Her wit is as sharp as a knife. She is one of my absolute must-read authors.' Victoria Purman, bestselling Australian author A kiss can change your life ...Jemima Kincaid loves her home, her horses and her job as a farrier. Life has not been kind to her, but Jemima is happy in the close-knit rural community of Horseshoe Hill, which rallied around in her hour of need. Even so, she is fiercely independent and will never rely on anyone again.Particularly a man like Finn Blackwood.An infuriatingly attractive geneticist and wild animal vet, Finn threatens not only the serenity of Jemima's present, but that of the future she has so carefully mapped out. But as their paths continue to cross, she finds her attraction to Finn impossible to counter, even as the trauma of her past threatens to undo her. Finn is fascinated by Jemima's solitary nature and unique vulnerabilities but Jemima knows all about loss and how to avoid it. Don't let anyone get close in the first place ...As the past begins to cast long shadows, Jemima and Finn discover that a kiss can bring worlds together-or tear them apart. Will they finally face their fears and find love on Horseshoe Hill?

    Or they were a family, until their father took his own life to escape his bed-bound wife, too obese to leave her room.But for Lori and the remaining brothers, there is no escape from their volatile, mentally unstable mother. They raise themselves away from the gaze of the authorities, realising that though abandoned, they are now in charge. They can control everything, including their mother's food intake.In time, their mother emerges, after losing two-thirds of her body weight. But does she bring with her the seed of hope for a better future, or will all hell break loose?'The texture of the writing as well as the mind-boggling plots give her books a fatally addictive attraction' Saturday Age

    From his early years in the Netherlands to growing up in Australia during the 1980s, Michael recalls the secret surrounding his estranged Greek father and how scandalous events from the past fractured his family. This is a moving chronicle of a boy’s turbulent relationship with his bullying stepfather, aloof older brother and adored mother, whose cheerful apathy has devastating consequences. As his life unfolds, Michael – now a father – must decide if he can free himself from the dark pull of the past.Reminiscent of the great autobiographical novels of JM Coetzee and Michael Ondaatje, The Last Thread is a beautifully crafted work from an exceptional new writer.

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    Delight and enrichment come with the learning of new skills, being close to family and old friends, long companionable beach walks, rediscovering old recipes, food and wine.Wise and joyful, accepting what she cannot change while relishing what she has, Kate shares the beauties and frailties of the human condition and shows us what the gifts of ageing can bring.

    During the week, I write about Australia’s booze-soaked culture. At the weekends, I write myself off.’Booze had dominated Jill Stark’s social life ever since she had her first sip of beer, at 13. She thought nothing could curb her love of big nights. And then came the hangover that changed everything. In the shadow of her 35th year, Jill made a decision: she would give up alcohol. But what would it mean to stop drinking in a world awash with booze?This lively memoir charts Jill’s tumultuous year on the wagon, as she copes with the stress of the newsroom sober, tackles the dating scene on soda water, learns to watch the footy minus beer, and deals with censure from friends and colleagues, who tell her that a year without booze is ‘a year with no mates’.In re-examining her habits, Jill also explores Australia’s love affair with alcohol, meeting alcopop-swigging teens who drink to fit in, beer-swilling blokes in a sporting culture backed by booze, and marketing bigwigs blamed for turning binge drinking into a way of life. And she tracks the history of this national obsession: from the idea that Australia’s new colonies were drowning in drink to the Anzac ethos that a beer builds mateship, and from the six o’clock swill that encouraged bingeing to the tangled weave of advertising, social pressure, and tradition that confronts drinkers today.Will Jill make it through the year without booze? And if she does, will she go back to her old habits, or has she called last drinks? This is a funny, moving, and insightful exploration of why we drink, how we got here, and what happens when we turn off the tap.

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Welcome to a chronicle of broken hearts, fervid pursuits, passionate friendships, deranged letter-writing, the allure of the bottle, the singular charms of musicians, the lost song of youth, and three very awkward evenings with varying prostitutes--exactly zero percent of which the author's parents will want to read. Add to that a slightly misguided attempt to give real-life friends and ex-lovers a 'right of reply' to the stories they appear in and it's fair to say an extended stint in the Witness Protection Program beckons.Confessional, voyeuristic, painful, hilarious and heartfelt, You'll Be Sorry When I'm Dead reveals the acerbic wit, unflinching gaze and razor-sharp insight of a writer at the height of her powers-or the unhinged fantasies of a dangerous mind with not enough to do.

    Inspired by Jana Wendt, this bogan from the Brisbane backwaters waded through the 'cruel and shallow money trench' of television to land a dream role: national news anchor for a commercial network. But the journalist found that, for women, TV was less about news and more about helmet hair, masses of makeup and fatuous fashion, in an era when bosses told you to 'stick your tits out', 'lose two inches off your arse', and 'quit before you're too long in the tooth'. Still, Tracey plastered on a smile and did what she was told. But when she was sacked by email after having a baby, this good girl turned 'bad', taking legal action against the network for pregnancy discrimination. In this frank and funny 'femoir' - part memoir, part manifesto - Tracey 'sheconstructs' the structural barriers facing women in the workplace and encourages us all to shake off the shackles of the good girl. "Glows with the wisdom of a woman who has learned essential truths about love, life and happiness" - Caroline Overington "Wickedly witty and wonderfully wise" - Wendy Harmer "Fiercely smart and ferociously funny" - Benjamin Law

    Modjeska's book investigates the life patterns of women artists, most of whom have been unable to manage such a neat compartmentalization of daily life and creativity. "Stravinsky's Lunch" tells the stories of two extraordinary women, both born close to the turn of the century in Australia and both destined to make important contributions to Australian painting. Stella Bowen went to London to make her career, then became a bohemian and the longtime mistress of Ford Madox Ford. Grace Cossington Smith, a spinster who never strayed far from her childhood home on the outskirts of Sydney, became one of the first Australian modernists. Their distinctive stories speak volumes about how love, art, and life intersect.Farrar, Straus and Giroux

    We gathered around the bigger tree. No one asked Matty - he just reached up and put his right hand on the trunk with ours.Kieran cleared his throat. 'We swear, on these trees, to always be friends. To protect each other - and this place.'Finding those carved trees forged a bond between Jay and her four childhood friends and opened their eyes to a wider world. But their attempt to protect the grove ends in disaster, and that one day on the river changes their lives forever.Seventeen years later, Jay finally has her chance to make amends. But at what cost? Not every wrong can be put right, but sometimes looking the other way is no longer an option.

    But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.Crabb's call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that's long overdue.

    None of them fit so well, however, as stripping. She figured it couldn't be that difficult - she was just going to dance on stage in front of a bunch of strangers. She'd show them a bit of skin, but the gig wasn't going to last that long. Or so she imagined. While stripping was harder than Leigh thought it would be, she hadn't counted on it being so exhilarating - or lucrative. So when she moved to Melbourne and needed to make a living, the lure of her old job was strong. The world of the strip club had become familiar, even reassuring, though some of the people she met during the course of her job didn't exactly give her faith in the future of humanity. Over the course of Leigh's career, she learnt a lot about other people and even more about herself, and the result is a story that delves into a world that not everyone visits but everyone finds fascinating.

    Fiona has also had successful shows at the Edinburgh and Adelaide fringe festivals, the Just for Laughs Festival in Montreal and the Melbourne International Comedy Festival.This book contains her stories - funny and sometimes sad stories about her upbringing as part of a large Irish-Catholic family on a wheat farm in South Australia, her chaotic and disorganised family life ever since, living in Alice Springs and making it as a stand-up comedian. She also talks of a darker side of the life of many performers - alcohol.This book is for anyone who likes to laugh (and cry), who wants to read about a woman living her life on her terms.