Johnny was a bell-boy, you see, and he carried all of Countess Kandinsky's things to her room.But Johnny didn't expect to end up with Kaspar on his hands forever, and nor did he count on making friends with Lizziebeth, a spirited American heiress. Pretty soon, events are set in motion that will take Johnny - and Kaspar - all around the world, surviving theft, shipwreck and rooftop rescues along the way. Because everything changes with a cat like Kaspar around. After all, he's Prince Kaspar Kandinsky, Prince of Cats, a Muscovite, a Londoner and a New Yorker, and as far as anyone knows, the only cat to survive the sinking of the Titanic…

    Between the black stallion and young boy, a strange understanding grew that you lead them through untold dangers as they journeyed to America. Nor could Alec understand that his adventures with the black stallion would capture the interest of an entire nation.

    His life is transformed by a brief glimpse of the beautiful country -- at the back of the north wind. This Victorian fairy tale has enchanted readers for more than a hundred years, and combines a Dickensian regard for the working class of mid-19th-century England with the invention of an ethereal landscape.

    Samantha's stories describe her life during this important period of change. Her own world is filled with frills and finery, parties and play. But Samantha sees that times are not good for everybody. That's why she tries to make a difference in the life of her friend Nellie, a servant girl whose world is nothing like Samantha's Samantha befriends a servant girl named Nellie who moves in next door. The girls become fast friends, though their lives are different.

    When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    One lovely spring day, fourteen-year-old Bright Morning and her friend Running Bird took their sheep to pasture. The sky was clear blue against the red buttes of the Canyon de Schelly, and the fields and orchards of the Navahos promised a rich harvest. Bright Morning was happy as she gazed across the beautiful valley that was the home of her tribe. She tumed when Black Dog barked, and it was then that she saw the Spanish slavers riding straight toward her.

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    Old Dan had the brawn. Little Ann had the brains, and Billy had the will to make them into the finest hunting team in the valley. Glory and victory were coming to them, but sadness waited too. Where the Red Fern Grows is an exciting tale of love and adventure you'll never forget.

    Actor Mona 13 recites poetry and Shakespeare at the drop of a hat. Engineer Rush 12, mischievous, builds Meccano bridges. Miranda "Randy" 10 dances and paints pictures. Oliver, 6, calm and thoughtful, is a train engineer. Father writes. Housekeeper Cuffy mothers.

    "That's why it's a good work to keep a road in repair, like giving alms to the poor or tending the sick. It's open to the sun and wind and rain. It brings all kinds of people and all parts of England together. And it's home to a minstrel, even though he may happen to be sleeping in a castle."And Adam, though only eleven, was to remember his father's words when his beloved dog, Nick, was stolen and Roger had disappeared and he found himself traveling alone along these same great roads, searching the fairs and market towns for his father and his dog.Here is a story of thirteenth-century England, so absorbing and lively that for all its authenticity it scarcely seems "historical." Although crammed with odd facts and lore about the time when "longen folke to goon on pilgrimages," its scraps of song and hymn and jongleur's tale of the period seem as newminted and fresh as the day they were devised, and Adam is a real boy inside his gay striped surcoat.

    Meticulously researched and illustrated with many detailed drawings, this novel offers an exceptionally vivid and personal portrait of Native American life and customs.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Ready to grab the attention of a new generation, fresh cover art brings an updated look to this classic series.The Littles live in the walls of the Biggs' house. But when the Biggs go on vacation a messy family comes to stay, the trouble begins. Mice! Cats! How much can one small family take? Will Tom and Lucy, the littlest Littles of all, be able to save the day

    It turns out the dog, which Marty names Shiloh, belongs to Judd Travers who drinks too much and has a gun—and abuses his dogs. So when Shiloh runs away from Judd to Marty, Marty just has to hide him and protect him from Judd. But Marty's secret becomes too big for him to keep to himself, and it exposes his entire family to Judd's anger. How far will Marty have to go to make Shiloh his?