Now, with this new tale of psychological suspense, Martínez is poised to expand on the success of The Oxford Murders.The narrator is an up-and-coming young writer who has little in common with Kloster—a literary giant whose disturbing crime novels dominate the bestseller lists. However, they have both, at one time, employed the secretarial services of the alluring Luciana B. Out of the past, Luciana makes a desperate plea to the young writer. She thinks that Kloster is slowly killing off everyone close to her—can he help before her grandmother and younger sister are murdered?While the narrator suspects her misfortunes have driven her mad, Kloster has a powerful motive; and eerie parallels surface between the murders in Kloster’s books and the real-life deaths surrounding Luciana. As the body count multiplies, the question arises: Can words really kill? Fans of both Alfred Hitchcock and Carlos Ruiz Zafón will be thrilled with Martínez’s literary murder mystery.

    Like many working mothers, Dina Ahmed has become adept at juggling her family and her work. She's the owner of Mosaic, a thriving floral design business, and has been blessed with success, beauty, and, most important, a happy family. But when she returns home one day to discover that her six-year-old twins have vanished, Dina is forced to admit that her life and her marriage were not as perfect as she'd once believed. After many desperate phone calls---and anxious hours spent piecing the puzzle together---Dina accepts the terrible truth: Her husband, Karim, has taken the twins to his homeland of Jordan to raise the children with his family there. The authorities can do nothing to bring Dina's children back, and even her father's contacts in the U.S. State Department are of little help. Karim's family is wealthy and powerful, and even though Dina is half Arab herself, her options are limited. Distraught, but determined to fight, Dina travels to Jordan to confront her husband and to enact a desperate plan to get her children back---but at what risk?

    With echoes of Richard Hofstadter and Edmund Wilson, Krauze explores the Latin American intellectual traditionby deftly animating its decisive figures, from Octavio Paz to Che Guevara, José Vasconcelos toHugo Chávez, and inscribing them upon a vivid landscape of patriotism,opportunism, morality, and avarice—and of love, honor, loyalty, and identity. Redeemersdelivers an unparalleled explication of the roots of ideology and action inLatin America today.

    It also presents an engaging political history of the last several decades, including such events as the Spanish Civil War, the dropping of atomic bombs on Hiroshima and Nagasaki, and the march on the Pentagon to protest the Vietnam War. The book highlights Chomsky's views on the uses and misuses of the university as an institution, his assessment of useful political engagement, and his doubts about postmodernism. Because Chomsky is given ample space to articulate his views on many of the major issues relating to his work, both linguistic and political, this book reads like the autobiography that Chomsky says he will never write.Barsky's account reveals the remarkable consistency in Chomsky's interests and principles over the course of his life. The book contains well-placed excerpts from Chomsky's published writings and unpublished correspondence, including the author's own years-long correspondence with Chomsky.*Not for sale in Canada

    It turns out it’s been lying there for more than one century, prior to Christopher Columbus’s discovery of America. Driven by curiosity and a sense of adventure, he begins the search for the legendary treasure of the Order of The Temple. Together with a medieval history professor and a daring Mexican archeologist they travel through Spain, the Mali desert, the Caribbean Sea and the Mexican jungle. They face innumerable riddles and dangers, but in the end this search will uncover a much more important mystery. A secret, kept hidden for centuries, which could transform the history of humankind, and the way we understand the universe.Fernando Gamboa (Barcelona, Spain, 1970) has devoted most of his adult life to traveling through Africa, Asia and Latin America. He has lived in several countries and worked as a scuba diver, Spanish teacher, entrepreneur, poker player and adventure guide.At present, he’s the #1 bestseller indie author in Spain. His books have been translated into Russian, Greek and Italian"

    CIVIL WARS AND FOREIGN ATTACKS HAVE SPLIT THE U.S. INTO THREE HOSTILE POLITICAL AREAS. CAN YOU MAKE IT HOME FROM YOUR SECRET MISSION IN TIME TO HELP? A once-proud country governed by freedom is torn apart. One section, Dorado, dominates the others with harsh police-state tactics. You are from Turtalia, a new democracy, and you are returning there with important information about Doradan's plans to invade. Two others, Matt and Mimla, join you in escaping to Turtalia. The Doradan underground has helped the three of you get as far as Albuquerque, but now you are on your own. They?re closing in on us, Matt says tensely. I can feel it. There is no sign of the Secret Police on the horizon; but you know they could appear at any moment. They are relentless killers. If you decide to follow Matt's suggestion to return to town to avoid capture, turn to page 10. YOU choose what happens next!

    A dual Argentine-Spanish citizen, Neuman offers incisive insight into cultural identity and nationality, immigration and globalization, history and language. The enigmatic How to Travel Without Seeing is a must-read for anyone interested in our neighbors to the south and their current literature.

    In particular, the book explores a crucial tension at the heart of the war on drugs: despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico’s north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural villages, from the vibrant folklore popularized in the narco-corridos of Norteña music to the icon of Jesús Malverde, the patron saint of narcos, tucked beneath the shirts of local people. In When I Wear My Alligator Boots, the author explores the everyday reality of the drug trade by living alongside its low-level workers, who live at the edges of the violence generated by the militarization of the war on drugs. Rather than telling the story of the powerful cartel leaders, the book focuses on the women who occasionally make their sandwiches, the low-level businessmen who launder their money, the addicts who consume their products, the mules who carry their money and drugs across borders, and the men and women who serve out prison sentences when their bosses' operations go awry.

    The authors not only reconstruct the epic story of the nation but follow the shifting byways of food, art, and popular culture; the plights of minorities; and the ups and downs of economic cycles. Drawing on a range of original scholarship in history, anthropology, political science, and economics, Schwarcz and Starling reveal a long process of unfinished social, political, and economic progress and struggle, a story in which the troubled legacy of the mixing of races and postcolonial political dysfunction persist to this day.

    Professor Williamson starts with the pre-Columbian Indian peoples and the slow, often savage process of colonization by which Spaniards and Portuguese came to control territory many times the size of Spain. Indeed, it was not until the age of the Enlightenment, dynastic shifts, imperial reforms and Napoleonic conquests in Europe that the scene was set for independent republics. Our own century has witnessed both the long decline of Argentina and the dynamic corporatism of Mexico, lurches between dictatorship and democracy in Brazil and Chile, and utterly distinct developments in Cuba. All this is summarized and surveyed in this book.

    The authors explain and illuminate the rift in Chilean society that widened dramatically during the Pinochet era.

    Now, in The Turkish Lover, Esmeralda finally breaks out of the monumental struggle with her powerful mother, only to elope into the spell of an exotic love affair. At the heart of the story is Esmeralda's relationship with "the Turk," a passion that gradually becomes a prison out of which she must emerge to become herself. The expansive humanity, earthy humor, and psychological courage that made Esmeralda's first two books so successful are on full display again in The Turkish Lover.

    a poet who may be mad ... and a carpet containing all of human history combine in this brilliant new fantasy by one of Spain's brightest young writers.Walid was a model prince: handsome, intelligent, skilled in the arts of warfare and poetry. But the kingdom boasted one greater poet than he, and out of jealousy Walid cursed the man to create an impossible work of art: a carpet showing the history of the entire human race. The poet died weaving it. Men went mad seeing it. And when it is stolen, Walid discovers his life's quest: to recover the carpet and earn forgiveness for his mistakes. Inspired by the story of a real king of pre-Muslim Arabia, LEGEND is a magical fantasy, a meditation on destiny, and an utterly thrilling adventure.

     “I and my companions suffer from a disease of the heart which can be cured only with gold.” —Hernán CortésIt was a moment unique in human history, the face-to-face meeting between two men from civilizations a world apart. Only one would survive the encounter. In 1519, Hernán Cortés arrived on the shores of Mexico with a roughshod crew of adventurers and the intent to expand the Spanish empire. Along the way, this brash and roguish conquistador schemed to convert the native inhabitants to Catholicism and carry off a fortune in gold. That he saw nothing paradoxical in his intentions is one of the most remarkable—and tragic—aspects of this unforgettable story of conquest.In Tenochtitlán, the famed City of Dreams, Cortés met his Aztec counterpart, Montezuma: king, divinity, ruler of fifteen million people, and commander of the most powerful military machine in the Americas. Yet in less than two years, Cortés defeated the entire Aztec nation in one of the most astonishing military campaigns ever waged. Sometimes outnumbered in battle thousands-to-one, Cortés repeatedly beat seemingly impossible odds. Buddy Levy meticulously researches the mix of cunning, courage, brutality, superstition, and finally disease that enabled Cortés and his men to survive.Conquistador is the story of a lost kingdom—a complex and sophisticated civilization where floating gardens, immense wealth, and reverence for art stood side by side with bloodstained temples and gruesome rites of human sacrifice. It’s the story of Montezuma—proud, spiritual, enigmatic, and doomed to misunderstand the stranger he thought a god. Epic in scope, as entertaining as it is enlightening, Conquistador is history at its most riveting.From the Hardcover edition.

    A once-thriving border town, it now resembles a failed state. Infamously known as the place where women disappear, its murder rate exceeds that of Baghdad. Last year 1,607 people were killed—a number that is on pace to increase in 2009.In Murder City, Charles Bowden—one of the few journalists who has spent extended periods of time in Juárez—has written an extraordinary account of what happens when a city disintegrates. Interweaving stories of its inhabitants—a raped beauty queen, a repentant hitman, a journalist fleeing for his life—with a broader meditation on the town’s descent into anarchy, Bowden reveals how Juárez’s culture of violence will not only worsen, but inevitably spread north.Heartbreaking, disturbing, and unforgettable, Murder City establishes Bowden as one of our leading writers working at the height of his powers.