A collection of twenty-four short stories from "A Real Samoan Woman." Sometimes funny, often poignant and always honest - this collection of award-winning short fiction is one woman's insight into life as a contemporary Pacific woman who is 'too brown to be white and too white to be brown.'

    It is focused on the effort of Ripeka/Linda to find identity as well as love, as increasingly she commits herself to her Maori being, family and name.

    As Ihimaera tells of the myths that formed his early imagination, he also reveals the experiences from real life that wriggled into his fiction. The book is a record of what it means to grow up Maori in present-day New Zealand.

    Stories deal with dreams, a woman who accidently injures her son, sheep herders, whales, violence, and family life.

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    And then there was the question of Simon Lampton.' Roza Hallwright leads a quiet, orderly life, working at her publishing job each day, returning home to the large, comfortable house she shares with her politician husband David and her two stepchildren. But this peaceful existence is about to be changed forever. In the next few months there will be an election, and, if the polls are correct, Roza will become the Prime Minister's wife. She has faced the prospect with relative calm, but a chance encounter with party donor Simon Lampton sparks a chain of consequences that will bring turmoil to both their lives. Award-winning writer Charlotte Grimshaw has turned her unflinching eye on contemporary New Zealand society in this intricate and elegant novel. Sharp, moving, brimming with insight and observation, The Night Book is at once a meditation on power and politics, and an intensely humane look at the choices people make as they struggle, against the odds, to maintain love and integrity in their lives.

    Their dream worlds and realities intermingle, just as the histories of each generation run through the next. At the center of the novel is the Samoan woman's tattoo, the malu, believed to be brought from Fiji by Siamese twins. The ghosts of the twins watch over the women whose lives are stained by an unfinished tattoo. The shame and grief of not completing the tattoo ceremony go hand in hand with the shame and grief of illicit love and broken promises.

    This colourful story focuses on the relationship between the girls as they grow into women and their attempt to escape their impoverished background.The story is alternatively narrated by the eloquent Fag and the sensitive Ginnie, as well sections told by an historian and industrial psychologist.

    He lands in coastal Gabriel’s Bay, billed as ‘a well-appointed small town’ on its website (last updated two decades ago). Here Kerry hopes to prove he’s not a complete failure. Or, at least, to give his most convincing impression.But Gabriel’s Bay has its own problems – low employment, no tourists, and a daunting hill road between it and civilisation. And Kerry must also run the gauntlet of its inhabitants: Sidney, single mother deserted by a feckless ex; Mac, the straight-shooting doctor’s receptionist; a team of unruly nine-year-olds; a giant restaurateur; and the local progressive association, who’ll debate apostrophe placement until the crack of doom.Can Kerry win their respect, and perhaps even love? Will his brilliant plan to transform the town’s fortunes earn him a lasting welcome in Gabriel’s Bay?

    When one of Daphne's sisters dies, a crisis is provoked that leads Daphne to a mental asylum where she receives shock treatment. Her voice from "the Dead Room" haunts the novel with its poetic insights.

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    Don't lose more time searching for the perfect poems or readings - I've already done all the hard work to save you the trouble. This book combines several well known anthologies and brings you well over 1000 poems since 1250. The original anthologies used as a source are: 1919 Arthur Quiller-Couch, The Oxford Book of English Verse, and 1917 The New Poetry - An Anthology - Edited by Harriet Monroe and Alice Corbin Henderson.

    There's "Let's Go," the story of a young couple's apathetic wanderings on a trip to discover the real Prague; "You Can Hear the Boats Go By," the story of ex-lovers who cope with their chance meeting in a supermarket in the most childish way; and "Barking," the mad rant of a drama student pissed off by Clown class. Not Her Real Name presents an essential guide to postmodern romance, to the vagaries of city life, and to a chronically self-absorbed generation whose love affairs are never as good as the last movies they've seen.

    But the truth is life is threadbare and unpromising until the mysterious Bridget moves in to the Park. The wife of a disgraced Ponzi schemer, she brings with her glamour and wild dreams and an unexpected friendship. Drawn in, Kara forgets for a moment who she’s there to protect.

    We drifted through neighbourhoods in small packs, clinging to each other, all but alone. Our parents had given up. Packed their photos and furniture and moved to the forest to live simpler lives. But we stayed because there was nowhere else to go. We sold everything for rent — time, dignity, self-respect. Beneath the shiny new paint jobs and streets paved with debt lay our home."Stuck in a dead-end office job, Zlata hopes for a record deal so she can escape Auckland city. Then at party she meets Hamish, a graffiti artist and part-time drug dealer. Each has their own ideas about the other’s life, and surrounded by a makeshift family of friends and ex-lovers, their dreams of music, art and travel take shape.But as quickly as things come together, they can be torn apart — unravelling relationships and lives.