Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    As a young man, William Lang worked as a gardener at the old college of Glasgow University but he has spent most of his subsequent life as a printer and bookseller in the growing city of Glasgow. When the novel begins, in the mid 1800s, he is in his seventies, widowed and living with his grown-up family. He has just received a parcel containing a book called the Scots Gard’ner, as well as a handwritten journal. With these volumes comes a letter saying that they were left to him by Thomas Brown, a gentleman who has recently died at his country house in Ayrshire. So many years later, the unexpected legacy of the books reminds William of his youth when he and Thomas became unlikely friends. The memories come flooding back. Some of this is based on truth. There was a gardener in Glasgow called William Lang. There was a nineteenth century lecturer in botany at the old college of Glasgow University whose name was Thomas Brown. It is clear from surviving correspondence that the two men, who were not very far apart in years, struck up a friendship. It is also clear that Thomas valued the work William did in collecting plant specimens for him. Later, when William found himself struggling to cope with a polluted garden and the necessities of providing for a widowed mother and younger siblings, Thomas Brown helped him as far as he could. The printed books mentioned are real. But the rest is entirely fictional.

    With a star cast including Kenneth Cranham, Eleanor Bron, Brian Cox, Ian MacDiarmid, Anna Chancellor, Hugh Bonneville, and Lindsay Duncan, these enthralling dramatizations perfectly capture the atmosphere of le Carré's taut, thrilling spy novels. Call for the Dead is the first Smiley novel, which sees him looking into an apparent suicide only to uncover a murderous conspiracy; A Murder of Quality finds Smiley investigating a murder in a private school; The Spy Who Came in from the Cold introduces Alec Leamas, a British intelligence officer whose East Berlin network is in tatters; The Looking Glass War features former spy Fred Leiser, lured back from retirement to investigate a claim that Soviet missiles are being installed close to the West German border; Tinker Tailor Soldier Spy is the first book in the Karla trilogy, and sees Smiley searching for a mole who has infiltrated the Circus; The Honourable Schoolboy sees Smiley determined to destroy his nemesis, Karla, and his spy networks; Smiley's People finds George Smiley called out of retirement to exorcize some Cold War ghosts from his clandestine past; The Secret Pilgrim sees Smiley invited to dine with the eager new recruits at the Circus. He offers them his thoughts on espionage and, in doing so, prompts a former colleague to re-examine his own eventful secret life. Duration: 20 hours approx

    It can be read in ten minutes. Please don't purchase this expecting a novel for your dollar.This story was written in a small cafe on the corner of Bleeker and Grove in New York City on Tuesday, May 27th. The idea came to me yesterday while walking across the Brooklyn Bridge. I saw the locks on several of the small cables on the bridge. I remembered my time in both London and Paris, taking pictures of all the love locks on bridges there. And I thought about all the couples those locks represent. I wondered how many are still together.Maybe this story isn't worth your dollar. If I could price a work on Amazon for less, I would. It is what it is. I hope this will be the first of many short pieces that I write and publish in a single day while recording what I'm thinking and where I am when I write them. For those who take the plunge, I hope you get your money's worth. Thank you for all of your support.-Hugh

    

    Josiah Cole, a small dockside trader, is prepared to gamble everything to join the big players of the city. But he needs capital and a well-connected wife.Marriage to Frances Scott is a mutually convenient solution. Trading her social contacts for Josiah's protection, Frances finds her life and fortune dependent on the respectable trade of sugar, rum, and slaves.Into her new world comes Mehuru, once a priest in the ancient African kingdom of Yoruba, now a slave in England. From opposite ends of the earth, despite the difference in status, Mehuru and Frances confront each other and their need for love and liberty.

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    That was until she ran away, twenty years ago, under a cloud of shame. It's now 1955 and following their mother's death, the Hamilton sisters - Sonnet, Fable and little Novella Plum - have returned to Noah Vale to live near their aunt and uncle.Sonnet, twenty years old and legal guardian to her siblings, has never stepped foot in Noah Vale, yet has been the talk of the town for decades. Fable, at twelve-years-old, is a talented artist and lovelier than even her heartbreaking mother had been. And three year old Plum is just a little girl who's lost her mother and been taken away from the only home she's ever known.As the years pass, the three sisters settle into their new life, working in the town, going to school and swimming in the perfect waterfalls nearby. But suspicion and judgment continue to follow the Hamilton sisters wherever they go. In a small town where everyone thinks they know everything about each other, it's hard to escape the past. And when Fable falls in love with Noah Vale's golden boy, is history destined to repeat itself?Those Hamilton Sisters is a warm, captivating and irresistible story of love, family, secrets and finding your place in the world. For readers of Lucinda Riley and Kate Morton.

    She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and betrayal: the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy--its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her--are linked to generations of women she never knew.A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific. Hailed by the "Los Angeles Times" for his "sustained, intricate brilliance," Jonathan Coe once again proves himself "an artist of character and of his characters' stories," here more astutely than ever before.

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.

    She has a loving husband, two healthy children, a place of their own and a regular wage coming in. But it is the late 1920s, unrest is in the air, employers are putting on the squeeze, and when Matthew loses his job Polly’s life is thrown into turmoil.With no money coming in Polly decides that only drastic action can keep the family from starvation and in a desperate gamble she sells all the family goods and chattels and buys a handcart, from which she sells second-hand rugs and carpets. But struggling to deal with poverty and her husband’s hurt pride are only the start of her problems, for when tragedy strikes Polly has to do battle with the bigotry of a sour brother-in-law to keep herself and her family from falling apart.

    At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    Within an hour, the family is torn asunder. While her husband is away, Indians seize her and their sons, carrying them to an unknown fate. Only her teenage daughter escapes. Alone in the world, young Jane fights to make her way, while her father searches frantically for her. Amidst the turmoil of the Revolutionary War, the family struggles to reunite. Soon even greater tragedy erupts. Book club discussion questions included. Also by Sandy Hill: "Tangled Threads," set in a 1890s cotton mill village. The novel tells the story of two strong women whose lives intersect through the years in both painful and joyful ways.

    One home that binds them together.When Edie Chadwick travels to Ireland to close up her uncle’s lakeside lodge, it’s as much to escape the burden of guilt she’s carrying as to break loose from the smart set of 1930’s London.The old house is full of memories – not just her own, but those of a woman whose story has been left to gather dust in a chest in the attic: a handwritten memoir inscribed with an elegant signature . . . Eliza DruryAs she turns the pages of the manuscript, Edie uncovers secrets she could never have imagined: an exciting tale of ambition, hardship, love and tragedy – a story that has waited a lifetime to be told. . ."A delightful story, rich, engrossing and vividly told" Rachel Hore"A compelling, atmospheric story brimming with period detail about two feisty, independent heroines who will steal your heart" Cathy Kelly"With a marvellously evocative setting, strong and believable lead characters and a pacey plot, Another Heartbeat in the House is a thoroughly compelling love story" Liz Trenow