I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”

    He's spent every day in a hospital hooked up to machines to keep his heart ticking. Then when a donor match is found for Jonny's heart, that turns out to be the cruellest irony of all. Because for Jonny's life to finally start, someone else's had to end. That someone turns out to be Neve's twin brother, Leo. When Leo was alive, all Neve wanted was for him (and all his glorious, overshadowing perfection) to leave. Now that Leo's actually gone forever, Neve has no idea how to move forward. Then Jonny walks into her life looking for answers, her brother's heart beating in his chest, and everything starts to change. Together, Neve and Jonny will have to face the future, no matter how frightening it is, while also learning to heal their hearts, no matter how much it hurts.

    Was this story written about me?”I shrugged.“Yes or no?”I shrugged again, finally earning a little scowl, which somehow made the girl even more pretty. It brought a bloom to her pale cheeks and made sharp shelves of her cheekbones.“It’s very rude not to answer simple questions,” she said.I gestured for my journal, but she still wouldn’t give it to me. So I took out my pen and wrote I can’t on my palm.Then, in tiny letters below it, I finished the thought: Now don’t you feel like a jerk?Parker Santé hasn’t spoken a word in five years. While his classmates plan for bright futures, he skips school to hang out in hotels, killing time by watching the guests. But when he meets a silver-haired girl named Zelda Toth, a girl who claims to be quite a bit older than she looks, he’ll discover there just might be a few things left worth living for.

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.

    Claire Wang never thought she’d be one of them, until her parents pluck her from her privileged life in Shanghai and enroll her at a high school in California. Suddenly she finds herself living in a stranger’s house, with no one to tell her what to do for the first time in her life. She soon embraces her newfound freedom, especially when the hottest and most eligible parachute, Jay, asks her out.Dani De La Cruz, Claire’s new host sister, couldn’t be less thrilled that her mom rented out a room to Claire. An academic and debate-team star, Dani is determined to earn her way into Yale, even if it means competing with privileged kids who are buying their way to the top. When her debate coach starts working with her privately, Dani’s game plan veers unexpectedly off course.Desperately trying to avoid each other under the same roof, Dani and Claire find themselves on a collision course, intertwining in deeper and more complicated ways, as they grapple with life-altering experiences. Award-winning author Kelly Yang weaves together an unforgettable modern immigrant story about love, trauma, family, corruption, and the power of speaking out.

    She’s not ready to think about the why yet, just the how—muscles burning, heart pumping, feet pounding the earth. But no matter how hard she tries, she can’t outrun the tragedy from the past year, or the person—The Taker—that haunts her.Followed by Grandpa Ed in his RV and backed by her brother and two friends (her self-appointed publicity team), Annabelle becomes a reluctant activist as people connect her journey to the trauma from her past. Her cross-country run gains media attention and she is cheered on as she crosses state borders, and is even thrown a block party and given gifts. The support would be nice, if Annabelle could escape the guilt and the shame from what happened back home. They say it isn’t her fault, but she can’t feel the truth of that.Through welcome and unwelcome distractions, she just keeps running, to the destination that awaits her. There, she’ll finally face what lies behind her—the miles and love and loss…and what is to come.

    Perfect for fans of To All The Boys I've Loved Before.Mansfield, Massachusetts is the last place seventeen-year-old Edie Price wants to spend her final summer before college. It’s the home of wealthy suburbanites and prima donnas like Edie’s cousins, who are determined to distract her from her mother’s death with cute boys and Cinderella-style makeovers. Edie has her own plans, and they don’t include a prince charming.But as Edie dives into schoolwork and applying for college scholarships, she finds herself drawn to two Mansfield boys who start vying for her attention. First there's Sebastian, Edie’s childhood friend and first love. He’s sweet and smart and . . . already has a girlfriend. Then there's Henry, the local bad boy and all-around player. He’s totally off limits, even if his kisses are chemically addictive.Both boys are trouble. Edie can’t help but get caught between them. Someone's heart is going to break. Now she just has to make sure it isn't hers.

    It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him.But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?

    Since then, it’s been three years of radio silence, during which time Otis has become the unlikely protégé of eighteen-year-old Dara—part drill sergeant, part friend—who’s hell-bent on transforming Otis into the Olympic swimmer she can no longer be. But when Otis learns that Meg is coming back to town, he must face some difficult truths about the girl he’s never forgotten and the brother he’s never stopped grieving. As it becomes achingly clear that he and Meg are not the same people they were, Otis must decide what to hold on to and what to leave behind. Quietly affecting, this compulsively readable debut novel captures all the confusion, heartbreak, and fragile hope of three teens struggling to accept profound absences in their lives.

    Katherine Rothschild explores the pain and power of forgiveness in a stunning debut novel that will shatter your heart and piece it back together, one truth at a time.Sixteen-year-old Sabine Braxton doesn’t have much in common with her identical twin, Blythe. When their father dies from an unexpected illness, each copes with the loss in her own way—Sabine by “poeting” (an uncontrollable quirk of bursting into poetry at inappropriate moments) and Blythe by obsessing over getting into MIT, their father’s alma mater. Neither can offer each other much support . . . at least not until their emotionally detached mother moves them into a ramshackle Bay Area mansion owned by a stranger named Charlie.Soon, the sisters unite in a mission to figure out who Charlie is and why he seems to know everything about them. They make a life-changing discovery: their parents were hiding secrets about their sexual identities. The revelation unravels Sabine’s world, while practical Blythe seems to take everything in stride. Once again at odds with her sister, Sabine chooses to learn all she can about the father she never knew. Ultimately, she must decide if she can embrace his last wish for a family legacy--even if it means accepting a new idea of what it means to be a family.

    She's grown accustomed to her brother, Peyton, being the focus of the family’s attention and, lately, concern. Peyton is handsome and charismatic, but seems bent on self-destruction. Now, after a drunk-driving accident that crippled a boy, Peyton’s serving some serious jail time, and Sydney is on her own, questioning her place in the family and the world.Then she meets the Chatham family. Drawn into their warm, chaotic circle, Sydney experiences unquestioning acceptance for the first time. There’s effervescent Layla, who constantly falls for the wrong guy, Rosie, who’s had her own fall from grace, and Mrs. Chatham, who even though ailing is the heart of the family. But it’s with older brother Mac—quiet, watchful, and protective—that Sydney finally feels seen, really seen, at last.Saint Anything is Sarah Dessen’s deepest and most psychologically probing novel yet, telling an engrossing story of a girl discovering friendship, love, and herself.

    Her family is part of a community of doomsday preppers, a neighborhood that prioritizes survivalist training over class trips or senior prom. They’re even arranging Becca’s marriage with Roy Kang, the only eligible boy in their community. Roy is a nice guy, but he’s so enthusiastic about prepping that Becca doesn’t have the heart to tell him she’s planning to leave as soon as she can earn a full ride to a college far, far away.Then a devastating accident rocks Becca’s family and pushes the entire community, including Becca’s usually cynical little sister, deeper into the doomsday ideology. With her getaway plans thrown into jeopardy, the only person Becca can turn to is Roy, who reveals that he’s not nearly as clueless as he’s been pretending to be.When Roy proposes they run away together, Becca will have to risk everything—including her heart—for a chance to hope for the best instead of planning for the worst.

    One unforgettable July.Britta is the bubbly drama queen. She needs to get away—and a peaceful cabin in the woods sounds like the perfect escape.Meredith is the overachiever. She’s spent her entire life preparing for college, but at what cost? Now she’s wondering if that’s all there is.Kate is the reluctant socialite. She’s searching for a reason to begin again after fleeing her small Georgia town—and a shameful family secret.Spider is the quiet intellectual. She’s struggling with pain that has isolated her from her peers for much of her life.When these four very different young women stay together for a month in the mountains, they discover that sometimes getting away from it all can only bring you back to who you really are.

    But at eighteen, her home life is stable, and she has a strong relationship with her father, the president of a local biker club known as the Wardens. Virginia Campbell’s life hit fast-forward at fifteen, when her mom “sold” her into the services of a local lawyer: a man for whom the law is merely a suggestion. When Hazard sets his sights on dismantling the Wardens, he sends in Virginia, who has every intention of selling out the club—and Tourmaline. But the two girls are stronger than the circumstances that brought them together, and their resilience defines the friendship at the heart of this powerful debut novel.

    Her new group of friends are tight; the kind of girls who Harper knows have her back. But Harper can't escape the guilt of her twin sister's Jenna's death, and her own part in it - and she knows noone else will ever really understand.But new girl Kirsty seems to get Harper in ways she never expected. She has lost a sister too. Harper finally feels secure. She finally feels...loved. As if she can grow beyond the person she was when Jenna died.Then Kirsty's behaviour becomes more erratic. Why is her life a perfect mirror of Harper's? And why is she so obsessed with Harper's lost sister? Soon, Harper's closeness with Kirsty begins to threaten her other relationships, and her own sense of identity.How can Harper get back to the person she wants to be, and to the girls who mean the most to her?A darkly compulsive story about love, death, and growing up under the shadow of grief.