By 1807 there was a growing interest in German folk tales. The Grimm brothers were academics who invited friends to their home and asked them to relate stories they had heard. They soon published their first collection of tales and from there several more volumes followed.This compilation of fairy tales which includes the complete canon of over 200 tales has become a beloved set of classical stories the world over. Included in this collection are Hansel and Gretel, Briar Rose, The Fisherman and His Wife, Rapunzel, The Frog Prince, Little Red Riding Hood, Rumpelstiltskin, Tom Thumb, and many more. These stories are a delight to read and will rekindle up many childhood memories as they are reread. Presented here in this edition is the faithful translation of Margaret Hunt.

    Stuck in a foster home with two other kids, Harvey and Thomas J, she's just a pinball being bounced from bumper to bumper. As soon as you get settled, somebody puts another coin in the machine and off you go again. But against her will and her better judgement, Carlie and the boys become friends. And all three of them start to see that they can take control of their own lives.

    She gives it a shape and a face, and encourages the reader to give it a name, all of which helps to demystify it and distinguish it from ourselves. She suggests activities to do with it, like sitting quietly, drawing, and going outside for a walk. The beauty of this approach is in the respect the book has for the feeling, and the absence of a narrative that encourages the reader to "get over" it or indicates that it's "bad," both of which are anxiety-producing notions.Simple illustrations that recall the classic style of Crockett Johnson (Harold and the Purple Crayon) invite readers to add their own impressions.Eva Eland's debut picture book is a great primer in mindfulness and emotional literacy, perfect for kids navigating these new feelings--and for adult readers tackling the feelings themselves!

    Cats sit on mats, hares sit on chairs, mules sit on stools, gophers sit on sofas, and frogs sit on logs."Each animal's designated seat rhymes with that animal's name. "It's not about being comfortable," explains the cat. "It's about doing the right thing."The frog does not want to sit on a log. Doing his best to find an alternative place to sit, the frog asks the cat a litany of questions. For every answer the cat has, the frog has another question--until the frog finds out what dogs sit on!Peppered with catchy rhymes, Frog on a Log? shows young readers that every animal has a special place to sit. With rhymes that are reminiscent of Dr. Seuss's beginner books, Frog on a Log? is a fun, educational read-aloud story that helps teach phonics!

    They’re not the only survivors; with them are four babies. Immediately the sisters set out to make the island a home for themselves and the little ones. A classic tale of courage and dedication from a Newbery Medalist author.

    A bulletin board fell on Stanley during the night, and now he is only half an inch thick! Amazing things begin happening to him. Stanley gets rolled up, mailed, and flown like a kite. He even gets to help catch two dangerous art thieves. He may be flat, but he's a hero. This is the very first Flat Stanley adventure, updated with crisp new art.Supports the Common Core State Standards

    But no one has ever found a safe way of crossing the very busy road. Young Max, who is brighter than the average hedgehog, is determined to solve the problem.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.