It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career. She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?Akwaeke Emezi’s vivid and passionate writing takes us deep into a world of possibility and healing, and the constant bravery of choosing love against all odds.

    One year’s room and board provided.”I should have known it was too good to be true when I first saw the ad. It turns out that Fortune Springs, Colorado isn’t just a one-horse town, it’s a two-woman one, and this is their attempt to keep the community alive. I want to say the scheme is ridiculous, totally outdated, but I’m carrying everything I own in my canvas backpack and the greyhound I stepped off this morning is long gone. If this is my chance at a fresh start, I’d better grab it with both hands.I know I should feel guilty about pretending to be a lonely heart willing to help repopulate this rural logging town, but all I feel is relief at having escaped the apartment in Savannah. And after all, what’s one more secret to add to the pile? I only hope I’ve hidden my tracks well enough, and that the kind Fortune Springs locals who’ve opened their doors to me will never find out what made me run away in the first place…An emotional, gripping story full of family drama. Fans of Carolyn Brown, Robyn Carr and Debbie Macomber will be hooked.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s resume and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more in love—she begins to question: what if the love of her life isn’t the man she married. What if it’s Jane?

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    A forbidden touch in the dark. A love that hurts… in the best way.From bestselling author Kandi Steiner comes an angsty collection of three gut-wrenching, heart-stopping romances that will have you on the edge of your seat from the first hitched breath until the very last kiss.For those who like a little pain with their hearts and flowers…Included in the collection:WeightlessYoung Natalie finds self-love and romance with her personal trainer, along with a slew of secrets that tie them together in ways she never thought possible.A Love Letter to WhiskeyAn achingly poignant rollercoaster romance between two lovers fighting the curse of bad timing.Make Me Hate YouJasmine has been avoiding her best friend’s brother for years. But when they’re forced to be in the same house for a wedding, she remembers just how thin the line is between love and hate.

    Instead, he ended up staying in France for thirteen months, working under the veil of a legitimate relief organization to procure false documents, amass emergency funds, and set up an underground railroad that led over the Pyrenees, into Spain, and finally to Lisbon, where the refugees embarked for safer ports. Among his many clients were Hannah Arendt, Franz Werfel, André Breton, Max Ernst, Marcel Duchamp, and Marc Chagall.The Flight Portfolio opens at the Chagalls' ancient stone house in Gordes, France, as the novel's hero desperately tries to persuade them of the barbarism and tragedy descending on Europe. Masterfully crafted, exquisitely written, impossible to put down, this is historical fiction of the very first order, and resounding confirmation of Orringer's gifts as a novelist.

    One year that changes everything. They seem to have it all. They’re in good health and are financially secure. They live in a pleasant and comfortable town. But as their lives intertwine, cracks emerge and restlessness grows. For Clive, is retirement the beginning of the end? Can fun-loving Saskia break free from her adulterous husband? Will Andy marry his childhood sweetheart? Is Jamie prepared to change his dishonest ways? Might Ellie’s happy marriage be shattered by temptation?Heart-warming and heart-breaking collide in this novel about aspirations, expectations and the realities of everyday life.

    He needs to make his last remaining investment turn a profit…even if that means temporarily relocating to the quirky small town where he endured growing up. He’s spent years reinventing himself and won’t let his past dictate his future.But on his way to New Hope, Vince gets stuck in the middle of nowhere and his past might be the only thing that can get him to his future. Specifically Tack O’Leary, the gorgeous, easygoing farm boy who broke his heart and who picks Vince up in his dilapidated truck.Tack comes to the rescue not only with a ride but also by signing on to be the chef at The Hideaway for the summer. As Vince and Tack open their hearts to each other again, Vince learns that being true to himself doesn’t mean shutting down a second chance with Tack—it means starting over and letting love in.In The Hideaway Inn, Philip William Stover begins the story of a diverse group of characters finding love without boundaries and across the Seasons of New Hope.

    Plus the scars on his chest and a prescription for testosterone. Because Ren is transgender: assigned female at birth, living now as male. He films his transition and shares it bravely with the world; his fans love his honesty and positivity.But Ren has been living a double life.Off-camera, he’s Cane, the muscle-bound enforcer for social justice vigilante group Black Iris. As Cane, he lets his dark side loose. Hurts those who prey on the disempowered. Indulges in the ugly side of masculinity. And his new partner, Tamsin Baylor, is a girl as rough and relentless as him. Together, they terrorize the trolls into silence.But when a routine Black Iris job goes south, Ren is put in the crosshairs. Someone is out to ruin his life. He’s a bad boy, they say, guilty of what he punishes others for.Just like every other guy: at heart, he’s a monster, too.Now Ren’s got everything to prove. He has to clear his name, and show the world he’s a good man. But that requires facing demons he’s locked away for years. And it might mean discovering he’s not such a good guy after all.

    No one has heard from him. He’s disconnected from his friends, from his family, and from the job he dedicated his life to—the job that cost him everything.Then a new, all too familiar murder occurs on his patch and Kidd has no choice but to throw himself back into the fold. A young woman has been found with a smile cut into her throat, eyes carved into her cheeks, the brutal signature of The Grinning Murders—one of the most ruthless serial killers the country has ever seen. A killer who lies behind bars.However things are not as they seem and not everything adds up. Only one thing is clear: Kidd may be the only one who can figure this out before this copycat killer strikes again.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.

    Jack thinks it's all Laura's fault.Laura disagrees.Jack writes to Laura, desperate to put across his side of the story.Laura interrupts.Wryly sarcastic and intensely well-observed, What We Didn't Say is about that gap between words and feelings where relationships live - and die.