When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Three women who, in some way or another, know the meaning of betrayal...For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide...When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide - a verdict Rachael finds impossible to accept.Only when the next death occurs does a fourth woman enter the picture - the unconventional Detective Inspector Vera Stanhope, who must piece together the truth from these women's tangled lives...

    She controls your life. Now she’s going to destroy it.A terrifying and timely new psychological thriller, from the No. 1 Sunday Times bestselling author of The Ice Twins.She watches you constantly.Newly divorced Jo is delighted to move into her best friend’s spare room almost rent-free. The high-tech luxury Camden flat is managed by a meticulous Home Assistant, called Electra, that takes care of the heating, the lights – and sometimes Jo even turns to her for company. She knows all your secrets.Until, late one night, Electra says one sentence that rips Jo’s fragile world in two: ‘I know what you did.’ And Jo is horrified. Because in her past she did do something terrible. Something unforgivable. Now she wants to destroy you.Only two other people in the whole world know Jo’s secret. And they would never tell anyone. Would they? As a fierce winter brings London to a standstill, Jo begins to understand that the Assistant on the shelf doesn’t just want to control Jo; it wants to destroy her.

    Cate is sent to Devon with Rachel's colleague Jack to value the contents of Endsleigh, the grand Georgian home of a former socialite. But inside, its once elegant interiors are now worn with age and dust. Then Cate discovers hidden in the back of one of the bookshelves, an old shoebox containing an exquisite pair of silk dancing shoes from the 1930's along with a mysterious collection of objects - a diamond brooch, a photograph of a handsome young sailor, a dance card, and a beautiful pearl and emerald bracelet from Tiffany's. Unable to solve the questions in her own life, Cate quickly becomes engaged in solving the mystery of the shoe box and begins to unravel the story of Baby Blythe; bright, beautiful and reckless, she was the most famous debutante of her generation. The clues in the box reveal a tale of a dark, addictive love, a tale that will lead Cate to uncover some secrets of her own. A timeless novel from the bestselling author of Elegance.

    But it's only when town pediatrician and coroner Sara Linton does the autopsy that the full extent of the killer's twisted work becomes clear. Sara's ex-husband, police chief Jeffrey Tolliver, leads the investigation -- a trail of terror that grows increasingly macabre when another local woman is found crucified a few days later. But he's got more than a sadistic serial killer on his hands, for the county's sole female detective, Lena Adams -- the first victim's sister -- wants to serve her own justice. But it is Sara who holds the key to finding the killer. A secret from her past could unmask the brilliantly malevolent psychopath .. or mean her death.

    The newborn is swaddled in an Amish crib quilt, and the only other item found with the child is a hand-carved wood rattle, which Kate also recognizes as Amish. The little girl seems healthy and whole; but who would abandon her and why? Though the quilt and rattle could be purchased, Kate suspects the mother is Amish, possibly young and unmarried, both of which would be powerful motives for such a desperate act. With the rattle and the baby quilt as the only clues, Kate must call upon her own Amish roots, and with the help of state agent John Tomasetti, search the Amish and "English" communities of Painters Mill for clues to unravel the poignant, puzzling mystery.

    Once a rising star at the FBI, he is now a freelance consultant, jetting around the globe helping local law enforcement agencies with difficult cases. He's not got Da Vinci's IQ, but he's pretty close.When he accepts a particularly disturbing case in London, Winter arrives to find a city in the grip of a cold snap, with a psychopath on the loose who likes abducting and lobotomising young women. Winter must use all his preternatural brain power in order to work out who is behind the attacks, before another young woman becomes a victim.As Winter knows all too well, however, not everyone who's broken can be fixed.

    Their old friend from college days, Sam Sharp, who has since become a successful screenplay writer, drops by unexpectedly on the way to Los Angeles. Sam is fuming over a scathing profile of himself by Fanny Tarrant, one of the new breed of pugnacious interviewers, in that day's newspaper. Together, Sam and Adrian plan to take revenge on the journalist, though Adrian is risking what he values most: his privacy. What follows is unexpected and upsetting for all of them, including Fanny.David Lodge's delicious novella examines with characteristic wit and insight the tensions between private life and public interest in contemporary culture.

    Rikard von Holz is on the staff of the German Foreign Office--and secretly a member of the anti-Hitler resistance. The two men were friends at Oxford in the 1920s, but have not been in contact since. Now, when Guy flies with Chamberlain from London to Munich, and Rikard travels on Hitler's train overnight from Berlin, their paths are set on a disastrous collision course. And once again, Robert Harris gives us actual events of historical importance--here are Hitler, Chamberlain, Mussolini, Daladier--at the heart of an electrifying, un-put-downable novel.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success... It was I who killed her." Thus begins the much-hyped first novel by 20-year-old Oxford undergraduate Richard Mason. Your typical murder mystery The Drowning People is not, for we are given the identity of the killer--the who--immediately. The puzzle in this introspective novel is why--why did 70-year-old James Farrell murder his aristocratic wife, Sarah? The answer lies nearly 50 years into the past as the book ranges from Prague to London, from France to a remote castle in Cornwall. At its core is an intoxicating love affair between 22-year-old James, a talented violinist and hopeless romantic, and Ella Harewood, an American heiress to an English title, trapped by her heritage and destiny. A beautifully written exploration of self-absorbed first love and its tragic consequences, The Drowning People soars beyond the highest of expectations placed upon it.