maidservants, reacts with intellectual vigor to the unfolding of the French Revolution, and collaborates with Mozart on "Don Giovanni." Long considered the rhapsodist of an age of aristocratic mirth, scandal, and innumerable affairs, Casanova was also a first-rate intellect who corresponded and argued with Voltaire and Rousseau. His published work, besides the celebrated "History of My Life," includes a multivolume fantasy fiction novel that predates and anticipates Jules Verne; translations of Italian classics into French; and a number of plays that were produced on the great stages of Europe.Casanova's romantic legend overshadowed his literary work, which was, for the most part, not published until 1960. The fate of his writings was nearly as fabulous and intriguing as that of their author. Still, even in abridged, bowdlerized, and fragmentary form, Casanova's memoirs have inspired writers as diverse as Flaubert, Stendhal, Hermann Hesse, and now, Andrei Codrescu. Codrescu's vivid fictional account illuminates the interest we still havein this uncompromising and magical libertine, while it imagines how his life would have continued if Casanova's immortality had extended beyond the literary.In Codrescu's retelling of the Casanova legend, readers are introduced to an age far less inhibited than our own, and far more interesting in its vices. At once a libertine, a defender of women, a reactionary, a revolutionary, a brilliant observer, and a visionary, Casanova was a man ahead of his time both in thought and in action. Finally, in this inventive and absorbing work, Casanova is given due credit for his writings, his philosophies, and, of course, for the amorous magic that has been made known to so many.

    The magic is gone but the monsters remain.I'm Fetch Phillips, just like it says on the window. There are a few things you should know before you hire me:1. Sobriety costs extra.2. My services are confidential.3. I don't work for humans.It's nothing personal—I'm human myself. But after what happened, to the magic, it's not the humans who need my help.Walk the streets of Sunder City and meet Fetch, his magical clients, and a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher.

    When Rebecca died of cancer in prison—branded as a disturbed vigilante after killing one of his murder suspects—Jerry knew he needed to put the truth in writing to set the record straight.Now, as an old man nearing his own demise, Jerry is unsure whether to share his narrative about Rebecca with the world. But when his eight-year-old granddaughter Marnee disappears, Jerry learns she’s been taken by someone close to the killer depicted in the pages hidden in his dresser drawer.It’s time for Jerry to finish the story—by confronting an evil that threatens Marnee’s life and the lives of everyone around her. And by placing his faith in a higher power to redeem the love for Rebecca in his heart.

    He is a careless dresser with a sloppy lifestyle and he couldn't keep his marriage from falling apart. But he also epitomizes the best of the modern shamus. He has the kinds of friends a man in his profession needs-jailbirds, mob bosses, and a cop who can surreptitiously run license plate numbers for him. Jake has been down on his luck lately, barely making enough money to pay the bills and it looks like business might finally be picking up. A woman comes to his office begging him to find her missing husband who has been accused of murder. Jake remembers that his mentor Jimmy Pigeon always says "Whenever I'm asked to locate a missing spouse, the words 'no, but thanks for asking' always come to mind" and almost turns the case down, but then he learns that the murder victim was Jimmy Pigeon. Determined to discover the identity of Pigeon's killer, Diamond scrambles between Los Angeles and San Francisco following leads that range from weak to delusional. With the help of his trusty and sarcastic assistant, Darlene Roman, compulsive gambler Vinnie "String" Stradivarius, and Italian-American "businessman" Joey Russo, Jake slowly uncovers the motives behind Pigeon's murder. Jake's adventure has all the components of a great new private eye series-scares, suspense, lots of laughs, a few tears and a big surprise at the end.

    The same two ghosts who have now approached him on the school playground, ghosts who look older and actually smell bad. Paavo's cry for help brings the authorities, a few lawyers, and Retrieval Artist Miles Flint, who learns some secrets about the ghosts--and about Paavo's parents. This short stand-alone science fiction novel in the Retrieval Artist series received a Special Mention from the prestigious international UPC contest.This stand-alone short novel fits after the full novel Duplicate Effort in the timeline.

    So when she runs into him in New York City on business, they both see this as an opportunity to explore their undeniable attraction. But can a whirlwind of passion turn into long-lasting love?

    Together they work for notorious East End gangster Billy King. Across the water in South London is Billy’s rival George Bannerman and the two firms are locked in a bitter turf war.Amid murder, drug deals, and rival firms, Fletch is harbouring his own secrets and it’s only a matter of time until those secrets are revealed, and when you break the rules you have to pay the price.