This triggers his migration from Vangapally, his ancestral village in the Karimnagar District of Telangana - the single most important event that would free his family and future generations from caste oppression. Years later, it saves his son Baliah from the fate reserved for most Dalits: a life of humiliation and bonded labour. A book written with the desire to make known the inhumanity of untouchability and the acquiescence and internalization of this condition by the Dalits themselves, Y.B. Satyanarayana chronicles the relentless struggle of three generations of his family in this biography of his father. A narrative that derives its strength from the simplicitywith which it is told, My Father Baliah is a story of great hardship and greater resilience.

    This among others is a fundamental reason why a thorough and truthful study and retelling of this history is needed. The study of Hindu history is also a study of values and inspiration and a profound spiritual yearning that subconsciously continues to guide Hindus. It is also what makes India a unique and distinctive country which is not primarily defined by its politics but by its philosophy and spirituality. The essays in this work both tangentially and explicitly bring out these aspects. "10 Lessons from Hindu History in 10 Episodes" is envisaged as a popular narrative without overlooking or taking liberties with historical accuracy.

    

    That quixotic quest for understanding has drawn much of the world’s population eastward ever since Buddha first assumed the lotus position, and writer Mara Altman needed to know why. So she flew around the world in search of an answer not only to that mystery, but also to the deeper questions that plague all who yearn to define the meaning of life. What Altman found in her wild, comic 18-day reporting trek across India – a journey that took her on a laborious, 37-hour cross-country train trip, onto a mystical flat rock by the ocean in Pondicherry, and eventually into the emergency room of a cut-rate Bangalore hospital – will make you laugh, learn and ponder. By the end of her epic odyssey, it will also take you unexpectedly and thrillingly close to the pulsing heart of human existence. After graduating from Columbia University’s Graduate School of Journalism, Mara Altman worked as a staff writer for The Village Voice. In 2009, HarperCollins published Altman's first book, Thanks For Coming: A Young Woman's Quest for an Orgasm, which was optioned as a comedy series by HBO. She has published seven bestselling Kindle Singles, including the #1 bestseller Bearded Lady, and has also written for New York Magazine and The New York Times. Cover design by Adil Dara

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    Non fiction piece on Sardar Sarovar (Narmada) Project published in 1999.

    Battling odds, Ambedkar drafted the Constitution of India and eventually embraced Buddhism. Experiences similar to Ambedkar's continue to haunt a majority of India's 170 million dalits. They are still denied water, shelter and the basic dignities of life.In this ground-breaking work, Pardhan-Gond artists Durgabai Vyam and Subhash Vyam interweave historical events like the Mahad satyagraha with contemporary incidents. Defying conventional grammar, they infuse fresh energy into the graphic idiom through their magical art mounted on an epic scale.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    India. In the thriving city of Nanivardhana, lives Shaunaka, a young man who yearns to go to Pataliputra to see the world and make his fortune. But he is forced to join his father's jewellery making business and soon finds himself in the workshop a job in which his heart clearly did not lie. Thankfully, along comes distraction in the form of two extravagant weddings royal nuptials at the palace and another wedding at the extravagant corner house in the Buddhist quarter of the city. This house, known for its opulence and sheer size, is owned by Vinayashura, an affluent trader fabled to have mysteriously deep connections to the royal family. Shaunaka is given the charge to work on the bride's jewellery at the corner house, but instead of the mundane task at hand, a morbid sight awaits the trader's wife's bloodcurdling screams bring Shaunaka to Vinayashura's bedroom where he is found murdered and lying in a pool of blood! Who killed Vinayashura? Why? Shaunaka finds himself at the heart of the mystery and his logic and keen observation skills land him the duty of assisting the head of police to solve this murder.

    The head of the family, Nadeem Dalvi, had been the subordinate mamlatdar of Madhusudan Sen, ICS, the Magistrate of Batia, and his trusted supplier of fresh eggs, fish and red meat. When it is discovered that the deaths had not been accidental or caused by fire, Sen vows to turn vegetarian until justice has been done.In this novella of stunning force and impact, a true original of Indian writing is in brilliant form.About the AuthorUpamanyu Chatterjee was born in 1959 in Patna. He spent over thirty calm and undistinguished years in the Indian Administrative Service; during that time, he wrote six novels—when no one was looking. He retired (early and honourably) in 2016 to devote himself full time to running the household. He has one wife and two daughters. He enjoys several solitary occupations.

    That’s about to change! With Small is Big, Rafaa Dalvi has created a potpourri of 100 diverse micro tales (140 characters or less) that will provide you a rich experience in easy-to-digest fragments and urge you to read one page after another before you finally finish the book. And the best part is that there’s a story for everyone, including YOU! If you’re a romantic at heart, this micro tale is for you- She kissed his cheek as he smiled back. Nothing had changed much since two decades. Her husband called her. She hid the photo in the closet. If you love happy endings, this micro tale is for you- You rested on my lap, opened yourself before me and shared your fantasies with me. Then the stories ended and you turned back into a book. If you ever had a tough time fitting in, this micro tale is for you- Nerd. Not anymore. A new college. A new identity. Math. First lecture. Finished my test first. Teacher graded me aloud- 20/20. I had failed. If you are a big fan of word play, this micro tale is for you- They’re lying in bed. “You’re the one,” he says; he’s lying. “I never doubted it,” she says; she’s lying. They’re lying in bed. And if you like thrillers, this micro tale is for you- There were two of us and one vacant position. He would die for this job and I would kill for it. No wonder it worked out just fine for me. In fact, there are 100 such small tales that will have a big impact on you. So what are you waiting for? Scroll to the top of this page, buy the book and start reading today. About the Author: Rafaa Dalvi is a vibrant mess of innumerable thoughts, quotes and movie dialogues, who tries to escape from the mundane with words and contemplates about befriending the voices in his head. He dreams about changing the world, one smile at a time. Already published numerous times, his stories can be read in the anthologies – Curtain Call (editor), Terribly Tiny Tales- Volume 1, Kaleidoscope, Myriad Tales, and many others. He’s the recipient of Indian Bloggers League Booker Prize 2013 and a Select Writer at Terribly Tiny Tales.

    Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam the dashing, handsome hero is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.

    My mother smiles encouragingly. My father shows nosign of having heard. He is immersed in an editorial,no doubt another scathing comment on the state ofthe nation. Bravely, I continue. I say I am thinking ofwriting a book about them.' Strictly Personal: Manmohan and Gursharan is that book. In 2004, Manmohan Singh became prime minister of India. Over the next ten years he led the country through opportunities and challenges,not without some controversy. But this is not that story. This is the story of what went before, and it is told by his daughter Daman Singh. It charts the journey of a young boy growing up in undivided India, battling family hardship to pursue his dream of higher education, determining his intellectual and moral compass and learning to live life on his own terms. It is equally about Gursharan Kaur, the womanwith whom he made that life. Vivacious and talented Gursharan, the centre of the family and of the circle of friends they shared. And about their three daughters, Upinder, Daman and Amrit, growing up with aresilient mother and a workaholic father who stepped into the limelight.Based on conversations with her parents and hours spent in libraries and archives, this honest and affectionate memoir provides new insights into the former prime minister and his wife. Movingfrom Gah, Nowshera and Peshawar; through Amritsar, Patiala and Hoshiarpur; to Chandigarh, Cambridge and Oxford; then New York, Bombay and Geneva; and on to New Delhi, this intimate portrayal of two lives is also the history of a nation unfolding over half a century.

    It deals with the cultural history too. A must read for the students of history and anyone with a curiosity to go through the history of this land.

    This book was not “inspired by actual events,” or “based on a true story,” this is a true story. The pain, tears, soul-shattering grief and amazing triumph are all real. From the years of horrific abuse, through my pain-filled teens and twenties, this book details my thirst for vengeance and the final, miraculous event that changed my life. It is a raw, no holds barred, look at a life filled with tragedy and the demons spawned by a mother’s evil. From the terrible secrets we were forced to keep, to the bodies piling up, my quest to kill the demons of my youth took me down a path I barely survived. This book is the tale of that journey. I’ve bared my soul about all the years spent in darkness and the painful tragedies that fueled my grief. My brother and surviving sisters told me that no one would believe what had happened in that house. They questioned what good could come from unleashing the ghosts of our pasts. This book may shock you, but that is not its purpose. The purpose of this book is to hopefully, inspire you to realize that hope exists even in the most bitter despair. It is both a journey into darkness and a testament to the incredible power of the human soul.