In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.Among Walton's many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by "mainstream"; the underappreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's Midnight's Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers.

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    Throughout, she likens the experience of reading to walking a labyrinth, itself a metaphor for our spiritual journey through life. The paths within the labyrinth are not straight, but winding, and in the end, it is not the small circle in the center that defines the self, but the whole grand design of the labyrinth—every experience, every person we meet, and every book we read—that makes us who we are. Malone draws from diverse sources, both spiritual and secular—Virginia Woolf, Saint Augustine, E. E. Cummings, Paul Tillich, Nadine Gordimer, George Herbert, Sue Grafton, Henry James, George Eliot, James Joyce, Patrick O’Brien, E. M. Forster, Franz Kafka, Elie Wiesel, Margaret Atwood, and Tom Wolfe, to name a few. Her thoughtful and beautifully articulated examination of influential books takes in a broad range of subjects, including childhood reading; books as sacred objects; reading and social responsibility; “dangerous” reading, which challenges us to examine our prejudices and beliefs; poetry; and erotic literature. And Malone has compiled a recommended reading list to inspire readers to seek out the unfamiliar or return to old favorites. In Walking a Literary Labyrinth, Malone invites all us readers, of every religious tradition, or none, to consider the influence of reading in our own lives—how and why particular books stay with us, how they shape us, and how they enlarge our humanity.

    Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

    In THE ART OF X-RAY READING, Clark invites you to don your X-ray reading glasses and join him on a guided tour through some of the most exquisite and masterful literary works of all time, from The Great Gatsby to Lolita to The Bluest Eye, and many more. Along the way, he shows you how to mine these masterpieces for invaluable writing strategies that you can add to your arsenal and apply in your own writing. Once you've experienced X-ray reading, your writing will never be the same again.