They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    And Baz might be evil and a vampire and a complete git, but he's probably right.Half the time, Simon can't even make his wand work, and the other half, he starts something on fire. His mentor's avoiding him, his girlfriend broke up with him, and there's a magic-eating monster running around, wearing Simon's face. Baz would be having a field day with all this, if he were here — it's their last year at the Watford School of Magicks, and Simon's infuriating nemesis didn't even bother to show up. Carry On - The Rise and Fall of Simon Snow is a ghost story, a love story and a mystery. It has just as much kissing and talking as you'd expect from a Rainbow Rowell story - but far, far more monsters.

    He's ready for anything—except the arrival of Donovan Whyte in his life. Sophisticated and dazzlingly handsome, Dondi quickly becomes the center of Thomas-Edward's universe, introducing him to a world full of drama, passion and feuding families.When their relationship fizzles, they remain uneasy friends until Dondi invites Thomas-Edward to his family's summer house. Thomas-Edward is immediately attracted to Dondi's mysterious brother, Matthew—and finds himself hopelessly drawn to both men.As time passes, Thomas-Edward develops a unique bond with both brothers as they orbit around each other, although he knows only one of them can be his lifelong love. Will the three of them be able to find a way to hold on to each other? Or will love, its loss and the threat of death destroy their connection once and for all? 60,000 words

    But he’s long been tormented by desires that are far from princely. Especially when the beautiful Cassius is promoted to be his new valet, and Merrick is struck by a longing like never before—a longing to know him far beyond royal and servant. After his father’s passing, Cassius Havendale’s sole duty is to provide for his family. A promotion to serve a pampered prince is something he endures only for their sake. Surely Prince Merrick has no understanding of the true suffering of the common people, nor could he possibly understand what it’s like to desperately desire something he cannot have. Except the prince is not at all what Cassius imagined. Kind, humorous, and caring to those in need, he also shares Cassius’s affinity for the arts. In fact, Merrick understands his deepest vulnerabilities in a most remarkable way. As their affection deepens, the underlying tension between them becomes unbearable and they’re unable to ignore it any longer. But when the queen prepares a lavish ball with all the eligible ladies in the land in attendance, Merrick must fulfill his obligations to his country, and Cassius has the needs of his family to consider. They’ve long known their stolen moments would have to come to an end, but are they ready to give up one another and the idea of a happily-ever-after? ***PLEASE NOTE: EVER AFTER is a romantic fairy tale—minus the magic—that features one compassionate prince, one brooding valet, and plenty of angsty, forbidden love. It’s loosely based on a certain treasured fairy tale in a wintery make-believe setting that wouldn’t be considered contemporary but also isn’t based on any specific time period and doesn’t play by any traditional rules.

    Filled with raw talent but lacking proper training, he signs up for a competition that puts him head-to-head with fencing prodigy Seiji Katayama...and on the road to the elite all-boys school Kings Row. A chance at a real team and a place to belong awaits him—if he can make the cut!

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.