His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

    Quake, now in development as a film by Repo Man director Alex Cox, is a deadpan, nihilistic look at how fear unravels people?s emotions, how terror can liberate, and how people manage to survive?even panhandler drifters, Hollywood Cretins, and hippies. A true underground classic.

    A witty and urbane bachelor of the Gilded Age embarks on a high-risk scheme to marry into a fortune; a young writer soon to make his mark turns himself to his craft with harrowing social consequences; an aristocratic British officer during the American Revolution carries on a courtship that leads to murder; and, in Newport's earliest days, a tragically orphaned Quaker girl imagines a way forward for herself and the slave girl she has inherited.In The Maze at Windermere Gregory Blake Smith weaves these intersecting worlds into a brilliant tapestry, charting a voyage across the ages into the maze of the human heart.

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

    Her birth plan is explicit: she wants no fetal monitor, no IV, no epidural. Franckline, a nurse in the maternity ward—herself on the verge of showing—is patient with the young woman. She knows what it’s like to worry that something might go wrong, and she understands the pain when it does. She knows as well as anyone the severe challenge of childbirth, what it does to the mind and the body.Eleven Hours is the story of two soon-to-be mothers who, in the midst of a difficult labor, are forced to reckon with their pasts and re-create their futures. Lore must disentangle herself from a love triangle; Franckline must move beyond past traumas to accept the life that’s waiting for her. Pamela Erens moves seamlessly between their begrudging friendship and the memories evoked by so intense an experience. At turns urgent and lyrical, Erens’s novel is a visceral portrait of childbirth, and a vivid rendering of the way we approach motherhood—with fear and joy, anguish and awe.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    And then she meets Bill Clinton. A handsome, charismatic southerner and fellow law student, Bill is already planning his political career. In each other, the two find a profound intellectual, emotional, and physical connection that neither has previously experienced. In the real world, Hillary followed Bill back to Arkansas, and he proposed several times; although she said no more than once, as we all know, she eventually accepted and became Hillary Clinton. But in Curtis Sittenfeld’s powerfully imagined tour-de-force of fiction, Hillary takes a different road. Feeling doubt about the prospective marriage, she endures their devastating breakup and leaves Arkansas. Over the next four decades, she blazes her own trail—one that unfolds in public as well as in private, that involves crossing paths again (and again) with Bill Clinton, that raises questions about the tradeoffs all of us must make in building a life. Brilliantly weaving a riveting fictional tale into actual historical events, Curtis Sittenfeld delivers an uncannily astute and witty story for our times. In exploring the loneliness, moral ambivalence, and iron determination that characterize the quest for political power, as well as both the exhilaration and painful compromises demanded of female ambition in a world still run mostly by men, Rodham is a singular and unforgettable novel.

    As the title implies, this is certainly not a novel -- not in the general sense of the term. And yet a reader who follows the flow will gradually notice certain novelistic conventions insinuating themselves. Writer -- as the narrator refers to himself -- is tired of inventing characters and subjecting them to the rigors of plot development. Instead, historical personages from Dickens to Beethoven recur throughout the book: They re born, create, speak fondly or acidly of their own work and the work of others, and then die. (Death, in fact, is a major concern of Writer.) Works of art interlock and interrelate; diary entries, attributions, and critical comments jostle for position. But what at first appear to be random bits of historical trivia ultimately come together with a narrative logic: a beginning, middle, and end. So while Markson has jettisoned the standard conflict-and-resolution pattern of a novel, he nevertheless fashions a literary journey that gets somewhere. Indeed, the book s conclusion will come as an intensely moving surprise to those who reach it. Does Writer even exist in a book without characters? the narrator wonders. Passing through a period of aging and self-doubt, Writer looks deeply inside himself over the course of the book and worries about his very purpose. The real question hovering in the margins of this beguiling work is, Why do I write? Many an artist suffers under the burdens of posterity, the sinking feeling that words and works will fade with the passage of time. Eventually, though, this particular Writer answers in a qualified affirmative, for he realizes himself to be the main character in his own life. That which is not a novel, he implies, is life itself; creating art is what the artist does to live. In the end, out of a shared sense of mortality and its frailties and beauties, we can only agree. (Jonathan Cook)

    Along with such visionaries as William S. Burroughs, Neal Cassady, and Allen Ginsberg, Kerouac changed the face of American literature, igniting a counterculture revolution that even now, decades later, burns brighter than ever in Desolation Angels.In one of the major cinematic events of 2012, Jack Kerouac's legendary Beat classic, On the Road, finally hits the big screen. Directed by Walter Salles (The Motorcycle Diaries; Paris, Je T'Aime) and with a cast of some of Hollywood's biggest young stars, including Kristen Stewart (The Twilight Saga), Sam Riley, Garrett Hedlund, Kirsten Dunst, Amy Adams (Julie & Julia, The Fighter), Tom Sturridge, and Viggo Mortensen (the Lord of the Rings trilogy, The Road), the film will attract new fans who will be inspired by Kerouac's revolutionary writing.

    A self-employed tech expert, superintendent of his Baltimore apartment building seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

    There's Ivy League Caroline, who dreams of graduating from the typing pool to an editor's office, naive country girl April, who within months of hitting town reinvents herself as the woman every man wants on his arm; Gregg, the free-spirited actress with a secret yearning for domesticity. Now a classic, and as page-turning as when it first came out, The Best of Everything portrays their lives and passions with intelligence, affection and prose as sharp as a paper cut.(back cover)

    Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    Even more shocking than the sexual acts themselves is the fact that they were caught on videotape. A Pandora's box of revelations, the tape triggers a chorus of voices--those of the men, women, teenagers, and parents involved in the scandal--that details the ways in which lives can be derailed or destroyed in one foolish moment. Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in Testimony a gripping emotional drama with the impact of a thriller. No one more compellingly explores the dark impulses that sway the lives of seeming innocents, the needs and fears that drive ordinary men and women into intolerable dilemmas, and the ways in which our best intentions can lead to our worst transgressions.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.